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**1.000 copies** "The Black and Latin American space programme of the late '70s and early '80s was born on dancefloors and took more bodies into orbit than NASA ever did. Space Funk: Afro Futurist Electro Funk In Space 1976-84 charts a major phase shift between boogie-disco and electro-funk that came about as African American and Latin American artists really embraced the potential of computers and synths to express their ideas about alienation and utopian escapism. Taking cues from science fict…
Like Gerardo Iacoucci (already celebrated twice by Intervallo with Simbolismo Psichedelico and the new Industria N.1), Narassa – real name Sandro Brugnolini – is back in our catalogue with another gem: his second release on the legendary Rome-based label Rotary, which came out after the amazing Tensione dinamica. Guerra e angoscia was born as the fifth installment of seven and, like the previous album (which was recorded with the collaboration of label boss Amedeo Tommasi, the mind behind every …
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab…
“Produzione”, originally released in 1973 on Piero Umiliani’s LP “Problemi d’oggi”, is an amazing mix of acoustic percussion and electronic experimentation, considered by some as the first example of techno trance music ever recorded. This song, along with “Attività”, another excerpt from “Problemi d’oggi”, has been ‘reworked’ by Gerardo Frisina, who cleverly extends the original content by mixing it with contemporary electronic sensations. The result, packaged in an artwork inspired by the ori…
The brainchild of visual artist Jordan Belson and electronics polymath Henry Jacobs, the Vortex Experiments ran from 1957 to 1960, first at San Francisco’s Morrison Planetarium and later at the SF Museum of Art. The very name of these events announced their aim: a swirling totality of sensory experience. Around Belson’s richly-colored visuals – making use of the planetarium’s entire dome and featuring luminous, sharply geometric imagery projected through an array of devices – Jacobs ringed a sy…
Since the true identity of this sinister masked electronic keyboard villain was revealed in Jean-Jacques Perrey's recent autobiography, the Mr. Ondioline EP has become a desirable record amongst collectors of early electronics. As a controversial figure amongst the early musique concrete pioneers due to his painstaking ambition to put popular melody into edited tape music, this debut release from 1960 hears Mr. Ondioline showcasing Perrey's Ondioline electronic keyboard (and synth precursor) …
Never before released in any format, and what is highly regarded as a holy-grail for soundtrack enthusiasts, Waxwork Records and Paramount Pictures are honored to announce the definitive soundtrack release of the 1974 mind bending science-fiction masterpiece, Phase IV. Directed by the late, legendary poster artist and graphic designer Saul Bass, Phase IV has gained a cult following while influencing numerous films such as Beyond the Black Rainbow.The unique, psychedelic synth-driven score is com…
Clara Mondshine was a musical project of the late radio director, journalist, and composer Walter Bachauer, who worked for RIAS Berlin in the '70s and '80s. Mr. Bachauer was also involved as musician in projects with electronic artist Peter Michael Hamel and krautrock act Between in the '70s. With Clara Mondshine he was able to score three albums before his untimely passing in 1989; Luna Africana, originally released in 1981, is the first of these, and it fits exactly into that era, when the…
Yes, you’re reading this correctly. A legit, non-bootleg vinyl reissue of one of the holy grails of fourth-world avant-ambient synthesis, and believe it or not, this was a Record Store Day release in Japan this year. Originally released a few months after Haruomi Hosono’s 1978 Paraiso LP — famous for featuring the first trio grouping of the band that would become Yellow Magic Orchestra — Hosono’s Cochin Moon, an album credited to himself and famed graphic artist Tadanori Yokoo, who provid…
**CD edition** Long-awaited reissue of this incredible and near-mythical 1970 album, remastered from the original master tapes with superior sound quality, replica of the original RCA LP (in gatefold digipack with additional liner notes) in a limited edition of 500 copies. An insane amalgam of avant-improvisation and motorik krautrock beats that, understandably, has become one of the most collectable LPs ever issued (original copies are impossible to obtain).Just as the first "krautrock" lp's we…
Man In Space With Sounds is one of those legendary LPs many have heard about but few have ever actually heard or seen. A rare souvenir of the 1962 Seattle World’s Fair, this music served as the soundtrack to a ride called the Bubbleator, which transported fair visitors through an overview of the future, a technological utopia where science and space travel promised solutions to all of humanity’s plights. Needless to say, that future never arrived and this music (actually recorded in the early 19…
Thriller tracks contained in this CD (originally released as LP by the legendary Sermi label) were composed expressly for a TV program of RAI in 1968 by Gino Marinuzzi Jr. who has enjoyed a half-century as one of Italy's top movie composers and one of the great innovators in electronic and experimental music. The son of Gino Marinuzzi (1882-1945), one of Italy's most renowned conductors (and a composer of some significance as well), he was born in New York in 1920, and studied in Milan. Marinuzz…
After changing the world in the late '60s with In C and A Rainbow in Curved Air, legendary American composer and father of minimalism Terry Riley abandoned tape manipulation and written composition to concentrate on longform keyboard cycles and improvisations. In the early '70s, while in Europe, he was invited to create scores for two films. The first, in 1972, was Joel Santoni's Les Yeux Fermés, a feature-length art film that instantly became a cult classic by virtue of its never having screene…