Psych /
Aphorisms Insane
The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two piece…
Africa Roja
The story of Klamm started in Martorell, 30km near Barcelona, in 1976. Teenagers Josep Saus "Toto", Antonio K. Puertas and Leo Mariño got together under the influence of bands like Can and King Crimson. The original line up consisted of guitar, bass guitar and drums, and they were barely 16 years old when they began. From there, they evolved and also went though different personnel changes, added new influences, had experimental progressive jazz-rock periods, were touched by the works of bands l…
Tape Archive Essence 1973-1978
LP version. During the legendary Forst years, Roedelius had a private workspace with a Farfisa organ, a Revox-A77 tape machine, an echo device and a synthesizer which he borrowed from the Cluster studio next door now and again. Here he experimented, practiced, allowed his imagination to flow, at any hour of the day or night, whenever he was not in the studio with Dieter Moebius and/or Michael Rother at work on new Cluster or Harmonia material. Roedelius always let the tape run, in order to analy…
Selbstportrait Wahre Liebe
LP version. The first part of Hans-Joachim Roedelius's Selbstportrait (Self-Portrait) series was originally released under the title Sanfte Musik on Sky Records in 1979. Now, some forty years later, a new instalment has arrived in the form of an album entitled Wahre Liebe. One of the initiators of the Berlin Zodiak Free Arts Lab in 1967, Roedelius went on to co-found Kluster/Cluster and Harmonia, unleashing a new and free form of music which, with the benefit of hindsight, can be considered a mi…
Inventions For Electric Guitar
Originally released in 1975. Remastered by Manuel Göttsching. Recorded July-August 1974, Inventions for Electric Guitar is Manuel Göttsching's first solo album, however it was released with the subtitle Ash Ra Temple VI technically making it the sixth and final album under the Ash Ra Temple name. Written and performed entirely by Göttsching on electric guitar, with a four-track TEAC A3340, Revox A77 for echoes, wah-wah pedal, volume pedal, Schaller Rotosound, and Hawaiian steel bar.
A seminal mi…
Weiss Der Teufel...
Weiss der Teufel (1971), the first Rufus Zuphall album has gradually gained legendary status. All tracks were recorded live in the studio, resulting in a raw and unpolished sound. The side-long title track developed into a very twisted and frenetic flute solo! Some people regard this track as one of the finest moments of German rock. Weiss der Teufel is a great album, typifying the raw-edged, largely instrumental early progressive rock. Here it comes with original album sleeve cover art and inse…
Thoughts
Originally released in 1971 on famous German Pilz Label, Thoughts was the second and last album of a band which is often regarded as one of the most legendary krautrock bands. While 1st album Revelation was full of inventions and surprises within long tracks with extensive guitar workout, swirling organ and lots of improvisations, Thoughts showed a different style to the debut. With two different lead vocalist (Jürgen Schäfer and Werner Vogt) Virus' music was now more song oriented, more hard-ro…
The Ultimate Collection
**CD collection in gatefold sleeve LP-cover size** "This set contains all previously released Improved Sound Limited 5 CDs (eponymous double album, Catch a Singing Bird On the Road, Rathbone Hotel, Road Trax, The Final Foreword) and one bonus CD entitled Bell Cantos, Ezra Pound Revisited with music the band recorded in 1969 for Bavarian Radio with heavy fuzz guitar, moog synthesizer, music of that time, a little bit experimental but constantly melodic (no white noise). This is the ultimate colle…
Tago Mago
Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded - including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterio…
山險峻/Sua-Hiam-Zun
**2020 stock** Sua-Hiam-Zun was based on their original drone metal/psychedelic folk style, but the duo had been diving deeper into synthesizer layering, sequencing. While keeping their original ambience, they combined krautrock influences such as Popol Vuh and Cluster to industrial music influences such as SPK in this recording, giving the ancient ethereal vibe a new modern sound texture. Comes With Digital Download
Formed in Taipei, Taiwan in 2013, comprised of member Lu Li-Yang and Lu Jiachi…
Kikagaku Moyo
**2020 stock** Kikagaku Moyo 1st self-titled album reissue. Originally released by Cosmic Eye Records in Sep 2013. Kikagaku Moyo's debut album exerts an elemental power. Enlivening their sound with sitars, percussive drums, theremins, wind instruments and ethereal vocals, the band manages to sound powerfully spacious and lazily serene all at once. Their songs can be light as air, or heavy as earth. comes with digital download Many evolve out of intense experiences of engagement with the natural …
River of Return
The long lost album 'River Of Return' of the German Krautrock legend Agitation Free. It was a reunion of the band after 25 years of abstinence with some original members. Already the first sounds show that the Krautrock style still exists, but the music and the production is light years ahead, which is reflected in the very mature production. As on the early albums, the quartet consisting of Gustl Lütjens, Michael Günther, Lutz Ulbrich and Burghard Rausch offers a mixture of different styles. T…
Carnival In Babylon
Originally released in 1972, 'Carnival in Babylon' has always lived in the shade of the sprawling Yeti and Dance of the Lemmings collections, but in many ways it is a more consistent and coherent document of the Amon Duul at their peak.
Horrortrip In The Paperhouse
The first five tracks on this Can release of dubious authenticity were taken from the famous Can free concert in Cologne, Germany, on February 3, 1972. This is the audio from the same concert documented by the video item of the out of print Can Box set, and the audio quality is quite good and the performances are outstanding. On these tracks, the group locks into one long, propulsive groove after another, blending minimalism with improvisation. Whereas "Spoon" and "Paperhouse" diverge quite a bi…
Acnalbasac Noom
Acnalbasac Noom -- meant to be the German-English-American avant-pop group Slapp Happy's second album -- was originally recorded in 1973 but did not see release originally until 1980. Recorded with legendary German art-rock group Faust accompanying the Slapp Happy core of Anthony Moore on keyboards, Peter Blegvad on guitar, and Dagmar Krause on vocals, and with Faust's brilliant producer Uwe Nettelbeck at the helm, Acnalbasac Noom was initially rejected by the group's label Polydor as not being …
Threshold
Since 2013, Dhidalah has hailed from the Tokyo underground as a space rock power trio. The band name derives from the Japanese legend of the Giant Gods — known as the creators of mountains, lakes and islands. Dhidalah plays improvisational music performances inspired by various genres from stoner / doom to kraut rock. Their first EP No Water was released by Guruguru Brain in 2017. The EP was internationally acclaimed, resulting in two shows at the 2018 Roadburn Festival as their first European d…
SWF Session 1973
Long Hair is not only proud to present Tortilla Flat`s legendary sole album „Für ein ¾ Stündchen“, on vinyl, but also the groups a lot more legendary broadcast sessions for Germany`s leading underground and Krautrock program on radio SWF (look for the further recordings in this series on LongHair). The mainly instrumental album is very flute and in opposite to the latter album electric violin driven, with very exciting guitar playing accompanied by a rocking drumming and nimble bass lines, very …
Pieces + Secrets of the Blue Bag
The two groundbreaking Anthony Moore LPs in bundle at a special price. **500 copies** Over the last few years, we’ve seen countless reissues emerge with the branding of “holy grail”. Some have deserved it, other have not. Needless to say, here at SoundOhm, we’re increasingly wary of throwing these words around, but the two albums before us, Anthony Moore’s Pieces From a Cloudland Ballroom, from 1971, and Secrets of the Blue Bag, issued the following year, deserve them with little doubt. Creative…
Fur Ein 3/4 Stundchen
Long Hair proudly presents one of the most sought after German albums of the early seventies, now for the first time officially re-released on LP: Tortilla Flat's 'Für Ein 3/4 Stündchen', originally recorded in winter 1974 and released in early 1975 as a private pressing. The instrumental album is very flute and electric piano driven, with very exciting guitar playing accompanied by rocking drumming with slightly jazzy influences and nimble bass lines, very tight! Music is very unique, not typic…
Nosferatu
2010 Release. Originally issued in 1970, Nosferatu is band’s sole album is a highlight of early Krautrock, and it remains a lively testimonial of the fledgling German music scene of the time, which was steadily moving away from its Anglo-American role-models to create an independent sound that the English initially and somewhat disparagingly called Krautrock, but which eventually came to be a seal of quality. A band somewhat shrouded in mystery, perhaps maintaining what little attention they st…