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A rare Italian library/soundtrack gem reissued on vinyl for the first time since 1986 from the mind of Italian architect / music installation and soundtrack master Piero Milesi. This lush adventure of meditative synth and melodic scores for lyricon and small chamber ensemble contains tracks from films The Nuclear Observatory of Mr. Nanof (L’Osservatorio Nucleare Del Sig. Nanof, 1985), The Oversize House (La Casa Fuori Misura, 1985), theatre play King’s Night (La notte dei Re, 1986), and video Th…
A super-obscure freaky fuzzy club music from the legendary Jean-Pierre Massiera – a weird and wild blend of funky rhythms, spacey electronics, and some of the most mindblowing production you'll ever hear! The grooves are plenty tight, but also stretch out nicely to the sky, too – almost taking on a proggish tinge at points, but without any jamming – just a bit of majesty on some of the vocals, and a strong, powerful lead on some of the fuzzy guitars! This earth-friendly version tells the story o…
"Have a gramophone in every grave..." --James Joyce, Ulysses (1922) The anthology Spectra Ex Machina brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology through the exploration of spiritualism and haunted houses (Vol. 1); musician mediums (vol. 2); experiences of extrasensory perceptions (clairvoyance, psychokinesis, etc.) and electronic voice …
Shukai presents its debut release -- music for television film The Air Seller by Victor Vlasov, which has never been released before. Recorded in 1967, the same year as the film was broadcasted on Soviet television. The Air Seller, directed by Vladimir Riabtsev, is a black-and-white film based on the eponymous sci-fi novel by Alexander Belyaev, first published in 1929. What is "Shukai"? Shukai in English means "to hunt" or "look for". Shukai focuses on bringing back to life the lost tapes from '…
Temporary Super Offer! B-movie junkies, gather round and prepare yourselves for what could only be described as a cinematic speedball. Take a combined hit of two of the most potent strains of toxic cinema, dress it up in ritualistic robes, and make it dance to the beat of a stoned, motoric, country commune soundtrack. Like an exploit-o double-bill where both films merge into a single feature, this directorial debut by an ex-Roger Corman protégé and future Russ Meyer art director (another heady c…
Limited LP 500 copies Camisole Records welcomes you on board for this Business Class Library compilation. During your flight you will be listening to music by Serge Bulot, Alan Shearer, Gérard Gésina and Pascal Wathelet. All these 80's electronic library tracks have been curated by your captain Silver Fox to assure you a pleasant journey. "To Thwart Soul" by Gérard Gésina will guarantee you an easy take-off while "Ondulations" by Serge Bulot is perfect to calm down during turbulences. For ho…
Joel Horwitz was one of those synthed-out figures in and around Oregon's iconic hippie stronghold during the 1980s. Recorded at Studio E Redlands, Ca. USA, 1978, using a large array of electronic devices, such as ML 101, Carlos Robelli String Machine, Voice, Kalimba, Drumset Percussion w/Gong, Dual Phase Shifters along with a heavy battery of phasing and time-based effects-lands somewhere between a ‘library music’-styled mood excursion and a genuinely transformative mind melter
Conrad Praetzel is a California-based electronic keyboardist and percussionist who concocts impressionistic vignettes, developing his knack for mixing electronic and ethnic instruments, with haunting short tracks wherev electronic sounds and Indian and folk traditions gather together in a multicultural fusion.
Post-Nuclear Mind Music? Lizard Strategies? Void Spirit...? These bizarre titles are just a few of the self-coined terms that Australian electronic musician Ian MacFarlane has conjured to represent his eccentric sonic world. An artist whose unique style of electronic experimentalism has balanced dangerously close to the edge of popular convention, existing outside the mainstream and extending well beyond the fringe of any sanctioned independent scene. A futurist outsider whose extraordina…
From the shrapnel of the unlikely collision point where Mancunian post-punk royalty collides with sci-fi cinema and art house animation, this obscurity shines a new light on the Northern DIY era providing disc detectives with a whole new punk funk perspective. Recorded in 1976 by Invisible Girls' Steve Hopkins and Martin Hannett for a stop-motion animation called All Sorts Of Heroes, this hard-edged funk instrumental theme reveals another side to this versatile production team joining the h…
Dagored present the first time reissue of Piero Umiliani's Musica Dell'Era Tecnologica, originally released in 1972. This killer experimental LP recorded by maestro Piero Umiliani in his legendary Soundworkshop Studios in Rome is on every serious electronic/Italian library wantlist. Enter the fourth dimension with Musica Dell'Era Tecnologica! 180 gram vinyl; Edition of 500."Piero Umiliani has taken things too far with Musica Dell'Era Tecnologica. Way too far. And since he dares to visit inne…
Jazz guitar autodidact and 1956 Downbeat Critics Poll winner Dick Garcia struts his stuff while the likes of Bill Evans, Gene Quill, and John Drew try to keep up! The combination of Bird, Christian and his own personality meld here in Dick’s own swinging style, delivering repertoire so diverse it required three different backing bands! Message From Garcia presents Dick in various contexts so as to give the listener an idea of his scope - the material is diversified in order to give Garcia and th…
**Small 2018 repress available** First time reissue on vinyl of this much sought after release by Jean Hoyoux on the brand new label Cortizona. Jean Hoyoux remains a mysterious figure. He was Belgian psychologist, astrologer, and musician who released two albums during the early 80’s, and seems to have died shortly after. Little information is available, beyond the fact that he was dedicated to the study of the healing properties of music - the guiding theme of the album we have before us. Heali…
The best-selling album of Chet Atkins's lengthy career! Having set up a home studio in the '50s, he would lay down backing tracks at RCA with session musicians, then work at home on his own with unlimited freedom to refine the genesis of Chet Atkins' Workshop! Pressed on premium RTI vinyl, from the original masters!The album reflected the continued diversity of his repertoire and ongoing flair for experimentation. Jazz standards like George Shearing's "Lullabye of Birdland" coexisted with …
From Ernst Thoma's secret vaults. Live recorded on 2 Track Revox at KOPROD Studio Zürich in 1982. Chapter #3 of Mr. Thoma having fun with the Serge Modular Music System and TMS Synthesizer, accompanied by Knut Remond on drums.
Remastered reissue of Georges Boutz' two recordings originally released on tape cassette. "Amber 7" was originally released in 1983 (Private Press Cassette Not On Label). All titles composed, arranged, recorded live, engineered and produced at home studio, from July 1981 to April 1983, on Moog, Oberheim, Roland and Sequential Circuits Synthesizers. Remixed by Phil Singher at Telstar Sound, No. Hollywood, California. "Silver Eagle" Originally released in 1984 (Synthesizer Music Records Cassette …
If Patrick Cowley, Tangerine Dream and Prince recorded the soundtrack to an educational documentary on the homoeroticism of wind sailing, it might well have sounded something like this... “Tradewinds” The Wavesailing Film is the new LP of unreeled rot yok on Spencer Clarke’s outrageous Pacific City Sound Visions. This is a masterclass in sub-sub-genre study, chuffed up on so much positivity and salty bliss that it’s hard not to charmed by its blazing white toothed grin. Read on for an equally ma…
John Carpenter has inspired countless musicians since his earliest minimal, synth-based film scores. The themes to his features like Assault on Precinct 13, Halloween, and Escape from New York have remained instantly recognizable since he penned them nearly four decades ago. In February 2015, Sacred Bones released his first solo record of non-soundtrack music, Lost Themes, to overwhelming critical success. The Horror Master proved that not only could he perfectly score his own films — he could a…
On Halloween 2014, the director and composer John Carpenter introduced the world to the next phase of his career with “Vortex,” the first single from Lost Themes, his first-ever solo record. In the months that followed, Lost Themes rightfully returned Carpenter to the forefront of the discussion of music and film’s crucial intersection. Carpenter’s foundational primacy and lasting influence on genre score work was both rediscovered and reaffirmed. So widespread was the acclaim for Lost Th…
When you think of the BBC Radiophonic Workshop, we’d wager most of the time it’s in context of their seminal ‘60s and ’70-s output. However, The Soundhouse (1983) proves there was much to marvel at in their early ‘80s catalogue, too, summing up the great advances in technology between their Radiophonic Workshop - 21 collection and their acquisition of a Fairlight CMI - the first digital sampling synth - which is thoroughly, imaginatively demonstrated throughout. Horses for courses and all that b…