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An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's invasive bass, the remastered versions of 'Spray' and 'Bel Air' are numbly visceral in that trademark Can way, convincing you that the full spectrum of cont…
With Suzuki departed, vocal responsibilities were now split between Michael Karoli and Irmin Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his lines on the opening groover, "Dizzy Dizzy," while on "Come Sta, La Luna" Schmidt uses a higher pitch that is mostly buried in the background. Holger Czukay sounds like he's throwing in some odd movie samples on that particular track, though perhaps i…
New legit reissue of this "psychedelic jewel from Duisburg". Originally issued as a private press LP in Germany in 1972, there were a couple of bootleg LP versions of this floating around in the 80s and then a legit, but difficult to obtain CD issue on the long gone Lost Pipe Dreams label. "Their music combined various folk and Eastern influences, slightly hinting at the Third Ear Band and Popol Vuh, but closest to Clark-Hutchinson on their album A=MH2. Kalacakra's blend of mantras, blues, folk …
Recording in a good studio in 1972 with an accomplished engineer/musician such as Dieter Dierks (Ash Ra Tempel, Cosmic Jokers, Tangerine Dream, and yes, the Scorpions), certainly enabled Emtidi to expand their musical style on 'Saat.' The end result was a shimmering, lush cosmic folk trip, with multi-tracked and treated acoustic guitars plus electric piano, fragile angelic femme vocals, vibes, and mellotron, (punctuated by the occasional acid guitar solo). Yes, 'Saat' is an elevated cosmic folk …
The first album by Guru Guru in 1970 originally released on the Ohr label. Featuring Mani Neumeier (Dr.), Ax Genrich (G) and Uli Trepte (B). Historical masterpiece! Reissued with elaborate miniature paper sleeve of the original LP (day-glow + trait ink print, coated gatefold sleeve). 2008 digital remaster version, limited to 1,000 copies.
When the band Agitation Free came together in 1967 as a result of the merging of two Berlin rock groups, one of the most interesting groups in a dawning independent German music scene was created. With their improvisations between rock, jazz and new music, Agitation Free soon relegated to the not so flattering category of Krautrock made musical forays into areas that few of their fellow German musicians had ever penetrated. At a time when most in Germany were still orienting themselves as closel…
The second and the last album by Annexus Quam originally released in 1972 on the Ohr label. Sound engineer: Dieter Dierks. Reissue with elaborate miniature paper sleeve of the original LP (full color print, coated sleeve). 2008 digital remaster version, limited to 1,000 copies!After the release of their debut album Osmose and much playing in jazz festivals, Annexus Quam fronted some personnel changes and settled down to a quintet. The band was now Hans Kämper (trombone, Spanish guitar, flute), H…
Recorded in Berlin, 11/14/74 as their "final reunion" a loose jamming session featuring various members of the groups' different periods: Christoph Franke, Michael Hoenig, Lutz Ulbrich, etc. Like many acts that suffer from sounding a bit stiff in the studio, the live experience is the way to hear `em let their hair down and show how rock music can be dangerous in a way that other musical genres are often not. Trad Gras Och Stenar are another example of a band far more visceral and exciting…
When Burghard Rausch and Michael Hoenig left Agitation Free in 1974 and the group was as good as dead, Michael Günther and Gustl Lütjens didn't want to give up so easily and made a few attempts in the studio with new people from their environment in autumn and winter of that year. Thanks to Manfred Opitz and Gustl Lütjens, some quite jazzy pieces came out, but Vertigo rejected them as "not for sale". On "The other sides" you can hear them for the first time, supplemented by excerpts from the pol…
Truly exxential! The ultimate collection from the legendary inventors of krautrock. This 5 CD set contains ALL Faust's early classic albums, a John Peel session, and unreleased early material. The 40 page booklet is stuffed with unpublished photos, stills from Super 8 footage from the famous studio at Wumme, and revealing interviews with many of the key players in the Faust story. CDs: Faust (the famous clear first album), So Far (the famous black second album), The Faust Tapes (for the first ti…
Long deleted in the elaborate box set version with it's unique Tarot cards, here is the regular priced double CD version of this Krautrock all-time classic. Originally issued on the OHR subsidiary label Kosmiche in 1973. Wegmuller was a gypsy painter who had designed a 78 card Tarot set; the music, spread out over 2 CDs is performed by what is essentially the first version of the Cosmic Jokers: Manuel Gottsching, Hartmut Enke, Harald Grosskopf, Jurgen Dollase, Jerry Berkers & Walter Westrupp. Pr…
First ever CD reissue of one of the most extreme Krautrock-era albums ever made. Originally released by Philips Germany in 1970, the triple LP edition came in an elaborate 'mirror' sleeve and has been near-impossible to find for 35+ years; there have been a handful of suggested reissues over the years, but finally Captain Trip has brought it to fruition, in collaboration with founding member Suzanne Doucet. Incredible fold out packaging emulates the original, with front embossing and silver-foil…
Long out of print. Buried deep in time, this obscure artifact is something of a revelation. No group information was ever given, and no production date or location is indicated, however, it would seem that this record and the "Brast Burn" LP (also reissued by Paradigm) are both by the same group of Japanese nutters and that they were both recorded in the mid seventies in Japan. But all you really need to know is that it is stone cold fantastic, a wild and manic trip full to the brim with hypnoti…