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“We are in the business of transformation, applying our knowledge of improvising together for twenty-five years, interwoven with our resonance with these melodies and forms. We have found our collective way with honouring what these pieces express to us, through our personal language, comments Gerry Hemingway.” He agrees that there's a concept of authenticity”. “The feeling of swing is our own, but shaped by the pieces we are playing”. Authenticity is acquired through assimilating traditions, an…
Space is the trio of Lisa Ullén, Elsa Bergman and Anna Lund based in Stockholm, Sweden.This is their second album. Their music is totally improvised and has a strong connection to the traditions of free jazz and European contemporary music.
Joining their newly launched Luminessence audiophile vinyl-reissue series, the legendary imprint, ECM, digs deep into their own vaults and comes up with an absolute gem: the guitarist John Abercrombie, the bassist Dave Holland, and the drummer Jack DeJohnette’s groundbreaking 1975 LP “Gateway”. Rooted in approaches drawn from free jazz and unquestionably springing from both Holland and DeJohnette’s time working in Miles Davis’ electric fusion band at the end of the 1960s and early '70s, it’s a r…
The Act Of Noticing is an invitation to enter a sound world rich in sonic imagery, evocative atmosphere, and finely wrought detail. This album takes listeners on a journey, at one moment guiding them through changing musical landscapes at high speed, at another inviting them to simply stop and stare. Espial emerged from a discussion between David Beebee and myself about how to develop and extend the musical language we had established on our duo album for Discus, “Ripples”. David felt that expan…
"corpos" is the first album by the Barcelona-based trio, formed by pianist Clara Lai, double bassist Àlex Reviriego and drummer Oriol Roca. Recorded at Rosazul Studio in Barcelona on April, 2022. The music of this album explores collective construction in trio format, visiting different sound zones, compositional possibilities and improvisational languages. Music that is energetic but also contemplative, aleatoric, some noise and silence, coexist with melodic sketches. Pieces as sound bodies tha…
Leo Genovese - Piano, saxWilliam Parker - BassFrancisco Mela - Drums
Recorded November 13, 2020 by Jeremy Loucas at Douglass Recording, Brooklyn, New YorkAssistant engineer: Juanma TrujilloMixed and mastered by Jeremy Loucas at Sear Sound, New York City
Master pianist, New York-based, originally from Argentina, Leo Genovese, just won a grammy as a ‘Best Improvised Jazz Solo’ - an award considered by many as ‘mainstream’. This certainly did not stop his creative path, only to encourage him towards further researching creative music. His debut album ‘The Art of Not Playing’ with fellow musicians John Lockwood on bass and drummer Nat Mugavero proves it. The trio celebrates the practice of disappearing during the process of creating. Trusting the ‘…
Androide Scrip is a jazz record - not mainstream, but plain and simple: piano, drums, bass. Full stop. Influenced by artists such as The Bad Plus, E.S.T., Thom Yorke, Bush and Muse, the debut is not a pop, rock or electro album, even though it repeatedly makes use of song structures from these varieties of current music styles. Together with pianist Florian Kästner and bassist Philipp Martin, the trio led by Jörg Wähner (Apparat, Bodi Bill, The DAS) explores the possibilities in such a way that …
"I've been listening to Christoph Gallio and the various incarnations of Day & Taxi for over three decades – almost since its inception. On this album, however, the Swiss saxophonist makes a debut with a different trio, featuring British improvisers Dominic Lash and Mark Sanders. The result is pungent, powerful music on the cusp of free jazz and free improv – a dichotomy that helps define Gallio's work, though he also composes. Listening to this wonderful album invites re-consideration of the rh…
"Second album for Clairvoyance, a trio that sublimates improvisation through a blessed chemistry, delivering a perfectly balanced music where elements coming from different derivations and attitudes find grace and essentiality, freshness and solidity. Narrative spots and timbral consciousness inform this classy band and make this record unmissable!!
Clairvoyance's fundamental orientation--an orientation that, collectively and individually, represents a compositional stance toward improvisation. …
*2023 stock* "There have been many tributes to the great tenor saxophonist John Coltrane since his passing, and the years have done nothing to dull the power of his music. This is a heartfelt nod to Coltrane from a collective group consisting of Dominic Duval on bass, Jimmy Halperin on tenor saxophone and Brian Willson on drums. The group plays music from each phase of Coltrane's influential career, and they make their own personal statements from these well known compositions. Opening with "Gia…
Three musicians of different generations came together to form this unusual free jazz trio. Comprised of veteran musician Akira Sakata (alto sax, clarinet, narration), noted young drummer Raiga Hayashi, and Toshimaru Nakamura (no-input mixing board)—who has been active on the improvised music scene inside and outside Japan since the 1990s—this much-talked-about band performs mainly at live music venues in the Tokyo area. Naturally, their performances contain the furiousness and wildness characte…
Live performance of The Pyramid Trio, Roy Campbell on trumpet and flute, William Parker on bass and Zen Matsuura on drums. Recorded 21 February 1985 at The Joint, Usdan Student Center, Brandeis University, Waltham, MA.
Special thanks to Roy’s sister Valerie Morris, who told us, “Roy spoke to me in a dream years ago and said, “It's all about the music.”
*2023 stock* The eight cuts are credited jointly to the brass man and drummer. Their compositions are rhythmically complex but harmonically simple, making the most of Berger's ambiguous role midway between melody and percussion. They eschew overt virtuosity in favor of a distinctive group conception, achieving an orchestral feel from just three voices. Their arrangements are tight, but loose enough to accommodate Berger's ringing solos, extracting maximum dividend from what might seem limited re…
*2023 stock* "Thousandfold is Brooklyn-based guitarist Adam Caine's debut as a leader; he's worked with Soundpainting composer Walter Thompson in addition to leading his own quartet, quintet, and the trio heard here. He's joined on these eight improvisations by regular conscript, drummer John Wagner, and bassist Tom Blancarte. The unaccompanied opening to "Castros" provides a good space in which to view Caine's approach to the guitar. It begins with blocky, almost Thelonious Monk-like cadences (…
There are some jazz musicians long known by cognoscenti for a mere handful of recordings: Dupree Bolton, Earl Anderza, Hasaan Ibn-Ali, Alan Shorter, Dewey Johnson. Add saxophonist Mark Reboul to that list. Before the release of this album, his discography consisted of four tracks on three albums on which he was a sideman. On Higher Primates’ Environmental Impressions (GM, 1987), he plays sax on two of the percussion-heavy album’s five tracks: a fragmentary track, and a sixteen-and-a-half-minute …
"In 2018, I had the good fortune to organize a session with two absolute heroes of music: Anthony Davis, and Kjell Nordeson. I'd been playing with Kjell in various groups for a few years, and had been studying with Anthony at UC San Diego; the three of us had played as a trio a handful of times. For the session, we played some of Anthony's older works, including some which referenced The Left Hand of Darkness by Ursula K. Le Guin. With that idea of literature and music in mind, I brought some mi…
*300 copies limited edition* Sam Weinberg is a saxophonist and improviser living in New York City. Recent focus has been material for solo tenor saxophone, and trio music represented on Implicatures (Astral Spirits, 2023) which features Tom Rainey and Chris Lightcap.
"Here, then, are three men who have, if you will, won the argument already. They don’t need excess volume or headline soloing to get their message across. Their message is inscribed in elegant lower-case and rarely used aural fonts. You will find yourself leaning forward because not a note or whisper should be missed ..." - Brian Morton