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** 2021 Stock. Edition of 300. Includes signed and numbered insert. ** "Motor" is the second part in a trilogy, preceded by "Das Baank" (Fragment Factory/Rekem Records) in 2016. The Motor started a long time ago with small basic fragments used for different steps (phases) like installations and performances. Those fragments were put together over the years into a longer piece presented on this LP. Motor is now a 32 minutes long continuous piece of sounding matter. Autonomous and free in itself. …
** Edition of 300 ** BJ Nilsen is a Swedish composer and sound artist based in Amsterdam. His work primarily focuses on the sounds of nature and how they affect humans. Recent work has explored the urban acoustic realm and industrial geography and mining in the Arctic region of Norway and Russia. His original scores and soundtracks have featured in theatre, dance performances and film. Judith Hamann is a cellist and performer/composer from Melbourne, Australia, now based in Berlin. Her performan…
** 2021 Stock ** Eryck Abecassis (b 1956) is a french-algerian composer, musician and electric guitar player. He went to Paris in 1976 to study film at the CLCF (Conservatoire Libre du Cinéma Français) and worked as a photographer. From 1979 to 1983 he took private lessons in composition and harmony with Julien Falk (1902-1987) and studied Jazz orchestration with Derryl Hall at the Centre d'informations musicales in Paris. In the following years he took various courses at IRCAM, among others in …
Klein Eiland comes as a suprise: the past decade, the ROT-members have been playing less shows, and their record output had come to a halt. Not sure why: there has been the occasional gathering and recording session. (this one happened to be the last one feat. Floris Vanhoof as a band member) But: R.O.T. proves that they still manage to capture a specific time and place like no one else does. This session was recorded in a now demolished building in the south of Brussels, and is now replaced by …
In the ensuing half century, Slovenian artist Milan Grygar, who trained as a painter, has dedicated himself to the relationship between sound and image. He has replaced paint wherever possible with sonic elements, interrogated the duration of a line, drawn with sticks, and integrated windup toys that leave noisy traces in his “mechanical drawings.” Grygar incorporates the acoustic frequencies that emerge during art making, but he also writes visual scores that musicians can interpret. His art is…
**Very rare original 1985 LP drone masterpiece, few copies available. Minor wear is possible due to long storage** Ellen Fullman (b. Memphis, Tennessee, 1957) is a composer. Known principally for music she has written for an instrument she invented, the long string instrument, Fullman studied sculpture at the Kansas City Art Institute. She has performed with the Deep Listening Band and Paul Panhuysen. “The Long String Instrument (LSI) produces a unique almost orchestral sound, based on the overt…
* long out of print, few copies back in stock * Akio Suzuki has been making earthy yet ethereal sounds for over four decades now, all quietly emanating from the Japanese countryside. Born in 1941, he's made outdoor sound the focus of his career, constructing installations that transcend space and time, turning the outside world into a lucid daydream. In 1997, Suzuki analyzed the French town Enghien-Les-Bains, precisely mapping out (with footsteps) areas where echoes were most resonant. He built …
* In pocess of stocking * Alvin Lucier is one of America’s foremost experimentalists, challenging the fundamental principles of music and focusing on acoustic phenomena and how listeners perceive them. Music for Piano with Slow Sweep Pure Wave Oscillators explores the acoustic ‘beating’ effects and tuning phenomena of sine waves against piano tones. This new XL version expands the extraordinary listening experience in a work described by Nicolas Horvath as ‘immersive, intense and enigmatic’.
Lit…
* Original 1992 edition, long out of print. Tri-fold Digipak with 38-page booklet + original concert program extra booklet * This disc documents the proceedings of the Echo: Images Of Sound festival’s 2nd edition that took place in Het Apolohuis and Activiteitcentrum 2B galleries in Eindhoven, The Netherlands, from May 1st until June 14th, 1987. A Fluxus sound and visual artist, Paul Panhuysen (b.1934) founded Het Apolohuis in 1982, an artist-run gallery focusing on sound art that Panhuysen dire…
**Edition of 300. In process of stocking** The Festival Experimentelle Musik is a music festival in Munich, organized by Stephan Wunderlich and Edith Rom, that has been held annually in December since 1983. One of the festival's unique characteristics is the way the performances are organized: Each is limited to 20 to 25 minutes and all take place in direct succession without pauses, on previously set-up small stages. In 2017, Seiji Morimoto and Yan Jun performed after each other. Seiji's piece…
A multifaceted examination of sound as a central feature in urban planning. Though sound is a central feature within urban life, it still receives little to no attention within processes of urban planning. The main difficulty in integrating sound is that it remains largely immeasurable—decibel levels say little about whether a sound is wanted or not, intrusive or welcome.
Studio_L28 – Sonic Perspectives on Urbanism hooks into the debate here, experimenting with tools and strategies of observatio…
Minuzia consists in an acoustic version of an audio installation that the French bassoon player Dafne Vicente-Sandoval had been presenting at a few sound art exhibitions; a handful bassoon cane reeds were regularly soaked into water, and these very thin slices of wood would start crackling in the course of their drying out process. These minute sounds were amplified by contact microphones and listened to through headphones. With an original text by the British anthropologist Tim Ingold.
Score:
S…
Pietra di Langa extends Enrico Malatesta’s investigation on the oscillatory patterns by stones and ready-made objects. It consists in a solid made of concrete, whose shape has been obtained by silicone casting an actual stone.
With an original text by the British anthropologist Tim Ingold:
“Who says that stones cannot speak? Most of us, if asked. We are pretty convinced that stones are inanimate objects, and that they are therefore incapable of moving of their own accord. And without movement, …
Transducer derives form a functionally similar instrument built by the Australian sound artist Felicity Mangan.
Instructions:
• Turn on the transducer by the red switch in the tee.
• Turn on Bluetooth on phone or computer, pair your device with MH38.
• Check sound levels on phone or computer (about 3/4 of maximum is usually best), then play sound.
• Attach the stronger magnet (the disk shaped one) to any magnetic metal surface/object or clamp a non magnetic object with both the disk and the ring…
Trifoglio is a portable mid/side stereo speaker. The device is designed to be listened to while holding it in the hands (like a book) and plays music created specifically for it* by different artists: as soon as new contributions are available they are published online.
Current sound compositions by: Adam Asnan, Alessandro Bosetti, Andrea Belfi, Andy Guhl, Attila Faravelli, Choi Joonyong, Dario Lozano-Thornton, Enrico Malatesta, Fabio Selvafiorita, Felicity Mangan, Francisco Meirino, Giovanni L…
Bilia derives from the work of percussionist Enrico Malatesta. The release consists of five wooden balls (3,5 cm Ø) carved from different woods. Enrico’s very own sound comes from a horizontal approach to the percussion instruments that are, in his practice, a space for movement, where every action is also a form of exploration and listening as well as an exercise in imagination.
«Percussion instruments are round-shaped, and I utilize this simple notion as a starting point. I often apply fricti…
Freie Aerophone is based on Matija Schellander’s solo pieces for double bass, The Drill and Matija Schellander, that make extensive use of indistinct low pitches resonating a space, and sound projections by circular movement of the performer with the instrument.
In the Hornbostel-Sachs musical instrument classification (Zeitschrift für Ethnologie, 1914), the freie aerophone is an instrument in which the vibrating air is not contained within the instrument itself, for example a siren or a bullro…
**Limited edition of 100 copies. Grey vinyl** With his new album "Unidentified Musical Subject" Bernhard Loibner fuses the world of experimental electronic music with the human directness of acoustic instruments. Strongly connected to the event-like aesthetics of contemporary experimental electronic music, Loibner manages to enrich the acoustic spectrum through the use of carefully treated instrumental elements. No sequencers or drum machines were used during the production process in order to r…
**200 copies** Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.
For more than 20 years, while listening to the environment, Éric La Casa (born 1968, Tours, lives and works in Paris) has been questioning the perception of reality and has expanded the notion of what's musical today. Through his aesthetic of capturing sound, his work fits equally into the fields of sound art and music. As a result o…