We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
2024 Repress. Scott 4 is Scott Walker's fifth solo album. It was released in late 1969 under his birth name, Scott Engel, and failed to chart. Reissues have been released under his stage name. It has since received praise as one of Walker's best works. Scott 4 was the first Walker album to consist solely of self-penned songs. The preceding Scott (1967), Scott 2 (1968) and Scott 3 (1969) albums had each featured a mixture of originals and covers, including several translations of Jacques Brel son…
Remastered from analogue tapes. No one could deny Scott Walker is an unpredictable artist. Once the lead singer for the Walker Brothers (famous for their string laden Sixties defining hits "Make It Easy On Yourself" and "The Sun Ain't Gonna Shine Anymore") he released his first solo album Scott in 1967. Eschewing all Pop trends at the time, Walker stepped it up a notch, crooning with a nod to Frank Sinatra, Tony Bennett and chansonnier Jacques Brel. A pretty bold move indeed, in a time when Pop …
“La mia poca grande età” is Alice's first studio album, originally released in 1975. Reissued for the first time in this new edition on black vinyl / 180 gram, limited and numbered edition 500 copies.
* 300 copies, machine-printed numbered edition, 180gr vinyl *A beatiful reissue of Flavio Giurato's second album released in Italy in 1982, whose original edition usually sells for crazy prices on the second-hand market. This undervalued piece of work was perhaps too unusual during the time of release to get the full attention it deserves. The powerful image of the high diver re-emerging to the light and air after his performance orchestrates and subsumes the spirit of the whole work, in which s…
“I was born in the sun of a big country that free maybe never was, a big country of happy people, of big forests and big cities.” This is how Alberto Camerini's second album opens, and it is clear from the outset that one is dealing with something not easy to categorize, wild, but equally enveloping and fascinating. The overall sound, while diverse, retains its own continuity and comes across as a blend of Brazilian sounds, singer-songwriter songwriting, and DIY bedroom electronics, with Camerin…