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*200 copies limited release* Aún es tiempo de sonar marks the beginning of the end for the Argentinean Banana: the end of their mass popularity, having been recognized until 1978 (and still going) as one of the most trending outfits in Argentina thanks to their ballad-driven compositions, and the beginning of a wholly new orientation in a symphonic prog vein. César Pueyrredón’s, the mastermind and Banana’s main composer, passion for melody and his unique romantic style were the main drivers behi…
*300 copies limited release* We brought you Rialzu, Skryvania, Cheval Fou, and now it’s time for the first vinyl reissue of Alpha Centauri’s diamond: Alpha Centaury. Originally privately released in a limited pressing of 300 copies in 1976, and equally hard-to-find as the aforementioned titles this gem is shrouded in mystery, for the simple reason that Alpha Centauri didn’t even pursue publicity during their short-lived existence. Yet, being equipped with extremely scarce resources, including ha…
The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down. Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet f…
Superbly constructed pop psychedelia c. 1968, performed by some of the best musicians in the world
First commercial release of any kind and in any format of these recordings Comes with an 8-page booklet with photos and detailed information of the creation of this rarity
"This isn't just the best Christian album I've heard. It may possibly be the best album in the laid back, West Coast late 1960's-early 70's style that I've heard, period." — Acid Archives
When we first issued this terrific album—twelve perfect examples of dreamy sunshine pop/folk psych released by independent Canadian label Allied Records in 1968—on CD some time ago, our booklet featured the few scraps of information on the band we could find. We challenged “anyone out there” to find some information on this elusive and intriguing band, with the offer of a reward that would be “something very Folklordish.” Well, we’re pleased to say that someone took us up on that offer, and that…
Not many albums can get you in the mood to blow out your speakers quite like Kath “1”, the hideously rare and expensive 1974 low-fi, semi-ramshackle DIY psychedelic LP made by members of Maryland band Badge, recorded in the home of band leader Val Rogolino (and, yes, dedicated to his girlfriend and their pet monkey!). What Patrick the Lama said in Acid Archives about Kath, is equally applicable to Badge: “Obscure and impressive melodic basement garage/psych with a lo-fi atmosphere that would hav…
*2023 stock* "Big Jim Sullivan's rock'n'roll credentials go back as long as British Rock's family tree existed. Big Jim's career started in 1959 after meeting Marty Wilde in the 3'i's coffee bar. He's played on fifty nine number one UK hit singles, and his lengthy career included stints with Tom Jones and the James Last Orchestra. Naturally, his Sitar technique was far superior to virtually anyone elses in the western world (yes even Bill Plummers!), although he still is no Ravi Shankar of cours…
Temporary super offer! Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust -- formerly of the Holy Modal Rounders -- on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945 -- 1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later a…
2023 restock. Deluxe Gatefold jacket with printed inner sleeves and digital download code with added unreleased material "Mors Mors LP is the first ever vinyl reissue of the 1973 Tall Records Träd, Gräs och Stenar LP, expanded into a 2xLP set to house magical bonus material. These live recordings capture the band at its most open and transcendental peak, 1972. This offering features a staggering 26+-minute bonus track previously only available on CD, plus an entirely unreleased track. Includes a…
Formed in London in 1969, High Tide featured the intense guitar playing of Tony Hill (formerly with The Misunderstood), the violin and keyboard skills of Simon House, bassist Peter Pavli and drummer Roger Hadden. The band was managed by Clearwater, also home to Hawkwind, Skin Alley and Cochise and were signed to Liberty Records soon after their formation. Their debut album, the stunning ‘Sea Shanties’ was recorded at Olympic studios and some of the heaviest gothic psychedelic rock record ever re…
An underrated acid folk masterpiece brought to you by the classic couple Terry (guitar, mandolin, banjo) and Gay Woods (vocals), who formed the band after departing from the very influential british combo Steeleye Span. They recorded their debut album in 1971 on the small indie label Greenwich Gramophone Company. Think about the holy magic of the irish folk scene alongside some essential progressive rock scores.
The grand masters of acid folk, Pearls Before Swine outline the genius of leader Tom Rapp on an album created from a dusty box of tapes left behind by the incisive tunesmith. Never before heard recordings remastered to create the perfect route into the essential ‘Balaklava’ and ‘One Nation Underground’ albums that kick started a whole genre. This new double vinyl compilation was made in collaboration with, and fully endorsed, by the Tom Rapp estate.
Official reissue from the multi-track master tapes of this terrific 1971 Afro-psychedelic concept album— a fusion of tribal African rhythms with acoustic hippie music elements!
A counterculture movement united by an expansive, experimental and deeply soulful sensibility, Japan’s rebel protest music challenged the status quo and changed the country’s music industry in the process.
By far the most rock-oriented of Fairport Convention's early albums, this debut was recorded before Sandy Denny joined the band (Judy Dyble handles the female vocals). Unjustly overlooked by listeners who consider the band's pre-Denny output insignificant, this is a fine folk-rock effort that takes far more inspiration from West Coast '60s sounds than traditional British folk. Fairport's chief strengths at this early juncture were the group's interpretations, particularly in the harmony vocals, …
Happy End's eponymous debut is a crucial piece of the J-Rock puzzle and a turning point for Japanese music. Originally released in 1970 on URC (Underground Record Club), Happy End finds creative mastermind Haruomi Hosono aborting the short-lived psychedelic rock project Apryl Fool, for a new direction in sound. Here the future YMO head teams up with former Apryl Fool drummer Takashi "Rei" Matsumoto and two new guitarists, Shigeru Suzuki and Eiichi Ohtaki, to deliver pioneering Japanese folk rock…
*2023 stock* "Halfway between Tarkus and the much darker, weirder, and more complex longform prog bands of the 70s like Gnidrolog, Il Balletto di Bronzo, or Island. There are also mild psych vibes throughout, most prominently from the vocalist who's singing through some seriously tasty echo and reverb most of the time... and yet one of the album's more unusual qualities is that the lead singer doesn't do a ton of singing. I'd be willing to bet that if you took all the parts on the album with voc…
*2023 stock* Hannibal was a band from England. Their debut album, released back in 1970, offers a tasty, psychy, bluesy and jazzy progressive rock, with use of saxophone and organ. Wasted vocals and an original, cryptic underground approach. Solid guitar by Adrian Ingram. Elements of Raw Material, Aquila and Colosseum, but with their own identity.
*200 copies limited release* Roy Rutanen’s self-titled album has remained a best-kept secret among psychedelia and acid-folk collectors ever since its original release in 1971. What could have been the solid foundation for a promising career in the music industry was abandoned due to the lack of label support, subsequently surviving as a one-off museum piece, accessible to a select few who can afford the price commanded for original copies. This is the time for Roy’s music to shine through with …