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**2021 stock. In process of stocking** Heavyweight Vinyl, 300 Gram White-White Double Coated Paper, Handily Gluing, PVC Outersleeve. Originally released in tiny numbers in 1975 on the Promusica label, ‘Pelo de Rata’ was the debut outing for a considerable talent in South American jazz, Matias Pizarro. A pianist and composer of some skill and flair, his output sadly falls far short for someone who exhibits such a natural ability to conjure up such an idiosyncratic style of jazz, replete with thou…
The second instalment from Tramp of unearthed, long-lost recordings made in San Francisco during 1967 by the Afro-Blue Persuasion - led by jazz / funk mastermind Ulysses Crockett - Live at Haight Levels Vol. 2 captures the heights of afro-cuban jazz at its very best. Issued in a highly limited pressing of 500 copies, with the first volume already commanding high numbers on the secondary market, this one is bound to fly.
"Heritage of the Invisible II" follows Navarro and Holmes’s rise to prominence as members of free jazz collective Irreversible Entanglements. In March of 2020 in "The Nation" writer Marcus J. Moore said "Irreversible Entanglements’ fearless music takes to task the police, American politics, capitalism, and racism." The revolutionary ethos that drives Irreversible Entanglements is no less present in Navarro and Holmes’s duo work, though their duo finds them much more wholeheartedly and jubilantly…
Here's another beautiful example of the great impact of Brazilian music on American Jazz in the '60s. Vibraphonist Dave Pike, mostly known for his work with the likes of Herbie Mann, Bill Evans, and Paul Bley, displays a marvelous sextet performing music of Brazilian composer João Donato. Recorded and released in 1962 on the New jazz Label, and considered as one of Pike's essential albums, "Bossa Nova Carnival" sounds like a perfect combination of Brazilian sensuous flavor and Jazz-swing sensibi…
Musically born in the great tradition of Charlie Parker, Sonny Stitt was one of the alto sax giants in Jazz history. Recorded in 1963 and originally released on the Roost label, "Stitt goes Latin" catches him at the head of an all-star line-up, a highly distinctive combo in full Latin mood, featuring Thad Jones on trumpet, a young Chick Corea on piano, Larry Gales on bass and a fabulous drums + percussion section with the great Willie Bobo on drums, Carlos "Patato" Valdes - congas, bongos and Os…
*2022 stock* Had it not been for the post-war migration of many top American jazz musicians to Europe, it is quite likely that the legendary Clarke-Boland Big Band might never have come into existence. As it happened, when Gigi Campi set up the first big band record date in Cologne on December 13, 1961, (Jazz Is Universal for the Atlantic label), he was able to call upon such distinguished self-exiled jazz stars as Benny Bailey (originally from Cleveland, Ohio), Sahib Shihab (Savannah, Georgia),…
**1.000 copies** Soul Jazz Records release flautist Lloyd McNeill’s album Treasures (1976). Originally issued on the artists’ own private press Baobab label in New York, the album is a serious collectors’ piece, a heavyweight and fascinating fusion of deep and spiritual jazz sensibilities blended with Brazilian and Latin rhythms and melodies."Lloyd McNeill is a cultural polymath - a multi-disciplinarian flautist, painter, academic, poet, and photographer - who as a musician has worked with every…
On the occasion of the 80th anniversary of Blue Note, here comes the first releases of a new series of LPs, entitled Great Reid Miles Covers, that celebrates the extraordinary and famous covers created by graphic designer and photographer Reid Miles, the artist who gave an unmistakable image to the albums of the blue label and also wrote an unforgettable page in the history of graphic design of the 20th Century. For this series, the new masters were processed by Kevin Gray from the original anal…