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* in process of stocking * Second album from the cultish experimental jam band formed in 1967 in Orange County, California. Their second effort from 1970 - The Electronic Hole - takes a step away from their earlier work, being composed with definite song structures versus the earlier drawn-out freeform jams. Sounding much like a west-coast version of The Velvet Underground & Nico, the album has melodic motifs but is much more primitive and mysterious than its cousin, with loads of fuzz, hauntin…
Between August 1980 and March 1981, Les Rallizes Dénudés (or The Naked Larryz, as the long-lost acetate they are rumored to have recorded for Virgin Records in the mid-'70s dubbed them) played seven concerts in and around Tokyo. Never officially released, illicit ninth generation cassette copies circulated in Japanese fan circles for many years, attaining a whispered, Holy Grail status amongst initiates to the Rallizes cult. High quality soundboard versions were finally released by the secretive…
**Remastered 50th anniversary edition* of this psychedelic masterpiece by Twink (Tomorrow/Pretty Things/Pink Fairies etc.), which was prepared before the more widely known stereo mix, and originally intended for release as part of Decca Records' Nova series. Recorded in London in July 1969, and featuring members of Tomorrow, The Pretty Things, The Deviants, and Tyrannosaurus Rex, the legendary Think Pink is one of the hallowed relics of British underground rock. "Twink was the drummer in the Pr…
The group's self-titled studio album Fuzzy Duck was released in 1971. It featured Mick Hawksworth of Five Day Week Straw People, Killing Floor and Andromeda, as well as Crazy World of Arthur Brown keyboardist Roy Sharland and drummer Paul Francis of Tucky Buzzard (and later of Tranquility). The group disbanded soon after the release of their album, additionally, in 1971 vocalist Garth Watt-Roy (the elder brother of bass player Norman Watt-Roy) was asked by the band Steamhammer to provide vocals …
The album opens on a conga-driven groovy track that gets its inspiration between the three horn players, but in the background, Keith Tippett's piano is the one thing that makes this piece so rollicking. Followed up by the tough to grasp Thoughts To Geoff, a 10-mins corker that often veers dissonant and improvisational, which strangely enough becomes more fluid and melodic as it unravels. Even young Gary Boyle (out of auger's trinity) manages to follow this difficult track, which had to faded ou…
* 2021 Repress * Aguirre Records present the first official vinyl reissue of Fifty Foot Hose's Cauldron, originally released on Limelight in 1967. Cauldron is the legendary psychedelic jazzy rock and electronic album by Californian band Fifty Foot Hose. Fifty Foot Hose formed in San Francisco in 1967. Like few other acts of their time, they consciously tried to combine the contemporary sounds of rock with electronic instruments and avant-garde compositional ideas. They were one of the most radic…
Pyramid was an underground / homemade label created by Toby Robinson and his friend Robin Page (the Fluxus artist) while they were living in Cologne, Germany, in the ‘70s. Toby - aka The Mad Twiddler, aka Genius P. Orridge – is well-known to Krautrock collectors as one of a number of engineers working at Stockhausen’s WDR and Dierks Studio in Cologne in the mid-1970's, where he assisted on recordings by many famous Kraut bands such as Can, Birth Control, Mythos or Dzyan.Pyramid was home to a ser…
**Black Vinyl** Ned Lagin's Seastones is a pioneering electronic composition interweaving metaphors from nature, science, art and music and the origins of music. Reflecting the technology, science, modern art, new ecological awareness and optimism of the times and culture, Seastones embodies the history of electronic music by taking full advantage of tape music, analog synthesizers, and computer technology to create pieces that are dynamic, rich, and deep.
Originally released by the Grateful Dea…
Avant-Garde Sonic Ammo ca.1968! Mono version, clear vinyl. Sundazed brings you the reissue of the self-titled album from The United States Of America. U.S.A., led by respected modern classical avant garde musician Joseph Byrd, cut a wide swath through the 1968 world of rock, just then comfortably settling in to its backwoods dreams of country-rock to find the debut U.S.A. album howling like an infant terrible on its front doorstep. At the centre of the U.S.A.'s fiercely experimental universe wer…
"A glorious re-match for Chicago’s superb free-rock trio, Mako Sica, and the jazz world’s percussionist of choice, Hamid Drake. Their last collaboration, Ronda, was a glorious, open-ended studio conversation spread across two LPs. Balancing Tear is a mix of studio and live recordings, awash with calmly oceanic passages, interspersed with compressed and feverish form-blurts.As with Ronda, the heft of the material is dynamically advanced. The album begins with passages worthy of Morricone’s wester…
Fluence is the brainchild and first release of sound artist / provocateur Pascal Comelade. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp & Eno vernacular with a Kosmische tinge. 'A Few Reasons To Stay / A Few Reasons To Split,' a title inspired by Swiss conceptual artist Urs Lüthi, features Comelade's kaleidoscopic arpeggios and Richard Pinhas' howling guitar, which variously resembles a dreamlike cello and ghostly human moans. '…
**2020 stock** This was the first spontaneous release that was made into a record, credited to Father Yod and The Spirit of '76. It came out in 1973, the year of Kohoutek, when the imminent arrival of the big comet spawned a new round of cosmic consciousness in the media and with people all over the planet. This was more than a comet, its radiance was enormous, it came from ancient times to be experienced again by the enlightened people of the day. The Source Family were alive with expectation a…
2019 Repress. New York avant-garde luminary Joe Byrd had been the leader of pioneering ’60s electronica band The United States of America until given the heave-ho by his own creation. His riposte was to create this in turns beguiling and bizarre album, which if anything is even further out on a limb than his previous band’s sole groundbreaking LP. While obviously a ’60s sounding record, its many unexpected twists and turns along with Byrd’s stunning production leave it sounding undated, existing…
Cult, obscure 1976 proto-electronics masterpiece 'Viaje' is a purely brain frying avant garde flipout from the electroacoustic musicians Eduardo Polonio and Horacio Vaggione (probably most known for his album on Cramps 'Nova Musicha' series). Together, they deploy synths, electric guitars, organs and bass and squash them all up together in sundry sense befouling ways. On the A side, they're tangled into an overpowering threshing machine of spitting electronic mayhem, while the B side moves the p…
** 250 copies ** "A lot of people flipped out over how amazing Mako Sica's last album, "Ronda" (FTR 409LP, 2018), was. "Ronda" was a 2LP set whereupon the Chicago trio collaborated with legendary local percussionist Hamid Drake. This pairing seemed like a natural to us, but for some reason people have been woefully unaware of Mako Sica despite the fact they've been releasing killer records for a decade, and playing live shows that submerge your brain in a sonic soup that recalls the Sun City Gir…
Blazing sitar and crazed percussion, a 50 year old mystery! Known only in legend from their appearance in 33 1/3 Revolutions Per Monkee, the Moon Express album finally arrives 50 years after its recording! Paul Arnold (mastermind behind The Inner Sounds Of The Id) and Tsvia & the Followers weave peculiar music that ebbs and flows with unusual time signatures, sonic baths of wild, exotic percussion and other fascinating and hypnotic sounds, all under Arnold's booming narratives and Tsvia Abarbane…
An awe-inspiring three CD set! We’ve emptied the Columbia vaults of material by these late-‘60s Curt Boettcher-led groups, whose dazzling soundscapes and choral arrangements created a perfect hybrid of sunshine pop and psychedelia. Produced with the bands’ full participation, Magic Time is the definitive compendium of Millennium/Ballroom material, including the entire Begin and Ballroom albums and an additional wealth of unheard songs and alternate versions, plus interviews and rare photos! Magi…
**The first vinyl reissue of the zoner masterpiece, originally released in 1968. Edition of 500** "For the first release in Feeding Tube's Unknown Province series -- a run of records dedicated to exploring little known nooks of the Canadian underground, curated by Alex Moskos -- we are delighted to bring you the first vinyl reissue of the 1968 zoner masterpiece by poet bill bissett and his fellow Vancouver freaks. We have always been shocked this LP was not included on the NWW list, but Canadian…
"Brilliant, inspired and somewhat surprising collaboration between
Chicago's premier free-rock trio and the truly legendary percussionist, Hamid Drake, who has played with everyone from Don Cherry to Peter Brötzmann to Lee Perry. This collusion was precipitated by Matt Jackowiak,
a mutual friend, who thought a merging of their sounds might make for
an ecstatic explosion. This feeling became mutual after they played a
show together at Constellation. The set mixes Mako Sica tunes with improvis…
One part psychologist, one part psychonaut, and one part huckster, Dr. Timothy Leary was one of the most fascinating and enigmatic figures to emerge from the '60s, and the fact that he released a soundtrack to a film that nobody ever saw fits right in with his modus operandi. Indeed, mass confusion reigns as to the origin of the tracks found on Turn On, Tune In, Drop Out. First of all, Leary had released an album by the same name a year earlier on the ESP-Disk label; that one was a spoken-word r…