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A beguiling work composed of spoken word monologues, field recordings, samples, occasional acoustic guitar noodling and off-key singing, “An Insect …” heralds a growing body of experimental music by Melbourne-based absurdist novelist / graphic designer Matthew Revert. This recording nods in the direction of improv, drone, light noise and neo-primitive folk without being captured completely by any of these categories. It’s quite a busy release with hardly any pauses or lapses in the continuous fr…
Few copies back in stock, sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** Considered as the first piece of electronic music to accompany a ballet, Totentanz is the arrestingly abstract and mightily expressive result of Warner Jepson's experiments with tape and Don Buchla's groundbreaking synthesizer, the Buchla 100. Totentanz, originally self-released in 1972, reveals a composer relieved of convention.In the 1950s and 19…
Glitter in my tears’ marks the 20th anniversary of Janek Schaefer’s career as a recording artist, having now released 30 albums. His music is best comprehended through examining his time as an architect, and how that forged his innate sense for constructing tactile atmospheres, that navigate through unknown structures and forgotten spaces, creating profound new places. Over his career he has placed focus on the relationship between body, medium, and sound, creating a field of work that defies ea…
This record is a lie and a failure - a triumph and truth. Such is the condition that Henning Christiansen build across his entire career. One the 20th Century’s most striking and visionary composers - perhaps the most notable of Fluxus’ Danish arm, Christiansen was a radical collectivist as much as an assertive individualist - contradictory and reactionary - possessed by a singular vision which drove him down uncharted paths. Christiansen’s life, with the sprawling body of work it left in its w…
Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator, installation artist, educator, and community builder. His work aims to reflect an awareness of the dynamic nature of culture & the value of listening as a mode of knowing people & places. He is interested in finding fresh ways of presenting and making music, bringing creative communities together & shifting perceived boundaries of scenes, styles & artforms.
His first solo release reflects this diversity of interest…
*Special art edition* In 1961, soon after Toshi Ichiyanagi returned from the USA, two concerts were performed at the Sogetsu Art Center; "Toshi Ichiyanagi Concert" [1], at which some member of 'Group Ongaku' joined, a s well as "Toshi Ichiyanagi and Kenji Kobayashi Duo Recital", which recording is used for this album. It was a major opportunity for its audience to experience the works of Toshi Ichiyanagi and the avant-garde philosophy directly in front of their eyes. Six months later, John Cage …
In 1961, soon after Toshi Ichiyanagi returned from the USA, two concerts were performed at the Soget su Art Center; "Toshi Ichiyanagi Concert" [1], at which some member of 'Group Ongaku' joined, a s well as "Toshi Ichiyanagi and Kenji Kobayashi Duo Recital", which recording is used for this album. It was a major opportunity for its audience to experience the works of Toshi Ichiyanagi and the avant-garde philosophy directly in front of their eyes. Six months later, John Cage made his first visit …
2021 restock. "Includes liner notes & archival photographs. 1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful s…
A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.
Long unavailable only documentation of the tape work by conceptual artist John Perreault on Slowscan's collectable artist's records series, limited to 300 copies.
The idea was to gather artists working with balloon and/or needle! With Davide Tidoni, Judy Dunaway, Una Lee, EVOL, Attila Faravelli, Enrico Malatesta, Gen 26 (Matjaz Galicic), Choi Sehee, Benedict Drew, Eugene Chadbourne, Jin Sangtae, Ricardo Arias, Dave Phillips, Horio Kanta, Hong Chulki, Luciano Maggiore, Umeda Tetsuya, Frans de Waard, Lee Miyeon.
Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. VA AA LR is the London-based trio of Vasco Alves, Adam Asnan and Louie Rice. Their fearless experimentalism has previously seen them tackle instrumentation as variable as compressed CO2, distress flares and a Citroën. Here, while the tools are in more traditional electronics territory, the music is anything but. From a heap of pulsating speaker cones, whirring dictaphones and a virtuosic cameo by Stevie Wonder the trio forg…
200 copies Figures Without Ground is the third in a series of three releases, across three labels and three formats, representing a total of six compositions. The first two releases in this series were Music for Cinema (cassette, YDLMIER), and Mild Disappearances (CD-R, Songs From Under the Floorboards, a sub-label of Intransitive Recordings). The two sides of Figures Without Ground represent a major transition from one mode of composition to another.
The cover of the album is a porcelain piece…
Olivia Block's Karren is a two-movement electroacoustic-orchestral composition. The first movement, Foramen Magnum, is an electroacoustic concrète piece created from heavily processed field recordings taken from orchestral rehearsals and various public locations, including museums and zoos. The second movement, Opening Night, is a layered orchestral score performed by the Chicago Composer's Orchestra, with whom I recorded and worked for several years in order to complete this project. Thematical…
Santasede is Tiff Lion (electronics, voice, acoustic instruments) and Raymond Dijkstra (acoustic instruments). This first born avant garde outing is an account of the freeflow exchange of kundalini energy of Tiff Lion (aka Tying Tiffany) and Raymond Dijkstra (persona non grata of experimental underground). Surreal, dreamy, psychedelic, cosmic: the music has an obscure and surreal character hard to categorize. It certainly has filmic qualities, if only as a film of the inner-eye. The music has a …
Edition Omega Point presents a collection of early work from Japanese experimental composer Kazuo Uehara. "'Seoul 1982' was composed using recorded sounds as raw material to reassemble the 'historical' soundscape of Korea's capital city, Seoul, in the early 1980s. During this time, despite the political chaos and the tension in the city under the Korean military government, I felt the lively energy in people's lives. The raw material comprised a wide range of different sounds, including th…
This album is for the downward gaze. Taken from leftover piano sounds of simple sound sequences which Aki Takahashi had recorded for him. There were these irregular noises to be found which makes the connection from ear to eye. At the exhibition the piece was played back under a sheet of glass. Over which black pigment was sprinkled through a sieve. whereas a simple. Open loudspeaker was installed underneath the glass... Rolf Julius' works are always catalyzers for increasing attention to the th…
Composer/producer/shaman Charlie Morrow is equal parts Fluxus, Occupy Lincoln Center, Lakota mystic, and tech wizard. Charlie Morrow is a conceptualist whose music and sound work explores many styles and forms, from events for media and public spaces to commercial soundtracks, new media productions, museum installations and programming for broadcast and festivals. Assembling expert project groups, Morrow employs a collaborative style that fuses arts, artists, and environment. Charlie Morro…
This mysterious LP follows in the footsteps of "Invasion of the Thunderbolt Pagoda",capturing primal, fiery jams both raw in sound quality and in performance.Flowing with what seems like no beginning or end, he creates a dizzying cerebral drone that combines the hypnotic techniques of Tony Conrad with the primitive sensibility of early Amon Duul I or MEV. Maclise creates a dizzying, joyous sound that remains unparalleled, even today. And his music, while being well-documented, is only barely ava…
(Halb) Schwarz is the first CD to collect a wide range of Rolf Julius' diverse compositions from several years. The Berlin-based sound, installation, action, and sound artist began experimenting with various forms of contemporary music in the 1970s. (Halb) Schwarz deals with the world of "small sounds," a term coined by John Cage to designate sounds so subtle that they are usually barely discernible.