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Klopfzeichen
180 gram vinyl version. Imagine finding a message in a bottle, forty years after it was dispatched. That is what it feels like when you listen to Kluster's Klopfzeichen for the first time, mysterious, hard to decipher, a relic of a time long since passed. The handwriting is archaic, barely legible, the complex contents only falling into place when examined through the light of historical context. Klopfzeichen is an incredibly important release for the time in which it appeared (1971), an …
Blau
P version on 180 gram vinyl. On the Red Album Rot, Conrad Schnitzler laid down the direction his musical artistry would take. His second solo , The Blue Album Blau, originally released in 1974, offered confirmation of his intent. Maybe the "Red" and "Blue" tracks were recorded in the same session. The structure, sound and timbre of both LPs are so similar as to suggest that this was the case (an unverified assumption nevertheless!). Far more important than this historical pedantry is the fa…
Inventions For Electric Guitar
**CD version** With his first solo album, which was originally released in 1974, Manuel Gottsching (Ash Ra Tempel) laid the foundation for many other upcoming works. In fact, the guitar was invented here, for his play on the three epic tracks are years ahead of its time: Circular, flat, layered loops and improvisations create a compelling, hypnotic atmosphere and make this album in retrospect a landmark of new guitar culture. The album was completely remastered by Manuel Gottsching himself and i…
Klusterstrasse 69-72
A Milestone! Heavyweight 8LP boxset with four gatefold/ double album jackets including liner notes by Conrad Schnitzler, plus official, individually numbered certificate of ownership, housed in a huge heavyweight canvas box and limited to 500 copies... "The Ensemble Kluster was found by Conrad Schnitzler in 1969. It can be considered as one of the most radical and influencial german progressive, avantgarde bands. Its music-approach and playing-techniques are related to Stockhausen and the group …
Emtidi
First legit reissue of this debut album from 1970, predating their most commonly known Saat album from 1972. "Emtidi are best remembered nowadays for their classic album Saat, but prior to that release, the duo formed by Maik Hirschfeldt and Dolly Holmes had already released a marvelous LP. This superb debut album is filled with charming folk-oriented material. 6, 7 and 12 string acoustic guitars and beautiful flute arrangements surround the lovely female/male duet voices of Hirschfeldt and…
Cluster 71
2016 repress; 140-gram LP. Cluster's self-titled debut was originally released by Philips in 1971; this edition is the first reissue to restore the track running order of the original Philips release. Includes liner notes by electronic avant-garde pioneer Asmus Tietchens. In 1998, The Wire listed Cluster's self-titled debut as one of "100 Records That Set The World On Fire (When No One Was Listening)." Very few albums from Germany can lay claim to this honor. Cluster is a monster; it cont…
Paradieswarts Duul
"Recorded in 1970, Amon Düül's only album for Ohr was a visionary slice of acid-folk which has gained cult status as years passed by. Ritualistic folk-rock, pastoral hippie songs, stoned jams, Eastern flavors, mystical passages and heavy hypnotic riffing which are in fact very different from the early Amon Düül epic freaked-out improvisations (Psychedelic Underground) or Amon Düül II complex and psyched-up progressive works (Phallus Dei). These were in fact archival recordings done by a di…
Fliessbandbabys Beat-Show
"Actually the first release ever on the revolutionary and innovative Ohr label, Fliesbandbabys Beat Show saw Floh De Cologne's delivering a hard slap on the face on Western Germany's capitalist society. Well-known for their humorous and satirical approach (which gained them comparisons with other freak troupes like The Fugs or The Mothers Of Invention), they deliver a freaky concoction of agit-prop satire and madness with relentless no-barriers free jamming. Political agitation meets free-r…
Sturmischer Himmel
Often described as one the oddities in the Ohr catalogue, Sturmischer Himmel supposed the vinyl debut of Anima, the radical free-music duo of sculptor Paul Fuchs and her wife Limpe Fuchs. Recorded at a "thousand year cottage on a windy hill" and opening with ambience recording of wind and sheeps, the album is an organic collection of improvised atonal pieces ranging from the atmospheric to the wild with much use use of screaming, horns, percussions, ambience recordings, wordless vocals and all k…
Musik fur alle
Rare private press Krautrock from Paul and Limpe Fuch's Anima Sound – featuring one long improvisational piece on each side – oddly haunting and strangely beautiful! Raw home made percussion, off kilter melodies and really effective vocals make this a genuinely fascinating set that's surprisingly effective. Made while the duo was touring Germany and performing on a wagon they used as a stage, pulled throughout the country by a tractor!
Paragon Outtakes
2024 Stock. This is Conrad Schnitzler nectar at his best! All these unreleased before tracks were composed by Conrad Schnitzler, produced by Peter Baumann, and recorded & mixed at Paragon Studios, Berlin in 1979-1982. Triple color vinyl 7inch (blue, red and green) with special plastic outer box. Housed in a special plastic box with two heavy cardboard inserts acting as a record cover. Limited 300 set with serial numbered!
Knirsch
Classic interweaving of jazz, rock, avant-garde and electronic, with Larry Coryell & Colosseum's Jon Hiseman. Completely new standards were set with this recording, originally released on MPS in 1972. Knirsch became cult and still is until now, almost 40 years after its release. A unique example for the successful interweaving of jazz, rock, avant-garde and electronic. The musicians: US guitarist Larry Coryell, German keyboarder Wolfgang Dauner, British drummer Jon Hiseman, US percussion…
Delay
Probably the rawest krautrock release. Malcolm Mooney's singing is trance inducing yet soulful, keeping the songs together when everyone else seems to freak out. Nineteen Century Man an it's over the top distortion, combined with the 'Inner Space' mantra, and it's half a minute jazz impromptu prelude Pnoom, push the listener into bliss every time.
Future Days
An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's invasive bass, the remastered versions of 'Spray' and 'Bel Air' are numbly visceral in that trademark Can way, convincing you that the full spectrum of cont…
Soon Over Babaluna
With Suzuki departed, vocal responsibilities were now split between Michael Karoli and Irmin Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his lines on the opening groover, "Dizzy Dizzy," while on "Come Sta, La Luna" Schmidt uses a higher pitch that is mostly buried in the background. Holger Czukay sounds like he's throwing in some odd movie samples on that particular track, though perhaps i…
Crawling To Lhasa
New legit reissue of this "psychedelic jewel from Duisburg". Originally issued as a private press LP in Germany in 1972, there were a couple of bootleg LP versions of this floating around in the 80s and then a legit, but difficult to obtain CD issue on the long gone Lost Pipe Dreams label. "Their music combined various folk and Eastern influences, slightly hinting at the Third Ear Band and Popol Vuh, but closest to Clark-Hutchinson on their album A=MH2. Kalacakra's blend of mantras, blues, folk …
Saat
Recording in a good studio in 1972 with an accomplished engineer/musician such as Dieter Dierks (Ash Ra Tempel, Cosmic Jokers, Tangerine Dream, and yes, the Scorpions), certainly enabled Emtidi to expand their musical style on 'Saat.' The end result was a shimmering, lush cosmic folk trip, with multi-tracked and treated acoustic guitars plus electric piano, fragile angelic femme vocals, vibes, and mellotron, (punctuated by the occasional acid guitar solo). Yes, 'Saat' is an elevated cosmic folk …
Ufo
The first album by Guru Guru in 1970 originally released on the Ohr label. Featuring Mani Neumeier (Dr.), Ax Genrich (G) and Uli Trepte (B). Historical masterpiece! Reissued with elaborate miniature paper sleeve of the original LP (day-glow + trait ink print, coated gatefold sleeve). 2008 digital remaster version, limited to 1,000 copies.
At The Cliffs Of River Rhine
When the band Agitation Free came together in 1967 as a result of the merging of two Berlin rock groups, one of the most interesting groups in a dawning independent German music scene was created. With their improvisations between rock, jazz and new music, Agitation Free soon relegated to the not so flattering category of Krautrock made musical forays into areas that few of their fellow German musicians had ever penetrated. At a time when most in Germany were still orienting themselves as closel…
Beziehungen
The second and the last album by Annexus Quam originally released in 1972 on the Ohr label. Sound engineer: Dieter Dierks. Reissue with elaborate miniature paper sleeve of the original LP (full color print, coated sleeve). 2008 digital remaster version, limited to 1,000 copies!After the release of their debut album Osmose and much playing in jazz festivals, Annexus Quam fronted some personnel changes and settled down to a quintet. The band was now Hans Kämper (trombone, Spanish guitar, flute), H…