Jazz /
Daguri
The music Coltrane, Tyner and others did back in their prime made a sizable ripple in jazz. Many went on to emulate their style well after the originators either died or moved on. For the most part I find these emulator (or keepers of the flame, to be more polite) to be either alright or great. Kohsuke Mine Quintet is one of those greater ones. They're relatively obscure from what I gather, releasing only a few albums back in the 70s and a resurgence album in the 90s but their music is much more…
Gravity Without Airs
*In process of stocking.* The exemplary & well-traveled cornetist Kirk Knuffke here introduces a bold new trio – with bassist Michael Bisio & pianist Matthew Shipp – on an intimate & expansive double album. Gravity Without Airs features the three world-class musicians on both Knuffke compositions and in open form, together creating a tour-de-force of poetry and verve. “Rhythmically precise, New Orleans funky and full of grace, Kirk Knuffke’s music is a reflection of his multifaceted personality:…
Point Of Departure to Compulsion!!!!! revisited
Point of Departure was an inflection point in Hill’s output for Blue Note, his penchant for formal complexity and compacted materials – which he revisited beginning in 1969 with a nonet date, tracks with a string quartet-augmented ensemble, and an album with voices – giving way to what proved to be a short-lived foray into the minimally scored pieces that distinguished Compulsion!!!!!. The two recording sessions were separated by only eighteen months, but they were among the most convulsive in j…
Latino Con Cal Tjader
Vibraphonist Cal Tjader is heard leading five different groups throughout this set, but the identities of the flutists, bassists, and pianists are less important than knowing that Tjader, Willie Bobo (on drums and timbales), and the great conga player Mongo Santamaria are on every selection. The music really cooks, with torrid percussion, inspired ensembles, and occasional solos from the sidemen (which sometimes include pianists Lonnie Hewitt or Vince Guaraldi, bassist Al McKibbon, and flutist P…
Western Suite
*In process of stocking.* In late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album "Trav'lin' Light", his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played …
Lateef At Cranbrook
Limited Clear Vinyl edition, 500 copies! Lateef at Cranbrook (also reissued as Yusef Lateef) is a live album by multi-instrumentalist Yusef Lateef recorded in 1958 at the Cranbrook Academy of Art and originally released on the Argo label. Saxophonist, flautist, oboist and all-round reeds maestro Yusef Lateef was a renowned cross-pollinator of Eastern modes with the more traditional harmonic repertoire of American jazz. During the course of his covetable career he worked side-by-side with Dizzy G…
Straight Ahead
Limited Clear Vinyl edition, 500 copies! Originally released in 1961 by Prestige/New Jazz label, "Straight Ahead" marks the last Eric Dolphy's appearance within a series of fortunate collaborations with saxophonist Oliver Nelson. This is a great modern jazz album taking shape from a quintet studio session (all first takes) engineered and supervised by master Rudy Van Gelder and featuring: Oliver Nelson - alto and tenor saxes, clarinet - Eric Dolphy - alto sax, bass clarinet, flute - Richard Wy…
Erich Kleinschuster ORF 1968-71 Bundle
In process of restock This bundle includes three double LP sets, namely "Erich Kleinschuster 6tet Feat. Clifford Jordan & Charles Tolliver / ORF / 1968-69," "Erich Kleinschuster 6tet Feat. Joe Henderson & Dusko Goykovich / ORF / 1968-70" and "Erich Kleinschuster 6tet Feat. Carmell Jones, Slide Hampton & Art Farmer / ORF / 1968-71".Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 196…
Erich Kleinschuster 6tet – Feat. Carmell Jones, Slide Hampton & Art Farmer – ORF / 1968-71
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Erich Kleinschuster 6tet – Feat. Joe Henderson & Dusko Goykovich – ORF / 1968-70
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Erich Kleinschuster 6tet – Feat. Clifford Jordan & Charles Tolliver – ORF / 1968-69
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Live In Praha 1964
A previously unpublished recording of the Krzysztof Komeda Quintet's performances at the first jazz festival in Prague in 1964. An important, significant stop in the jazz career of the legendary pianist and composer appears on disc more than half a century after its recording. And it continues to delight.
Krzysztof Komeda was received extremely enthusiastically in Prague. His original Quintet, by the way, played at an incredibly high level, electrifying the audience gathered in Prague's Lucerna.…
Golden Quartet
*In process of stocking. 2022 stock.* A longtime dream project of Wadada Leo Smith, one of creative music’s most original voices, Tzadik is proud to present the first recording by a modern jazz supergroup. The four instrumental giants that comprise the Golden Quartet are veterans of some of the most influential bands in jazz history and here they are at the height of their powers. Five new compositions bring together lyricism, groove and fireworks in this exciting recording destined to become a …
Miles In St. Louis
This collector's LP mostly features the 1963 Miles Davis Quintet (which included tenor-saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams) during a live apperance in St. Louis. The previously unissued music is reasonably well-recorded and gives listeners additional versions of such standards as "I Thought About You," "All Blues" and "Seven Steps to Heaven." - Scott Yanow, Allmusic.com
Searching in Grenoble : The 1978 Solo Piano Concert
Searching In Grenoble: The 1978 Solo Piano Concert is a previously unissued recording of jazz icon Mal Waldron's mesmerizing performance at the "Five Days of Jazz" series in Grenoble, France on March 23, 1978. Waldron was Billie Holiday’s final accompanist, played on classic sessions with John Coltrane, Charles Mingus and Jackie McLean among others, and recorded dozens of solo albums as a leader before his passing in 2002. Originally produced by the legendary André Francís and transferred from t…
Adam's Apple
It is unclear whether it was Wayne Shorter’s initial intention to do anything particularly ambitious during the two visits to Rudy Van Gelder’s studio in February 1966 that produced Adam’s Apple. Certainly, neither the repertoire—five recently composed Shorter tunes in AABA format and “502 Blues,” by pianist Jimmy Rowles, a hard drinker, as Shorter was at the time (the subtitle denotes the police code for drinking and driving)—nor the treatments contain the radical originality of the five pieces…
Unity
'On Unity, jazz organist Larry Young began to display some of the angular drive that made him a natural for the jazz-rock explosion to come barely four years later. While about as far from the groove jazz of Jimmy Smith as you could get, Young hadn't made the complete leap into freeform jazz-rock either. Here he finds himself in very distinguished company: drummer Elvin Jones, trumpeter Woody Shaw, and saxman Joe Henderson. Young was clearly taken by the explorations of saxophonists Coleman and …
Soundnitia / Soundmagnificat / Soundmusication
Tip! This bundle includes the following items:
"Soundnitia" is the cipher under which the experimental group The Talismen constituted in 1974 and made its presence known on the Jazz scene with the first LP. The initiator and spiritus rector of the avant-garde ensemble is the saxophonist Fitz Gore, a "stormer of the valves" and unknown to the augurs of the jazz scene. As a saxophonist and a newcomer, he documents with his ultra-hard sound. Fukara (Swahili) is a clear affinity to the school of "h…
Live In Middelheim 1999
Crossing the Atlantic to meet in Belgium for the first time in almost six months, and going their separate ways less than twenty hours later, Masada’s concert in Middleheim was under pressure from the beginning. Reaching full-out intensity in the first thirty seconds of their very first piece, this is Masada at their wildest—simultaneously out of control and yet intensely focused like a laser beam. "I felt like a squirrel being dragged behind a Mack truck." — Greg Cohen. Beautifully recorded by …
Copenhagen, Denmark (Fm) October 25, 1963
*In process of stocking* "Recorded on the 1963 tour of Europe, this is the definitive John Coltrane Quartet at its musical peak. My edition of the Penguin Guide to Jazz suggests that the 1963 tour was ‘slightly anti-climactic’; on the basis of these tracks, I have to disagree. Although, compared with say, the Stockholm recording of the same tour, this set feels much stronger (even though the pieces are more or less the same, taken from the short set list that the Quartet toured in the October a…