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Elisabeth Waldo’s Maracatú, originally released in 1959, is a rare and early gesture of hybridic musical multiculturalism that has remained sinfully overlooked through the decades. Occupying a similar territory to now widely celebrated, roughly concurrent albums like Eden Ahbez's Eden's Island and Chaino’s Jungle Echoes, Pleasure For Music’s reissue turns history on its head, offering a rare opportunity for a visionary and forward-thinking body of work to receive its rightful due.Elisabeth Wald…
Tip! This is the one and only Martin Denny diving into the highly exotic sounds of India. Originally released in 1968 on Liberty Records, A Taste of India stands as one of the best later Denny's work. Here the king of Exotica injects his gorgeous instrumental arrangements with tons of sitars and tanpuras as the main ingredients of another stylized sound trip. The album highlights include a memorable version of The Strawberry Alarm Clock's Incense and Peppermints and Denny's own masterpiece Hypno…
Donald John Sebesky was born in Perth Amboy, New Jersey, USA, on 10 December 1937; his father worked in a steel-cable factory, his mother was a housewife. At the age of eight he started learning the accordion; he later came to realize that this instrument was the best possible choice he could have made because, as he says, «the accordion is a 'mini-orchestra' and teaches the principles of harmony from the very beginning».In 1965 Don Sebesky joined Verve Records when Creed Taylor was still a prod…
An incredible album that's as evocative as its title – one that blends together strings and electronics into a sublime suite of sound library grooves. Originally released in 1972, can be put in the field of so-called "library music," records made for use in movies and TV productions, commercials, and for similar purposes to enhance the tension of the atmosphere in very dramatic scenes or accompany the more mellow and relaxed moments with lush harmony carpets. And of all these library albums, thi…
"Can you truly believe this record was released in 1965? Forging a brand new hybrid of space-age, easy listening and spy jazz the American pianist and composer Dick Hyman, born in New York in 1927, put together one of the cornerstone of the genre. Before switching to the Moog synthesizer (right on time with the moon landing in 1969) he had some very influential theme music releases on MGM Records and Command. But The Man From O.R.G.A.N. was a monster in itself. How could you go wrong with this t…
Forrest James Ackerman was the ultimate American science fiction expert. He was a magazine editor (the man behind Famous Monsters Of Filmland), a science fiction writer, a literary agent (he represented authors such as Isaac Asimov, Ray Bradbury or L. Ron Hubbard, a.o.) and an avid collector of genre books and movie memorabilia. Frank Allison Coe was a famed sound effects editor in Hollywood. Films having benefited of his experience include Monsters Crash The Pajama Party, The Girl With The Hung…
There is a distinct possibility that this is the greatest record ever recorded before 1968. Space age bachelor pad music meets concrete music. 1963 was the recording date ! Unbelievable. Strange synths, oscillators and custom made electric guitars with help of the lowrey organ. No words can really describe this record. The jazz genre spawned a couple of quite colorful subspecies that were part of important pop cultural movements to let the ordinary man escape from the daily grind. Two…
2016 repress; Exact repro reissue of 1958's Presenting Popp! (also released as Popped!), an installment in Columbia's Adventures In Sound series. "...features marvelously comic and ingenious arrangements. André Popp's ability to bring surprising new mixes of instrumentation to conventional melodies has led some to compare him to Esquivel, but Popp's style is less other-worldly than just plain odd." -- Space Age Pop Music
Limited edition of 300 copies. Fans of space-age pop, exotica, and bizarre and strange music in general have a reason to celebrate, as Jimmie Haskell's Count Down! LP, one of the masterpieces of the genre originally released in 1959, is now reissued on vinyl. This galactic wonder, written and directed by soundtrack composer Jimmie Haskell, features 12 rocket-like tracks in which rhythms and styles popular at the time, such as surf, twist, and cha-cha-cha, are arranged with robotic precision usin…
*2022 stock* Synthi Time is perhaps one of the most suitable albums - within Umiliani's incredibly vast discography - to fully appreciate the composing and experimental genius of the Maestro. For once away from the classic soundtracks that made him popular, this project veers away also from refined works of library music such as Genti e paesi del mondo (People and countries of the world) or Problemi d'oggi (Today's issues), released under the moniker of Zalla. In this case, we like to imagine hi…
Restocked, few copies available of this superbly sinister musical score by Gino Marinuzzi Jr. fans of early electronic should appreciate this excellent release. "It was one of the eeriest film scores of its period, utilizing the composer's considerable skills within both the orchestral and electronic idioms. Marinuzzi's music features striking orchestral passages, written in an atonal mode but fully accessible -- strings and percussion instruments shimmer and swell, and wind, reed, and horn…
Restocked!! "Tra scienza e fantascienza", is an album of histrionic Piero Umiliani recorded under the pseudonym Moggi. A Master gifted with a never ending passion for music, innovator by vocation, experimenter in his genetic code now at ease with synths in order to forge sound that could be reductively termed as avantgarde. Timeless atmospheres, alien hypnotic sonorities, modern and charmingly retro, minimal and complex arranged with an impressive taste for the unknown substance the Maestro…