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"Why would we reissue a record that is reputed to be the second worst-selling release in the history of Columbia Records? (Legend has it that it was undersold only by a yoga instructional album.) Well, because in the 47-some years since its release, the Hampton Grease Band's Music To Eat has steadily ascended the list of Greatest Cult Records of All Time so that now it resides at the tippety-top. Indeed, modern-day jam bands genuflect at the sight of the trippy cover art alone (Col. Bruce Hampto…
Originally released 1978 on Pennine Records, two catalogue numbers before they issued the famouse "Rosemary Lane" album by Tickwinda! Even European music might have quite an exotic feeling and Latvian ethno rockers Alva are the living proof. Based in England at the time they released their sole album “Ja tik butu” they fell straight into the folk rock genre with their cross of melancholic, even slightly psychedelic rock and colorful, mystifying Baltic folk and all of this in the middle of the UK…
Genuine reissue of D.R. Hooker's The Truth (1972) from the original audio sources; new analog transfer with improved mastering. "It's a miracle any copies of this privately pressed album survived -- but be thankful it did, for here is an individual vision. Some people worry about when we'll run out of oil. A rather smaller proportion of us worry about when we'll run out of discoverable, deep-end thrills like this. Connecticut-based Hooker -- a tall, slim hippy with a history of substance abuse -…
The '70s were the decade of progressive rock music of all calibers. And it seems not one country of this world was spared when the new kind of sound spilled over like a giant wave of inspiration. Even the European Eastern Bloc countries, where rock music was regarded as subversive by the authorities, had their share of rock bands with a hippie, heavy, or freaked-out direction. These include Omega from Hungary, SBB from Poland, Modry Efekt from the Czech Republic, and, of course, Phoenix from Rom…
Gentle garage-psych with a dreamy west coast flair and tons of awesome fuzzed-out guitars... with Korean-language lyrics. Originally released in 1977, South Korean trio San Ul Lim's debut album sounds like the best psychedelic power pop and garage stuff you could get in the UK and USA ten years before its release. One of the most popular acts on the Korean scene, San Ul Lim had exactly this typical 1966 garage sound, with fuzzy axes and some thin but sympathetic Farfisa organs. These composition…
Sink into a vision of a dreamy psychedelic universe which seems to have been Peter Dunton's own on Circus Days, the third collection of previously unreleased recordings from Dunton's late 1960's British psychedelic band, Please. If Sonny Rollins is the 'Saxophone Colossus', surely Peter Dunton is a top contender for Underground Psychedelia Colossus: Neon Pearl (1967); the Flies (1968); Please (1967 and 1969); Gun (1969); songwriting for Infinity (1969-70); and of course, the band he is best know…
This self-titled album by The Growing Concern curiously first saw the light of day in 1969 on Bob Shad's Mainstream label, an imprint more familiar to jazz and blues fans than devotees of psych/pop. Shad, who had worked as an A&R man for Mercury, Savoy and Emarcy in the '50s, working with the likes of Sarah Vaughan, Blue Mitchell and Curtis Fuller, had the fortune to sign the then-unknown Big Brother And The Holding Company, whose contract, along with that of the band's vocalist Janis Joplin, Sh…
Hailing from New York, the band was led by singer Anne Sarofeen, who's described in the album's own liner notes as 'a lady both fierce and gentle, whose music knows truth, tragedy and beauty. We don't really know if she's fierce or gentle, but her incredible voice has often been compared to that of Janis Joplin, Ellen McIlwaine and Mariska Veres (of Dutch stars Shocking Blue); unfortunately rock history is cruel and she never received the credit she deserves for being right at the top with other…
Reissue of legendary and classic, one and only, 1968 album by US Psychedelic Rock band! The Bohemian Vendetta are also known for playing as backing group for Faine Jade on their '68 album "Introspection". This is one of the best acid-punk CDs ever! Excellent Vox organ/fuzz teen garage psych and the covers are pretty fantastic as well. The cough syrup high school play vibe of 'Deaf, Dumb & Blind' must be heard to be believed. Easily one of the best on the label with lots of classy psych-punk orig…
Early Dawn present a reissue of Pacific Ocean's self-titled album, originally released in 1968. It's a wonder they weren't touring the whole world and playing on huge stages in front of thousands of fans. This 1968 album smashes in like a hot stone with that soulful drive otherwise only Steve Marriott and Humble Pie could provide. A definite recommendation for fans of good old hard classic rock.
Formed in Chicago in 1964, The Little Boy Blues soon became local heroes, opening for The Rolling Stones, The Yardbirds, Paul Revere & The Raiders, and many others. Having played innumerable live dates and appeared on top TV shows, their sound took a psychedelic turn in 1967. Their sole album - made with a revised line-up and originally released in October 1968 - incorporates jazz, classical and acid-rock influences, and makes its long-overdue return to CD here, complete with all their non-album…
Sam Hutt's legendary '68 psychedelic debut as "Boeing Duveen", reissued on 7 inch vinyl! Swirly sitar-sounds and british popsike meld into another colourful Magical Mystery Tour... Be sure to have some incense near you! Fully licensed and limited to 500 copies with original A and B labels!
Munster Records presents a reissue of Federal Duck's self-titled album, originally released in 1968. It would be difficult to overlook the eye-catching colorful cover, designed by Abe Gurvin, who was also responsible for the very appealing artwork on Tito Rodriguez and Gene Pitney's releases on the New York-based Musicor label. However, this self-titled LP was soon forgotten after not having any singles released as promotional support to the album and also, maybe, due to the complete absence of …
Delaware-based power trio Mouzakis conjured an intriguing sound somewhere between traditional rhythm and blues and garage rock, with psychedelic and hard rock leanings. The band occupied something of a unique space during their short reign during the early 1970s, and it was partly their non-standard outlook that kept the group a trio, since other potential musical recruits simply could not find a way through their multidirectional sound. Drummer / lead singer Eddie Stevenson and bassist / keyboa…
Recording a solo album in 1969 allowed Troggs guitarist Chris Britton to take a stab at greater artistic freedom, though the presence of a familiar set of suspects meant that the resultant LP, As I Am, didn’t veer too far from The Troggs’ standard blend of poppy psychedelia and garage rock, constructed with a particular English bent. Producer and keyboardist Colin Frechter shaped the group’s Mixed Bag release, and his wistful harpsichord on tracks like If You Really Care lend a baroque air to th…
**2019 stock, reduced price** The baroque pop band The Left Banke formed back in 1965 in New York City. With their debut album Walk Away Renée / Pretty Ballerina they hit the charts and both title songs became hit singles in the US. They're known for their vocal harmonies, which can be heard on most of the tracks of the album. With their pioneering use of strings, harpsichord and woodwinds they created a unique baroque sound. The beautiful and emotional vibe they laid down in their music can be …
**2019 stock, reduced price** In 1967, The Idle Race were the first major signing by the new British arm of Liberty Records. The group were well received by the music press for their melodies, whimsical lyrics and inventive production. They often appeared on the same bill with such bands as The Spencer Davis Group, The Who, Small Faces, Pink Floyd, The Moody Blues, Status Quo, Tyrannosaurus Rex, Yes, Free, and The Move. Influential BBC disc jockeys such as John Peel and Kenny Everett were big bo…
New York avant-garde luminary Joe Byrd had been the leader of pioneering ’60s electronica band The United States of America until given the heave-ho by his own creation. His riposte was to create this in turns beguiling and bizarre album, which if anything is even further out on a limb than his previous band’s sole groundbreaking LP. While obviously a ’60s sounding record, its many unexpected twists and turns along with Byrd’s stunning production leave it sounding undated, existing parallel to i…
What about Harry Merry? Harry Den Hartog is a talented singer and songwriter from Rotterdam in the Netherlands where music drew his attention from a young age. At the age of eight he got his first piano lessons and in the '90s he started to compose his own music using several keyboards like Casio wk3500 and Roland E-86. His music is quite pleasant, flashy and a little bit crazy, with his tracks having an absolute mastership of the pop formula. On this 7" single released by Meeuw Muzak, Harry Mer…
Mixing a lively folk troubadour style with a sunny voice that would befit that of Donovan, along with a sly, subversive humor that surely influenced the likes of Belle & Sebastian’s Stuart Murdoch, “Circus Maximus” opens boldly and doesn’t let up. The playfully unconventional collection of songs delivers punchy doses of folk balladry and Judeo-Christian imagery that would rival the religious themes and prolific tendencies of Current 93’s David Tibet in theme, if not tone. And Currie’s beautifull…