Lucifer
Taken from the archive of the Process Church of the Final Judgment, Gods on War is a text about war from the perspective of Lucifer. Written in the '60s, read by Genesis P-Orridge in 2011.
Häxan
Through satanic possessions and rituals, the extravagant Häxan, a film directed by Benjamin Christensen in 1922, draws the parallel between the witch hunts of the Middle Ages and the persecution of women at the turn of the 20th century, via psychiatric hysteria. In 1966 Burroughs narrated the movie in his usual style.
États-Unis Bundle III
Includes five albums: etat16 - Various - I.D. Art #2 (LP) etat17 - Le Forte Four / Doo-Dooettes - Live at the Brand (2xLP) etat18 - Various - Blorp Esette Volume One (LP) etat19 - Smegma - Glamour Girl 1941 (LP) etat20 - Various - Sound (LP)
Sound
Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces opened at the Los Angeles Institute of Contemporary Art in the summer of 1979 (and was also on view later that year at PS1 in New York). Curated by Bob Wilhite and Robert Smith, the exhibition surveyed the field of sound art. The forty-four participants were painters pivoted toward performance, conceptual artists attracted to time-based mediums, self-styled creators of environments, and musicians (formally…
Glamour Girl 1941
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Blorp Esette Volume One
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Live at the Brand
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
I.D. Art #2
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Washington D. C. 1989
* Comes with an insert. Edition of 64 * Excellent crystalclear reading from 1989, by the American Beat Generation poet, travel writer and translator, Gary Snyder
The Bob Lens Archives vol. 2
* Edition of 60 * Tracks from Bob Lens's rare album Geluiden (Sounds), the follow-up to the Woorden album he made with Simon Vinkenoog and Hans Wesseling. Music and sounds for his expo's provided by friends Rolf Julius and Henning Christiansen
The Bob Lens Archives vol. 1
* Edition of 60 * The early 1980's, Dutch Fluxus artist Bob Lens was working in NY at the time. He recorded his tours in the city, soundscapes intended for use in later works.Bob catalogues the bridges he passes, the neighborhoods. He talks to passers-by and ends up in the loft of La Monte Young and Marian Zazeela where a concert is going on
Dundee 2003
* Edition of 80 * The legendary Ira Cohen recorded live at Kill Your Timid Notion, Dundee. Free music provided by Chris Corsano on drums and David Keenan on guitar. Includes two small photographs.
USCO Tapes
* Comes with an insert. Edition of 64 * Rare audio recordings by Gerd Stern, one of the original Beats and seminal multimedia artists. Gerd Stern is a poet, artist, and multimedia pioneer whose remarkable life spans 40s bohemia, 50s Beat culture, 60s hippiedom, 70s hip capitalism, and continues today. USCO The sixties can be seen as the USCO era, although USCO (aka Us Company or the Company of Us) didn’t really begin until at least 1963. Stern had began creating mechanical sculptures as a natu…
Presto D-7
* 2-Sided hand cut 10" Mono lathe recording on lacquer with laser etching. Full color archival pigment print sleeve and insert. * Cutting Groove (gummy bears/swedish fish) tracks Lary 7 and Leif Elggren’s experiments with a 1940’s Presto lathe. As the cutting head carves their conversation into plastic discs; they meditate, over bottles of wine, on the multi-colored “gummy” strands gathering on the spinning platter. On the flipside, Leif Elggren recites an excerpt from his 2005 work “Geneaology”…
I've Had It up to Hear with Fish & Chips
* Edition of 300, hand-humbered + Obi * I've Had It up to Hear with Fish & Chips by Ben Ellul-Knight and Tom White is a hörspiel about 'care work' of all kinds. In part it is auto-ethnographic, as it draws on Ben's experience working as a play worker, social worker and as a volunteer with refugee and asylum-seeker support services. More personal reflections are mixed with conversations Ben had with support workers, social workers, play workers and mental health nurses to form a script. Different…
Fore Main Mizzen
* Edition of 300, hand-humbered + Obi * Fore Main Mizzen is made entirely from sound recordings taken on visits to Southend-on-Sea and Sheerness that are specifically focused on The SS Richard Montgomery, a ship that sank in the Thames estuary during World War Two. It is lying on a sandbank packed full of the high explosives it was transporting. At low tide its masts are visible from Southend and Sheerness either side of the water. The ship is corroding in the salt water and it is unknown when i…
The Molem Collective
* Edition of 300. Gatefold cover, white vinyl * The Molem Collective gathers a collection of hip hop sneakers of the young Morocco-born Zakaria Haddou aka Zak from Molem. He was commissioned by the Croatian-Belgian artist Hana Miletić to portray his collection of 24 pairs of sneakers, bought during the last eighteen months. The succession of different sneakers can be regarded as a short historiography of the hip hop subculture. The bold aesthetics, reflecting a rather objective approach, is very…
I Am As I Have Spoken
* Edition of 198 * Bladder Flask were an oddball English collective (rather than a group) who were active in the early-mid 1980s and included a teenaged Richard Rupenus (who later formed The New Blockaders.) In 1981 Bladder Flask issued their one and only LP, 'One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling' on their own Orgel Fesper Music label which was described as, ‘...A mind-boggling Fluxus, Dada, Improv, Sound Art lunacy as if Bladder Flask were p…
Mantra's
* Mantra's Special Edition of 26 numbered copies * Beautiful edition housed in a handcarved Indian wooden box. With : a long article from Green Groceries magazine, a spiritual travelogue, a portrait by Dutch painter Paul Citroen, a prayer flag, an ad from Sotheby's, several reprints of Ginsberg mantra flyers and all the visuals of the original box the master came in.
From a one copy master; Allen Ginsberg, Maretta Greer and Peter Orlovsky sing mantras with bells and harmonium. Recorded at home i…
Lie: The Love And Terror Cult And A Taste Of Freedom
* Comes with a set of postcards * The infamous Charles Manson album “Lie“, plus a phone conversation regarding Charlie‘s philosophy. “Lie” was originally recorded at Spahn Ranch, California.