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*In process of stocking* Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on th…
*Back in print with hype sticker ! In process of stocking* This is probably one of the US private press scene's greatest treasures. The sole album published by this American five-piece was released in 1973 in a ridiculously small run and soon was elected as a contemporary cult. The band from Indianapolis consisted of brothers David Zerfas and Herman Zerfas, and was originally formed in 1969. While they released just a single self-titled album, they continued to play gigs until 1983. All the mat…
Recorded in 1973 at the Church of Saint Mary Magdalene in Paddington, London, Unfinished Picture is Rupert Hine's second LP. The songs where all composed by Hine with lyrics by David McIver and Simon Jeffries. On its sessions, Hine was surrounded by a host of outstanding musicians that included Simon Jeffes (Penguin Cafe Orchestra), Mike Giles (Giles, Giles & Fripp / King Crimson), Mick Waller (Cyril Davis, The Steampacket, Jeff Beck Group), Ray Cooper (Eric Clapton, Elton John) among others.
Ru…
*Warehouse find! In process of stocking* The Farm Band was unbelievably not the only band that sprung from a hippie farm community in the 70s. Between 1972 and 1977 the band released four albums including this self titled double LP featuring 8 tracks highly influenced by the Grateful Dead-esque psychedelic trips, like in the 17 minute "I Believe It".
*30 copies limited edition. In process of stocking* Patrick R. Pärk’s Black Tempel Pyrämid has been insanely prolific since its inception at the back end of 2020, releasing eight albums over a variety of labels in that time. The six-CD box set ‘Black Tempel Pyrämid Discs’, incredibly, offers up six entirely unreleased albums dating from that same time period. A deep dive into primitive droning kosmische territory.
A dreamlike dispatch from mid-80's Japan, the first and only Hallelujahs album is an entrancing and gentle work of psychedelic pop brilliance. In a series of informal studio sessions between 1985 and 1986, Shinji Shibayama (Nagisa Ni Te) gathered a group of friends, emerging luminaries from the burgeoning Kansai underground rock scene including Naoki Zushi (Hijokaidan, Spiral Stairs / 螺旋階段), Ken Ichi "Idiot" Takayama (Idiot O'Clock) and Chie Mukai (Ché-SHIZU) to form what would become known as H…
Arriving on the Japanese music scene during the Beatles-inspired cover band boom of the late ’60s, Jacks instantly distinguished themselves from their fluff-peddling, copycat peers with stripped-down, original compositions, nihilistic lyrics and raw performances. Their tenure was short - ’67 to ’69 - but they managed to cut a handful of singles and two albums in that time, the first of which, Vacant World, is now widely considered in Japan to be one of the greatest rock albums the country has ev…
*Limited edition of 400 copies in 4 colours numbered to 100 copies each.* Los Elementales- Fuerzas Magicas De La Naturaleza was composed and originally released in 1977, at the apex of Arco Iris’ prolific musical career. A well-deserved successor to Agitor Lucens, it is their most prog-oriented masterpiece, a veritable distillation of years of uniquely carved and meticulously executed psych/folk/jazz tunes that earned them their reputation among Argentina’s cultural pantheon’s finest. If nature …
Here we have another magical achievement of the early 70’s counterculture. Officially released in 1972 on the small imprint Westwood Recordings, the album has an intimate, predominantly acoustic flavor. Flutes, chimes and gentle organ sounds all over the place. Tales of faraway lands, sand, sea, castles, kings, queens and even Peter Pan dominates the scene, imposing a sort of ancestral feel. Rob Armstrong, the leader of the group, became a renowned luthier and you can hear the care and love of t…
“Markley - A Group” is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych st…
Possibly one of the most fascinating psychedelic album coming out of Japan in the early seventies. Published in 1972 on Capitol Records eastern brand, the East album was then fully licensed to both the UK and American market, due to his fascinating and lysergic moments. The opener 'Beautiful Morning' soon became a classic on its own, showing the western influences of the band all along the spirit of the rising sun counterculture. A revolutionary effort in the end, coming from a different perspec…
*2022 stock.* The Fugs were the original outsider artists, releasing their first recordings on the legendary avant-garde label ESP-Disk' in the mid-1960s before signing to Reprise. Formed around the core of Ed Sanders and Tuli Kupferberg, The Fugs combined jug band music, smutty rock'n'roll, country ballads, Gregorian chants, canticles, and bohemian poetry into a stoned stew of anti-establishment freakouts! Now their first two albums for Reprise are available on vinyl for the first time since th…
The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining …
First ever reissue of this impossible to find private acid-folk album from France, 1972, related to Long Orme and originally released as a tiny pressing on cult Kiosque d’Orphée label (the French Deroy). Recorded by French musician Dominique Droin (later a Gipsy Kings backing musician!) and some friends/musicians at a basement studio, the album has a charming homemade vibe and melancholic atmosphere with a strong UK folk influence (think Donovan, John Renbourn, Bert Jansch or Nick Drake). Beauti…
*In process of stocking* Paul Roland teams again with legendary British psychedelic guru Mick Crossley (aka Flyte Reaction) for a new masterpiece. A double album on a single cd that will lead you trough a magic journey... through the spectral gates of your mind.
'Asylum' has a striking cover artwork, very typical of the style of the day, and was Cressida's second album of eight extended rock workouts, with Peter Jennings' superb keyboard playing backed by John Culley on lead guitar, enhancing the lead vocals of Angus Cullen. With extra percussion and orchestral accompaniment, Cressida's sound has often been compared to their contemporaries, the Moody Blues.
Cressida's debut was issued in 1970 on the famed 'Spiral' label, the home of Progressive rock. The 12 tracks highlight this excellent British band's ambitious and attractive blend of vocals, guitar and keyboards. The band enjoyed critical acclaim back in their day and their music still sounds fresh today.
Picnic - A Breath of Fresh Air is a sampler issued originally by the Harvest Records label, originally released in 1970 and is remarkable for including the full-length version of the unreleased Pink Floyd song, "Embryo". EMI as a record label did not generally have a reputation for taking risks; however, having seen that progressive music had become popular, the niche Harvest label was launched in 1969 to take advantage of that market. As with many record labels at the time, a budget-priced show…
Debut album of this band led by skilled master-guitarist Peter Bursch, which went to record this magical piece of psychedelic folk for the Pilz label in 1971. Guitars, flute, mellotron, congas, tabla, sitar & the magical voice of Jenni Schaecker make the ingredients for a very special record, recorded & mixed by Dieter Dierks in his unique fashion. Full of Eastern promise, this is regarded by many as the best German folk-rock album ever! 'The ideal companion to Emtidi's Saat and Hoelderlin's Tra…
"One of the great joys of the ever-evolving catalog of Dan Melchior is hearing where in the spectrum of styles that he has mastered each record falls. From studio recordings to lo-fidelity home experiments, full band rockers or plaintive solo excursions, fans never know what they are going to get until the needle drops. Those of us who have followed Dan on his prolific pathways are ready for anything but always assured that the spirit of the artist himself, one unique enough to be its own in any…