Psych /
Misora
Often regarded as Japan’s first female singer-songwriter, Sachiko Kanenobu created an enduring legacy with Misora, a timeless classic of intricate finger-picking, gently soaring melodies, and rustic Laurel Canyon vibes. Originally released in 1972 on URC (Underground Record Club), one of Japan’s first independent record labels, the Haruomi Hosono-produced album remains one of the most beloved works to come out of Japan’s folk and rock scenes centered around Tokyo and Kansai areas in the early 19…
Paint A Lady
Temporary Super Offer! A mythical and misplaced masterpiece of lost soft rock and acidic folk funk by a one-hit wonderer lost in the wilderness for four decades. From the producer of Margo Guryan, writer behind Wool, Gerry Mulligan collaborator, Tarantino sound tracker, and Wendy & Bonnie confidant, Paint A Lady now emerges from folkloric obscurity. Within certain record collecting circles, especially those who gather under the umbrella that covers fragile niches like "acid folk" and "soft rock"…
Sündenfall II
2019 restock. Sündenfall II from the Kevelaer area at the Lower Rhine played a mixture of folk and jazz. While their predecessors, Sündenfall, exclusively dedicated themselves to jazz, the group included folk after a change in line-up and band name (following the example of Amon Duul II). In 1972, Hubert Schmitz invited the band into his Trepitia film and sound studio in Alpen-Druept for free recordings, as he wanted to test the newly installed equipment after a recent move into the new location…
Whistling Jigs To The Moon
LP version. Includes insert with lyrics, liner notes, and photos. Sommor Records present a reissue of Flibbertigibbet's Whistling Jigs To The Moon, originally released in South Africa in 1978. Whistling Jigs To The Moon is not only a very rare and sought-after album but also a wonderful collection of traditional and original folk tunes with a strong Celtic influence. Featuring Alison O'Donnell and David Williams from psych-folk legends Mellow Candle. In 1974, following the break-up of Mellow Can…
Ithaca, Agincourt And Other Psych-Folk Fairy Tales
If one is aware of high prices on online music sites or is a part of any worldwide record collectors' circles, albums from groups such as Ithaca and Agincourt might sound familiar. Producers, composers, singers and multi-instrumentalists Peter Howell and John Ferdinando are two English musicians who started their partnership in the mid-1960s. From 1968, with the release of their soundtrack for the play Alice Through The Looking Glass, until the release of a project called Friends in 1974, they p…
Contribution
Shawn Phillips' first major album, recorded in 1968 with help from the members of Traffic, among others, is a condensation of a far more ambitious studio original that was intended to fill three LPs. The range of sounds on this record is shockingly diverse, from breezy folk-rock ("Man Hole Covered Wagon") to pieces incorporating classical guitar and phantasmagoric lyrics ("L Ballade" finds Phillips' at his most Donovan-like, but with a better voice), and, in between, bouncy throwaways ("Not Quit…
Scerizza
* Edition of 200 copies * Archeo is back with another stunner - a true gem of Italian, minimal and ambient music - Pepe Maina’s Scerizza, originally self released in 1979, and until now never reissued. Like everything they do, Archeo has taken it the next level, expanding this edition with a previous unreleased work. Almost entirely overlooked for 40 years, Scerizza is sure to leave listeners reeling and take 2019 by storm.Born in Milan, Pepe Maina, like a great many of the figures at the vangu…
AndOarAgain
AndOarAgain provides unparalleled access to what David Fricke calls “the most harrowing and compelling artifacts of rock & roll’s most euphoric era” across three dozen unheard tracks! In addition to the quintessential original album, AndOarAgain features nearly two hours of unheard music on the way to Oar–along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander “Skip” Spence determined the final state of his iconic masterpiece. The time: December,…
The Full Circle
**2019 stock, reduced price** The Full Circle is very similar to the eponymous debut album by Forest, but does take things a little further. The music still hovers around the late 60s folk somewhere around Fairport Convention and Incredible String Band but almost without percussions. Forest were an English psychedelic-folk trio who formed in Grimsby, Lincolnshire, in 1966. They started out performing unaccompanied traditional folk music in a similar vein to contemporaries The Watersons and The Y…
Kip Of The Serenes
Dr. Strangely Strange were an experimental Irish folk group, formed in Dublin in 1967 by Tim Booth and Ivan Pawle. the Strangelys were friends and contemporaries of the Incredible String Band, whose producer Joe Boyd signed them to his Witchseason management and production company in 1969. This first album originally came out in mid 1969 on Island Records. Over the years, Kip has acquired a considerable cult status; in 2007, Record Collector Magazine proclaimed it one of the UK's hundred most co…
Balaklava
A record that virtually defies categorization, Pearls Before Swine's 1968 epic Balaklava is the near-brilliant follow-up to One Nation Underground — and second masterpiece from Tom Rapp's merry band. This quasi-historical mystery album featuring a lisping songwriter who was recording 78 RPM cylinders and talking about Florence Nightingale existed, if not in the middle, then somewhere over there. It was fitting that the album had a home on ESP Records then—and now it has one on Drag City. A host …
Willoughby's Lament
"In the end Willoughby’s Lament is distinguished by sharper execution, both instrumentally and vocally, of more assured songs with greater overall heft the result; the growth is quickly discernible in the expertly rendered dynamic shifts of opener If I’d Live Alone and the chamber classical-inclined resonances of Interlude.Fleeting moments on The Wall I Built Myself could underscore Bob Brown as ambitiously striving to stand apart from an army of sensitive strummers with back pocket notebooks fu…
Evening Of The Magician
180gm vinyl LP. Three albums by Randy Burns were originally released on the ESP-Disk label during the late sixties. The first of which called Of Love and War came out in 1966 and was somewhat your typical mid-sixties solo folk debut album, straight out of the Greenwich Village scene. It contained a few self-composed tunes but mostly 'borrowed' songs from fellow folksters. Accompanied only by his acoustic guitar and occasional 12-string backing, Randy laid down a set that inspired his own writing…
Virginity For All
The rarity and bizarre content of Jerry Solomon’s releases have music connoisseurs clamoring for them, though he funded, wrote, recorded, and self-distributed his uniquely fascinating music for no reason other than to simply put it out there. Equal parts strange, entertaining, and foreboding, Jerry’s music is always engaging, and one can’t help but feel these recordings offer a glimpse through a murky portal into the unadulterated creative experience. Approximately fifty years after their initia…
Sunday's Child
John Martyn's follow-up to 1973's Inside Out is a much more song-oriented, less experimental effort which concentrates on the joys of home and family. Sunday's Child skillfully blends the sensual ("You Can Discover") with the sweet ("My Baby Girl"), the modern ("Root Love") with the traditional ("Spencer the Rover"), and the tormented ("Sunday's Child") with the satisfied ("Satisfied Mind," "Call Me Crazy") while retaining its cohesiveness. The record, his sixth on his own, shows the many facets…
Inside Out
Of all the musicians who attempted to marry modern jazz/rock ideas with
traditional British folk in the late '60s/early '70s, John Martyn was
the most challenging and aggressive. He had others giving him a run for
his money, sure -- Richard Thompson attacked the guitar with Sufi focus
and clarity; Bert Jansch often employed a sharp, metallic edge in his
work; and John Renbourn was capable of guitar maelstroms -- but when it
came down to it, no one was as out-there as Martyn, as experiment…
The Tumbler
John Martyn’s second album was released in December 1968. Another album in
the folk tradition but featuring the jazz flautist Harold McNair,
particularly on the romantic Dusty, The Gardeners and Fly On Home. As a
young man John stayed with his sister who lived near Hampton Court and
the song Dusty was inspired by his happy memories of Hampton Court Fair. This album was produced by Al Stewart and had more of a sparkle than
London Conversation and John said, “The album ‘sings’ a bit more than…
Bless The Weather
Though his earlier albums had merit, John Martyn truly came into his own with 1971’s Bless the Weather. The bittersweet grace of “Go Easy,” “Back Down the River,” and “Head and Heart” showcase Martyn’s agile folk-blues guitar touch as well as his delicate vocal shadings and sparse lyric style. A brooding Celtic atmosphere hangs over these tracks, reflected in the mellow fatalism of the title tune and the regretful yet accepting outlook of “Let the Good Things Come.” Whatever the feelings express…
Stormbringer!
**2018 HQ remastering** Originally released in February 1970 by Island Records this is the first and classic album by John and Beverley Martyn. After being rehearsed in Woodstock, NY Stormbringer! was recorded and mixed in only 8 days with engineer John Wood and producer Joe Boyd. John Martyn, inspired by the Band's Music from Big Pink, worked hard to find a distinctive guitar sound and in two tracks (Would You Believe Me? and The Ocean) introduced his pioneering guitar technique. Levon Helm gue…
Road To Ruin
**2018 HQ remastering. Presented in the original gatefold sleeve on 180gram vinyl, this is the first time that the album has been available on vinyl for over 20 years** John and Beverley Martyn’s 2nd album, also released in 1970, was Produced by Joe Boyd and engineered by John Wood at Sound Techniques, the Island Records studio. This album is John and Beverly's follow up to Stormbringer. In much of the same manner as that album, here Martyn recruited Pentangle member Danny Thompson on bass (who …