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English music hall songs, often comic in essence, were omnipresent in the United Kingdom from around 1850 until after 1918. Reflecting societal, political, racial, and gender attitudes, these concentrated communications reflected their historical moment. Sighing for the Silvery Moon: English Music Hall Songs Reexamined by Benjamin Ivry, a biographer and cultural reporter, focuses on the songs themselves in performance as preserved on early recordings and films. As reflections of bygone sensibili…
*Only in German language* Der in der South Side Chicagos aufgewachsene Anthony Braxton (*1945) gehört seit über einen halben Jahrhundert zu den innovativsten, produktivsten und prägendsten Protagonisten der creative music. Unangepasst und kompromisslos seinen Visionen und Überzeugungen folgend, hat er sich in die Annalen der neueren Musikgeschichte mit unverwechselbarer Handschrift eingeschrieben: als bahnbrechender Komponist, mitreißender Performer, aufsehenerregender Improvisationsmusiker, übe…
KiSS – Kinetics in Sound & Space: This acronym stands for the research project established in 2019 by the partner universities HfMT Hamburg and HAW Hamburg.
Museum directors, scholars, journalists and editors explore the variety of relations between sound as an object of investigation. Issues of sound as a medium of art and culture and possibilities and conditions of exhibiting sound art will be discussed. Sound art has become an integral part of art and music festivals for several decades, and is shown in museums, experimental venues and public spaces. Sound art requires a special approach in the way it is curated, conceived, produced and reenacted…
Sounding Fragilities enacts a polyphony of writing on contemporary composition, music and performing arts in relation to music theatre. Co-edited by a theatre and performance scholar and by a composer and artistic researcher, this anthology considers its field of investigation through the lens of positionalities. Irene Lehmann and Pia Palme invite readers into intimate encounters with an artist’s practice, feminist and queer perspectives, and personal explorations into aspects of musicology, the…
Sound Studies and Sonic Arts is a postgraduate program of the Berlin University of the Arts. Since 2017, the program has served to deepen the theoretical and practical skills in sound-related theory and practice, particularly in cultural studies, musicology, aesthetics, sound art, sound design, and media production. It evolved from the program Sound Studies – Akustische Kommunikation which was established in 2005.While the Master’s program Sound Studies and Sonic Arts pairs theoretical discussio…
Cage & Consequences brings together analytical essays by scholars of different disciplines, artists“ contributions, and conversations with composers and associates of John Cage. They represent the diversity of Cage“s spheres of influence on the following generations of artists, as well as his significance for musicology, art theory, and media studies. The contributions are presented in their original language, English or German. The editors Julia H. Schröder and Volker Straebel are on the facult…
A Fistful of Spaghetti, Encyclopedia of Italian progressive rock, experimental, electronic music, etc. by Steven Freeman & Alan Freeman. From the writers of The Crack In The Cosmic Egg, probably everything you needed to know about Italian Progressive music & the wider prog, electronic, experimental music scenes from Italy. Although centered on the progressive rock scene of the 1970s, the authors have attempted to cover all related genres here, amounting to more than just another prog rock guide…
*2022 stock* Cheap, disposable, often with poor audio quality but with great visuals, flexi discs were vinyl’s poorer cousin in the pre-digital age. Given away with magazines or sent out by advertisers, they were a splashy way of getting your message heard. Pressed onto laminated card or thin, wobbly plastic, these discs extolled the virtues of washing powders, beers, and banks. Specially commissioned tunes took as their unlikely subjects shoe shops, bakers, and even dentists. This book brings t…
* Original 1st edition. 350 copies, in English * 28 pages booklet published by the Middelburg Bureau of Culture and het Apollohuis to accompany an exhibition of Jerry Hunt's installation works exhibition. Birome (ZONE): Cube is devised as a reflex memory cabinet with transactional core: the mechanism used is item-element invariant and system transparent; the cube zone is a body-memory exerciser and operates as a continuous "other": a sexual surface trance derivative emulator. The interior surfac…
The Roscoe Mitchell Issue, celebrating Art Ensemble of Chicago founder and American iconoclast, Roscoe Mitchell. This very special issue is an appreciation of Mitchell’s career as an improvisor, instrumentalist, composer, painter, and educator as told by the musicians whom he has affected and through his own words. The issue starts with a rigorously researched and beautifully written overview of the saxophonist’s career by Brooklyn-based saxophonist Sam Weinberg. As the reader continues, they wi…
* Introduction by Ione, foreword by Laurie Anderson and illustrations by Aura Satz * What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination? In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions. Fascinated by the role that sound and conscious…
*Hardcover with Embossing. English* Week-End Fest looks back in 2022 on 10 years and encounters with over 100 international artists. Since the beginning in 2011 own fanhood has been a central element of the festival’s curators - this is how the idea came about to inform the artists about the musicians, places or encounters that have shaped them. In „I feel everything you say. I feel everything you hear“. (the title is borrowed from the song „I‘m so Green“ by Can), they tell of decisive moments a…
**Hardcover edition. German / English Edition. Vinyl released in a book, accompanying the art installation "Spatial Jitter" ** Mouse on Mars take over the Kunstbau of Lenbachhaus in Munich, Germany with a sound installation for which they developed a site-specific composition. Working with and responding to the exhibition space, the installation transforms the Kunstbau itself into a gigantic stereophonic acoustic instrument.
A rotatable horn loudspeaker pitchforks a sound like a pinball into …
The Terraforma Journal is a new editorial project by Terraforma. A biannual publication exploring the intersection of sound, art, ecology and culture at large. Issue #1 focuses on the expanded notion of the festival—intended as a collective, multilateral, interconnected manifestation of dynamism. The theme unfolds through a multiplicity of layers to acquire new and unexpected definitions. Terre Thaemlitz, Fabio Sargentini, Shiraz Arts Festival, Beuys 2021, Alice Bucknell, Angela Rui, 2050.plus —…
English Version. Softcover: 352-page softcover book: raw cardboard, granular lamination, open spine binding. 22 x 30 x 2.2cm (1.4kg). 300g/m² raw cardboard, granular lamination, open spine binding, 352 pages: Neon CMYK print on Lessebo Smooth Natural 90g/m² and Galaxi ArtSamt 115g/m². Tresor’s first archival publication, Tresor: True Stories traces the history of the legendary techno club and label featuring untold stories from the 80s and 90s. The book includes contributions from Jeff Mills, Mi…
German language, hard cover. 124 pages * The fact that the White Cube produces, records and celebrates primarily white sound is an aspect of its ideology that even its staunchest critics have never mentioned. The white 'audiology' of the White Cube has always been generously overlooked, or as it might be better to say, 'overheard' - and this despite the many occasions that the White Cube's regular and irregular activities would offer to a critical ear willing to listen. But the White Cube truly …
*2022 stock* Christof Migone's Sound Voice Perform documents the performance, sound, and video works of the Canadian artist. Working since the mid-80s, Migone weaves together a multitude of media, from radio to telephones to digital objects, to form a stunning and highly dynamic practice. Combining an acute sonic sensibility with performative usages of the body, video, and the voice, his work engages corporeal presence with a subtle invasion, unsettling speech and gesture through investigative a…
*In process of stocking* Premodern acoustic traces as the basis for new communities of thought in the present (a project responding to the work of the self-taught acoustic archaeologist Umashankar Manthravadi). Coming to Know asks how listening to the past together might transform our sense of the knowledge held in common. It sets aside the visual techniques of the archaeological site, the museum, and the larger project of colonial modernity, and instead constitutes itself as a resonant structur…
Actualising the concert of Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962, Free Jazz Communism contextualizes the politics of free jazz music in light of global decolonisation movements, anti-war activism, structures of racial capitalism, and forms of avant-garde music.