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Originally released in 1955. One of the very earliest and most important examples of electronic tape music to be pressed on vinyl (alongside the Radiodiffusion-Télévision Française musique concrète compilations in France and Jim Fassett's comedic 1953 Strange to Your Ears novelty record), this privately pressed 1955 10" was released on a one-off label owned by businessman Gene Bruck to document a custom-made performance at the Museum of Modern Art in New York in 1952. This facsimile edition of t…
Psych LP from 1968 by the Love Machine, “Electronic Music to Blow Your Mind By!!!” – and trust me, it can be done – on the Design label. One of the harder-to-find exploito-psych albums with an absolutely psychedelic cover. Like all these studio cash-in albums, you need to approach this one in the right state of mind, and by that I mean altered. But the great thing about these budget albums is that someone behind the controls seems to be trying out all the latest psychedelic effects – stereo pann…
Outstanding 1961 exposition of creepy, frothy, rhythmic early electronics. A big tip to fans of Daphne Oram, Oskar Sala. "11 early electroacoustic pieces for the Studiotrautonium keyboard alongside tape manipulation to accompany the New York City Ballet production Electronics by George Balanchine. Originally staged March 22, 1961, as part of a double bill choreographed by George Balanchine, the experimental New York City Ballet production Electronics included the renowned dancers Violette Verdy …
Pioneering electroacoustic and tape music by Henk Badings assisted by Dick Raaijmakers (Kid Baltan) from the Hanover Opera Ballet production of Evolutions choreographed by Yvonne Georgi. Premiering in Hannover in 1958 then in Rome and Vienna in the following year the ballet Evolutions (Evolutionen) by Yvonne Georgi was the second of three groundbreaking collaborations with Henk Badings (bookended by Cain and Able aka Elektronisches Ballet in 1957 and Die Frau Von Andros in 1960) in which electro…
"Choreosonics" was what Alwin Nikolais called his musical accompaniments to his choreography -- a unique theater exposition that modern dance scholar Isa Partsch-Bergsohn
describes as "a whole new theater of motion, light and sound." In 1953,
Nikolais began drawing audiences to his dance concerts at the Henry
Street Playhouse in New York City, in which dancers became sources for
sculptural shapes; by moving through changing atmospheres of light and
sound, their relationships to the stage el…
Recent claims made re: Tod Dockstader’s absence from the public eye since releasing his owl-label lps in the late 60s are somewhat off. In 1979 this and another “companion” volume were released on the boosey & hawkes library music label; consisting of a spate of sound-queues made by mr. dockstader for production/documentary use. this sounds like no other dockstader recording you’ve heard. There are a couple of “fat brass synth-fanfares for sci-fi” kind of queues, but for every one of those there…