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Audion 38 (8/1997) 48 pages. Cover article: Rock In Opposition - Part 4: The French Connection (Etron Fou, ZNR, Albert Marcoeur, Art Zoyd)plus: NME at the NFT - Julian Cope Presents A Krautrocksampler, Sphere & IQ - The Palace Theatre, Newark, 11/5/97, Artemiy Artemiev, Cluster On Tour, Volcano The Bear - Physio & Firkin, Leicester 1997, SFF - An interview with Heinz Fröhling, Urban Sax - "Street Life" at the South Bank, London 18/7/97, The Deviants, King Crimson "Epitaph", Cunieform Records, Se…
Audion 37 (5/1997) 44 pages. Cover article: A Chat With Chris Karrerplus: Caravan, Cluster - Asheville, North Carolina, USA, 6/8/96, Faust - The return of Faust Part ???, Moving Gelatine Plates - The Genius Of, Rescued Relics, KLEMdag '96 - Vereniging, Nimwegen, Rescued Relics, Infortecture, Peter Hammill - Union Chapel, London 3/11/96, London Oris Jazz Festival - QEH, Brainticket - The Mysterious Story of..., etc.
Audion 31 (4/1995) 40 pages. Cover article: Rock In Opposition, part 2 - the Henry Cow legacyplus: Cuneiform Records, Legend Music, Lost Vinyl, Discipline Global Mobile, Tony Conrad With Faust + AMM - QEH, London, 17/2/95, Art Gallery, Teru's Symphonia, Bi Kyo Ran: A Japanese Progressive Legend, Magical Power Mako, Jorge Reyes, plus: MIA, Grey Lady Down, Frei Zinger, reviews, etc.
Audion 30 ((2/1995) 40 pages. Cover article: Rock In Opposition, part 1 - Univers Zero/Present/Daniel Denisplus: Made In Sweden 90s Style, Art Zoyd - Queen Elizabeth Hall, Electronic Music From Cologne: Stockhausen, Eimert, etc., Morphogenesis - Conway Hall 3/11/94, New Perspectives In Music, New Synth from Europe: Ron Boots, Frank Quasar, etc., 5uu's, The Hafler Trio, Rufus Zuphall - Avalon And On, etc.
Audion 29 (10/1994) 40 pages. Cover article: French Special: Jean-François Pauvros / Jac Berrocal / Catalogue plus: UK Electronica 1994, Voiceprint - Radio Sessions, Byoung Duk Kim, Rhys Chatham + 101 Electric Guitars,John Etheridge Band, Mother Gong - Leicester 94, Klaus Schulze - Paris 94, Jacques Rémus: Mecamusique, The Urban Sax Experience, Richard Pinhas & John Livengood - interview, Odd Size, etc.
Audion 27 ((3/1994) 40 pages. Cover article: Ozric Tentacles - A Psychedelic History plus: UK Electronica 1993: Land Of Yrx, Richard Pinhas, Geinoh Yamashiro Gumi, Carlo La Manna, Progressive Rock Worldwide, World Music Messenger Service, Progfest '93 Citadel, Änglagård, Quill, IQ, Man live, Klaus Schulze - Silver Edition, Bacillus Records - Classic labels #5, Happy Family - A Japanese Zeuhl Monster, etc.
Audion 26 (11/1993) (11/1993) 40 pages. Cover article: Arthur Brown - Still Crazy! plus: AMP Records - Electronic Evening 27/6/93, SI Music - Progressive & Melodic Rock, Peter Michael Hamel & Between, Jim O'Rourke - Industrial Soundscapes, Luigi Russolo - Father Of Noise, Prog & Psych Labels (Background, Aftermath, BGO, etc.), Arrival Music, Trettoåriga Kriget - Thirty Years War, Anekdoten, etc.rear cover: Instant Record Collection 4: The Rhythm Devils - The Apocalypse Now Sessions to "Sound Scu…
Audion 24 (3/1993) 40 pages. Cover article: Gilbert Artman: Lard Free & Urban Sax - plus: Lightwave & Paul Haslinger interview, Iancu Dumitrescu, King Crimson - The Great Deceiver, Yatha Sidhra - A Meditation Mass, Morphogenesis - An interview with, Roach/Reyes/Schulte - live in Paderborn, Germany 2/10/92, Supersister - Who Is Nancy?, Lovely Music, Miranda Sex Garden, UK Electronica, '92, Musea, etc. rear cover: Instant Record Collection 2: Paul Dolden - The Threshold Of Deafening Silence to Lar…
Audion 22 (7/1992) 44 pages. Cover article: Sound Sculptures: Lasry Baschet, Jean Tinguely, Sonde, etc. plus: Caravan Of Dreams - Live 91, Ozric Tentacles - Live 92, Hawkwind - Live 92, Djam Karet & Atavism Of Twilight, Richard Pinhas (interview), Current 93 - Keeping Up With The Current..., Anckartsröm, Igra Staklenih Perli, Harry Partch, Mario Bertoncini, Sonde, Ian Boddy (interview), plus: Harmonium, Voiceprint, Alquimia, reviews, etc.
Audion 14 (3/1990) 32 pages. cover article: Silence Records plus: Welcome Back Germany!, Jack Tamul, French Progressif, Musea Records, Lawrence Ball, Recommended Records, Gerard, GRRR! Un Drame Musical Instantane, Bernard Vitet, etc., Live In Leicester: Nexus, Amadinda, Shiva Nova, From The Archives Banco, East Of Eden, High Tide, Electronical Dreams, reviews, etc. rear cover: artist list, part 4 Pump to Zweistein
Audion 11 (3/1989) 32 pages. Cover article: Brain 1000 Series - Classic labels, part #1 plus: David Torn!, Better Days Distribution, Peter Frohmader new releases, Friendsound, Behind The Iron Curtain -Part 3: East Germany, Due (interview), Eduardo Polonio (interview), Musea Records, Pierrot Lunaire - An Italian Rock Legend, Clonicos, Circadian Rhythm, Reviews: Tonspur Tapes, Jabir, reviews, etc.
Well-versed in vintage vernaculars, Oakland-based producer/musician Mike Walti is about to return with his sophomore offering under the Organi moniker – as new album “Babylonia” follows 2020’s “Parlez-vous Français?,” a landmark in vibe acquisition ever since.
Having passed – at least figuratively – through hundreds of years over the course of their previous two albums, the good ship High Llamas docked, fully loaded, into a congenial present moment for once in its life. O’Hagan’s continued work with Tim Gane and Stereolab caused a healthy dose of electronica to spike the Llamas’ already heady brew, creating an apex of late 90s-style neo-exotica. RIYL: Mouse On Mars, Oval, Grand Royal, Dots and Loops.
*2024 repress* Over the last two decades Philadelphia-based guitarist Chris Forsyth has released over a dozen critically lauded albums that have established him as one of today’s most unique and acclaimed guitar player /composers – a forward-thinking classicist synthesizing cinematic expansiveness with a pithy lyricism and rhythmic directness that makes even his 20-minute workouts feel as clear, direct, and memorable as a 4-minute song. In retrospect, Forsyth’s career can be divided into two per…
2022 Repress. "One of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s." - Chris Cutler. "Picchio dal Pozzo can be considered as the definitive 'Canterbury' inspired band, coming from Italy's 1970s progressive rock scene. Their 1976 debut album shows an incredibly rich sound texture, made out of some peculiar musical ingredients. Oblique tunes and liquid harmonies, airy flutes, crispy horns, loads of electric piano, fuzz bas…
The overall atmosphere and aura of You Are Here... I Am There points at the influences of American jazz musicians such as John Coltrane, Archie Shepp, and Charles Mingus. The record shows a strong tendency, however, towards a distinctive sound that was, at the time, new, embraced by musicians such as Jan Garbarek and Ian Carr. Above all, Keith Tippett's compositional style bears traces of the artist's classical training, unveiled by his harmonic and dynamic awareness and careful balance between …