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*2023 stock* From Wales, the home of the harp, Amanda has taken her classical roots and forged them in the path of jazz harpist Dorothy Ashby.
She has toured extensively with Matthew Halsall and the Gondwana Orchestra performing at Jazz festivals around the world. More recent collaborations have included recording with DJ Yoda and Chip Wickham and touring Wickham's latest album including upcoming appearances at Ronnie Scotts and Le Petit Halle, Paris.
Whiting's first album was recorded as a trio…
100 recordings on 4 CDs; 184-page hardcover book printed on artbook-quality paper; Packaged in a deluxe gloss-laminated box. It begins with a South African choir from 1930 and a song about police brutality; it ends in Cuba with dreamy innuendo. This collection is about music that is often invisible in today's world, the incredible world of global recordings that aren't jazz, blues, country, rock n' roll, R&B, or "classical." This physical edition of the box set, eight years in the making, conta…
Songs of resistance and gratitude in a Latin pop mode from Chicago’s Dos Santos, one of the longest running groups on International Anthem Recording Company. Vintage-sounding, but polished to modern tastes, ‘City Of Mirrors’ feature the septet playing to their latin heritage in a style that will appeal to all members of the extended family. It’s rich with melody and impassioned vocals, driven by coolly urgent tresillo rhythms and equally given to elegiac ballads that wouldn’t sound out of place…
By the time poet, singer-songwriter, and artist Lizzy Mercier Descloux recorded 1984’s Zulu Rock, she’d marked herself out as both a globe trotter with more passport stamps than Tintin and a musical innovator whose loose, arty spirit could be applied to styles as varied as no wave, Bavarian oompa and Soweto jive. She’d also established a tight-knit threesome with muse/former lover Michel Esteban and producer/on-off lover Adam Kidron, who all reunited to follow Zulu Rock – a surprise hit in her n…
"Hey, there's this new guy around that plays like Herbie Hancock!!". When Chilean pianist Matías Pizarro arrived in Argentina fleeing Pinochet's dictatorship, word spread like wildfire in the local jazz scene. In the two short years that Pizarro spent in Buenos Aires, he became one third of the Viejas Raíces project alongside local jazz heroes Jorge López Ruiz and Pocho Lapouble, recorded with famed Italian trumpeter Enrico Rava and released his own solo album, Pelo de Rata ("Rat's hair"). Pizar…
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).”
The style is very much influenced by the harder post-Bossa Nova…
We Are Busy Bodies announces the reissue of the rare and sought-after 1973 Venezuelan jazz album Espejismo ('Mirage') by Virgilio Armas Y Su Grupo, offering a fascinating snapshot of the thriving music scene in early 1970's Caracas, until now largely undocumented because of the musical dominance of Venezuela’s far larger southern neighbour, Brazil. Pianist and bandleader Virgilio Armas skilfully combined Latin Jazz, post-bossa swing (Balanço), with home-grown variants of Son Cubano, Montuno, Mer…
Vibraphonist Cal Tjader is heard leading five different groups throughout this set, but the identities of the flutists, bassists, and pianists are less important than knowing that Tjader, Willie Bobo (on drums and timbales), and the great conga player Mongo Santamaria are on every selection. The music really cooks, with torrid percussion, inspired ensembles, and occasional solos from the sidemen (which sometimes include pianists Lonnie Hewitt or Vince Guaraldi, bassist Al McKibbon, and flutist P…
Never broadcasted and unreleased sessions by Dutch keyboard players Rob Franken and Jan Huydts alongside Scope drummer H. Zomer. Session which took place in Feb. 1976 and were stored in VPRO archives untill discovered by journalist Frank Jochemsen who searched for material to use for a radio special about Rob Franken..Check soundbites and discover these unheard and never broadcasted dope jazz funk sessions which will in particulary appeal to fans of the Fender Rhodes piano.
Rob Franken was a tal…
Originally released as an obscure private-press LP by the Florida trio of Ben Champion, Ken Burkhart and Danny Burger. Special guest on this super rare funky jazz outing is Mike Longo who says a few words on behalf of the group on the back cover, and sure enough he contributes scorching Rhodes in the style of his early 70s Greasy Groove sides for Groove Merchant and Mainstream. Also on board are Kelton Champion on guitar, Gary Champion on Bass, Mickey McGann on keys and David Winters on Congas a…
A superb Jazz Flavoured Latin Funk Soul album recorded in 1977 by Grammy Award Winning Carlos Franzetti when he was a struggling musician trying to get his first breaks in a tough New York Jazz scene. With a Top Notch grouping including Percussionist Ray Mantilla, Victor Venegas on Bass and Dick Meza from the Tito Puente Orchestra. Carlos played all the Keyboards, wrote the numbers and was also responsible for all the arrangements. Released by Guiness Records (No relation to the Drink) and swift…
Often affectionately referred to as the "Godfather of British Latin music" Robin Jones was truly one of the great performers on the international Latin scene. Denga, his first recording from 1971 is a scintillating fusion of Afro-Cuban and Afro-Brazillian rhythms laden with heavy Fender Rhodes sounds and no less than three Afro-Latin Percussionists. The hard-to-find album has now been reissued by legendary London jazz DJ Paul Murphy's Jazz Room Records imprint. It should be an essential purchase…
*Limited edition of 500 copies.* Sonor Music Editions team was able to rescue from oblivion the lost tapes of this incredible recording, composed and orchestrated by the great Italian arranger and pianist Paolo Ormi. Originally conceived in 1972 at RCA studios in Rome, the album has been never officially released on any commercial/physical format until now. A promo Stereo-8 was only issued at the time on a ridiculous run, and only distributed for non-commercial purposes among the TV circuits. "P…
*Remastered reissue from original tape transfers* Piero Umiliani's 1968 album Playtime was originally issued on the Omicron label. It has been remastered by Noah Mintz at Lacquer Channel Mastering. Licensed from Liuto Edizioni Musicali.
"Some albums show you right away what kind of spirit backs them. Ronald Snijders solo debut from 1977, Natural Sources, is one of these. It begins with a free improvised, sometimes scatting flute and while the flute goes more and more crazy some scat vocals join in to make this first track a kinda strange affair. Jazz, free and spirited, seems the way but Ronald Snijders, son of Surinamese composer Eddy Snijders, outwits us in all our tiny minded expectations with the next song already. An everg…
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
A supreme soundscape! The world's first recording of a work released in 1997 by a composer/guitarist who has left his mark on the contemporary Mexican music scene. The latest release from SRRD label! Eblen Macari has been actively developing his unique musical style for 40 years, from the 1980s to the present. Eblen Macari has been developing his unique musical style for the past years. Eblen Macari was inspired by the sound of the guitar as well as the ecology of the trees used for the guitar. …
Outernational Sounds present a reissue of Jeff Resnick's SAC ("School Of American Craftsman"), originally released in 1978. Organically funky, laced with avant-garde synth textures, and studded with breakbeats, the second release on Outernational Sounds is Jeff Resnick's unique, ultra-rare, 1978 promotional recording for the School for American Craftsmen, at the Rochester Institute of Technology. Five tracks of soul jazz and modal fusion -- re-modeling Trane, and opening with a variation of "Nor…
Rob Franken was a talented Dutch, journeyman keyboardist of the 70s. Among other things, he is considered the first Dutch jazzman to make ‘good use’ of the Fender Rhodes and synthesizer.These 3 CDs compile a full six vinyl lps worth of previously unreleased commercially music. Much of the music is electric trio, but some sessions use extra percussion and even sax or trumpet. The description below explains what this music is, but it’s much better than simply ‘music for elevators’ and it certainly…
** Limited edition, individually numbered copies on transparent blue vinyl ** Hans Dulfer is a Dutch jazz musician famous for playing the tenor saxophone. With his band Ritmo-Natural he released his second album Candy Clouds in 1970. The album consists of six songs, with its title track being split into two parts. One single was released, “Red, Red Libanon”, which hit the Dutch charts in both 1970 as well as 1977. This rare Dutch jazz album is now available on coloured vinyl for the first time.