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BBE Music continues its highly acclaimed J Jazz Masterclass Series with Kemo Sabe, the debut album from pianist Masao Nakajima. Recorded in 1979 on Yupiteru Records, it’s an elusive beast in the field of J Jazz and balances delicate and refined playing with power and vigour. The Kemo Sabe album features bassist Osamu Kawakami, who has performed and recorded with such J Jazz figureheads as Sadao Watanabe, Isao Suzuki, and Kunihiko Sugano. Sax duty is by Toshiyuki Honda, leader of the popular fusi…
*Much needed repress* BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines. Reissued for the first time since original 1970 release, Mine is joine…
The desire to discover and delve into new and unexplored areas of music has turned attention on the Japanese jazz scene of the 1970s, often regarded as its gilded age. The recent ground-breaking sell-out BBE compilation J Jazz: Deep Modern Jazz from Japan 1969-1984 threw much needed light on this fascinating era and presented a range of artists and music that surprised and delighted all who heard it. A key track on the compilation was one of the rarest and least known: Dead Letter by the Tohru A…
*2023 repress* BBE Music is proud to present another instalment in the J Jazz Masterclass Series: East Plants by Takeo Moriyama, one of Japan’s finest jazz drummers. A genuine ‘under the radar’ album known only to a handful of Japanese jazz collectors, East Plants is now available again, reissued for the first time as a double 180g LP, with exact reproductions of the original artwork, obi strip and insert. It also comes with the original notes fully translated. This reissue is fully endorsed by …
As with Directstep (recorded one week previously), this album was recorded, and originally only released, in Japan. It was one of Hancock's most successful albums in Japan, perhaps because it was entirely solo piano. Hancock tackles jazz standards such as "My Funny Valentine", "On Green Dolphin Street" and "Some Day My Prince Will Come" while also performing four original compositions.
Super rare 1970s British jazz from Joy: Chris Francis, James Dvorak, Frank Roberts, Ernest Mothle, Keith Bailey reflecting the young, multicultural, vibrant flavours of mid-70s London. Funky, hip, committed, Joy is one of the forgotten gems of London jazz. Originally released in 1976, Cadillac and Joy are delighted to offer the first CD/Digital reissue of this great album - remastered by Keith Bailey and including extra, previously unissued, material and a vinyl reissue of the original release i…
The reputation of members of the AACM (Association for the Advancement of Creative Musicians), of which Abrams is a founding member, has long been one of adventurous, dangerous, and difficult music. But in fact, much of the music created out of this organization shows enormous appreciation of the blues and earlier jazz forms. Sightsong is a splendid case in point. The album opens with four duets (two dedicated to Chicago legends Wilbur Ware and Johnny Griffin) which have a swing, a groove, and a…
First released back in 1967 on the Touche label and impossible to find on vinyl ever since, Happiness Is Taking Care of Business, Dig was the sole album from the short-lived Al Tanner Quintet. Yet as this much-needed Jazzman reissue proves, it remains an inspired selection of spiritually enriching modal workouts that makes the most of its talented ensemble. While pianist and bandleader Al Tanner naturally makes his presence felt throughout, flautist/trumpeter George Alexander and tenor saxophoni…
Back in print by popular demand ! The expressive English pianist Mike Taylor recorded a couple of excellent albums in the mid-1960s, at the request of Denis Preston of Lansdowne Studios, before drug use got the better of him, resulting in a long period of homelessness and a tragically early death from drowning at the age of 30, in 1970. Trio, the only album Taylor cut with the jazz trio he fronted, has strikingly original renditions of jazz standards such as “Stella By Starlight” and “The End Of…
*2023 stock* Japan's legendary drummer steps out here with a killer combo – definitely a "big 4", given that the group features excellent tenor work from Hidehiko "Sleepy" Matsumoto, plus Fender Rhodes and acoustic piano from Hideo Ichikawa! George Kawaguchi's famous sense of swing really gets the whole thing going – that big, round approach to the drums that was somewhere in a space between Art Blakey and Buddy Rich – and which was definitely hitting some of its hipper tones by the time of this…
* Recorded in the basement studio of the Coltrane family home in Dix Hills in 1970, Alice Coltrane’s fourth album is a transcendent masterpiece of spiritual jazz. The title track is an ode to the Egyptian God, Ptah (the El Daoud meaning “the beloved”). Many moments on the album reach what Coltrane herself defined the term Turiya as: “A state of consciousness — the high state of Nirvana, the goal of human life.” Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.. *…
2023 Official reissue. Transfers from the analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging. One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Tra…
"Following my recent phone call with Prof. Benson, I left him to continue his 92nd birthday celebrations with his family. We’d talked about his life, his music, his achievements. Throughout our conversation it struck me what a kind, humble and pleasant man he was. I felt that I was in the presence of greatness – not the egotistical greatness that emanates so often from high achievers, but that of someone who had simply won at life.“I was a music teacher. I wasn’t trying to make a record to compe…
"Following my recent phone call with Prof. Benson, I left him to continue his 92nd birthday celebrations with his family. We’d talked about his life, his music, his achievements. Throughout our conversation it struck me what a kind, humble and pleasant man he was. I felt that I was in the presence of greatness – not the egotistical greatness that emanates so often from high achievers, but that of someone who had simply won at life.“I was a music teacher. I wasn’t trying to make a record to compe…
*2023 stock* First recording of Eric Le Lann under his name in 1983. Around him, a group composed of Césarius Alvim on bass, André Ceccarelli on drums and Olivier Hutman on piano and Rhodes which escorts the sublime phrasing of a trumpet entirely placed on the melody. The quartet is of a remarkable flexibility, sonority and unity. A hell of a quartet!
Gideon Nxumalo was a key figure during the formative years of South African jazz in the 1950s and 60s, helping shape a modern African jazz sound as a composer, arranger and pianist and contributing to the scene as a music teacher and radio presenter. His recorded output as solo artist/bandleader is comprised of a trilogy of iconic albums from Jazz Fantasia (1962) to Gideon Plays (1968) to Early-Mart (1970).Early-Mart was Gideon Nxumalo's tribute to friend and musical compatriot, drummer Early Ma…
Never-before-released early 1980s sessions by a band of top British players and composers which never released an album, led by drummer Trevor Tomkins. This is, in effect, the late Trevor Tomkins debut album release as leader, as well as his memorial. We were working on this with Trevor when he died last last year and it's now released with the help and support of his family.
The Lars Lystedt Quintet from Sweden played international Jazz festivals in the early 60s. On this session they feature the astonishing Leif Hellman on sax. Most tracks were composed and arranged by pianist Berndt Egerbladh, giving a fair indication of the considerable talents of this prolific writer. On the second side of this 10inch record is a recording of his "Arctic Suite". All these tracks were recorded during an August 1962 session. This reissue on LP was newly remastered for optimal soun…
'Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music a…