You Should Have Heard Just What I Seen
Throughout the heady years of New York's 1960s and 70s music scenes, James Hamilton was on hand to observe and photograph some of the most significant bands, musicians and performances of the twentieth century. Serving as staff photographer for the Village Voice and Crawdaddy!, Hamilton photographed such musicians as James Brown, Captain Beefheart, Ornette Coleman, Creedence Clearwater Revival, Crosby, Stills, Nash and Young, the Grateful Dead, John Fahey, Mick Jagger, Jethro Tull, Elvin Jones, …
Shotgun Architecture
** 2022 Stock ** The sound of a gunshot doesn’t usually lead to quietude, while the tragedy associated with the sound seems to demand this. The bang excludes all surrounding factors and attracts all the attention. In a social way the bang is more of an implosion than an explosion. In this is project, Justin Bennett maps space by the sounds generated though shotgun blasts. A gunshot is extremely banal. The bang that is released when pulling the trigger is, in its explosivity, a direct metaphor fo…
Can You Hear Me? Music Labels by Visual Artists
** 2021 Stock ** Can You Hear Me? Music Labels by Visual Artists is the first survey on the obscure and fascinating phenomenon of record labels founded and run by visual artists. It reflects on the way these extra-artistic activities contribute to redefining the role of the contemporary artist as a catalyst of intellectual energies and producer of cultural processes at large. Moreover, it tries to understand if and how these activities challenged the art world's static and modern perception of a…
Sound American no. 26 - The Occam Ocean Issue
Tip! The OCCAM Ocean Issue, focuses on the radical musical eco-system of French composer Éliane Radigue’s OCCAM Ocean project. In a first for the publication, this issue is built solely around interviews with the performers that have collaborated with Radigue to produce this body of work over the last decade. Contributors include Charles Curtis, Carol Robinson, Rhodri Davies, Catherine Lamb, Julia Eckhardt, Silvia Tarozzi, Dafne Vicente-Sandoval, Laetitia Sonami, and Frédéric Blondy. All intervi…
Behind the facts. Interfunktionen 1968-1975
** 2021 Stock. In process of stocking** Hard-cover. Cloth boards issued without dust jacket offset-printed sewn bound. Critical anthology of the art journal Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between …
Black Mountain - An Interdisciplinary Experiment 1933 / 1957
* 2021 Stock. Language: English * The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), founded in North Carolina in 1933, made it one of the most innovative schools in the first half of the twentieth century. Visual arts, economics, physics, dance, architecture, and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first rector of the school was John Andrew Rice, and …
The Eye is not the only Glass that burns the Mind
* 2021 Stock. Language: English * The retrospective Terry Fox: Elemental Gestures, which opened at the Berlin Academy of the Arts in 2015 before being shown in Mons, Wuppertal, and the Kunstmuseum Bern in 2017, clearly demonstrated Fox’s key role in the development of art since the 1970s. It not only revealed him as a pioneer of performance, video art, and sound installation but also presented his experimental exploration of language and space. A symposium held in conjunction with the Bern exhib…
Sounds Like Silence - John Cage - 4’33” – Silence Today
* 2021 Stock. Language: English * The title of this book and the exhibition it documents—Sounds Like Silence—is ambiguous. On the one hand, silence effectively »sounds«—or as Cage put it, »There is no such thing as silence.« On the other hand, sound needs silence in order to be heard. Even if complete silence does not exist, every sound implicitly conveys the notion of silence: there is no presence without absence. The double meaning of Sounds Like Silence therefore touches upon the central issu…
Radio Revolten - 30 Days of Radio Art
* 2021 Stock. Language: English * Leading art institutions such as Tate Modern, the São Paulo Biennial, and Documenta have now recognized that an ongoing artistic use of the airwaves has generated an autonomous genre called radio art. Over the last few decades independent radio stations in North America and Europe have provided crucial support for this art form to develop and flourish. In October 2016 the International Radio Art Festival Radio Revolten, organized by community radio station Corax…
Hearing
* 2021 Stock. Language: English * Robert Morris’ sculptural installation »Hearing« includes an audio recording of a fictitious hearing that is focussed on the aesthetic, political, historical and moral views of a »witness«. The work is taken as a point of departure. Investigations relating to the various issues involved will take works of other artists into consideration. »Hearing« appears today as a piece of literature. Gregor Stemmrich edited and commented »Hearing« by Robert Morris in english…
Escalier du Chant
* 2021 Stock. Language: English, German * How can songs reflect political events? How does a song become a political song? The artist Olaf Nicolai invited eleven international composers to write songs that reference political events which were of current relevance to them. Without prior announcement, a total of 58 songs were performed as a-cappella pieces on twelve Sundays in 2011 on the central staircase of the Pinakothek der Moderne in Munich. Visitors to the museum found themselves as actors …
Ur-Geräusch / Primal Sound
* 2021 Stock. Language: English, German * “Ur-Geräusch” (Primal Sound) is the title of an essay by Rainer Maria Rilke, which was published in 1919 and subsequently lent its name to the exhibition by Carsten Nicolai that was mounted last year at the Kunstverein Braunschweig. In the text Rilke wrote about the phonograph, which was invented almost 140 years ago as a precursor of the record player and was the first device capable of reproducing sound. Paralleling this technical innovation, Carsten N…
Soundfair - Exhibiting Music 2007 / 2013
* 2021 Stock. Language(s): English, German * How can one put music on exhibit in an art context? This was the question preoccupying curator Clara Meister, artist and composer Ari Benjamin Meyers, and producer Thomas Mayer when they started Soundfair in Berlin in 2008 — an international exhibition project devoted to the concept of music. Over the next five years, they invited artists and musicians from around the world to develop new works at the interface of art, music, and performance that woul…
Notes (8 pieces) Source a New World Music: Creative Music
* In process of stocking * This book was published by Corbett vs. Dempsey and The Renaissance Society at the University of Chicago on the occasion of the exhibition: Wadada Leo Smith, Ankhrasmation: The Language Scores, 1967-2015; October 11 - October 29, 2015.
A facsimile of Smith's landmark treatise first published in 1973 in an edition of 200 copies, with two additional chapters of recent vintage and an afterword by John Corbett. Design by Wadada Leo Smith (original publication), Sonnenzimmer…
Graphic: Design Work, 1959–2013
* In process of stocking * Brochure for an exhibition held at Rice University Art Gallery, Houston. October 8–November 14, 2013. Includes an essay by curator John Corbett. Design by Sonnenzimmer. Artist and musician Peter Brötzmann is best known as one of the preeminent figures in contemporary improvised music. He was trained as a visual artist in his hometown of Wuppertal, Germany, in the late 1950s, and his early musical career as a saxophonist and clarinetist was paralleled by his first art e…
Paintings and Objects
Catalog for an exhibition held at Corbett vs. Dempsey, October 26 - November 30, 2007. Includes an essay by John Corbett. Design by Kathi Beste. Artist and musician Peter Brötzmann is best known as one of the preeminent figures in contemporary improvised music. He was trained as a visual artist in his hometown of Wuppertal, Germany, in the late 1950s, and his early musical career as a saxophonist and clarinetist was paralleled by his first art exhibitions in Holland and Germany. Brötzmann assist…
Vinyl Freak: Love Letters to a Dying Medium
From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was dev…
Studio_L28 – Sonic Perspectives on Urbanism
A multifaceted examination of sound as a central feature in urban planning. Though sound is a central feature within urban life, it still receives little to no attention within processes of urban planning. The main difficulty in integrating sound is that it remains largely immeasurable—decibel levels say little about whether a sound is wanted or not, intrusive or welcome.
Studio_L28 – Sonic Perspectives on Urbanism hooks into the debate here, experimenting with tools and strategies of observatio…
Tapuscrits – Poèmes-Partitions, Biopsies, Passe-Partout
* 2021 Stock. French edition * The collection of typescripts of the pioneer of sound poetry: a monument of some 1200 pages that offers an original approach to one of the most inventive, striking and influential poetic works of the second half of the 20th century, through 120 facsimile "scores", revealing for the first time the writing, in its visual and graphic dimension, which precedes and determines public reading. This publication brings together all the typescripts of the Poèmes-Partitions, …
Beyond Sound
* 2021 Stock. English Edition* Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
After studying photography in Chicago (Columbia College) and New York (ICP), Marcelline Delbecq (born 1977, lives and works in Paris) graduated from the Beaux-Arts school in Caen (France), then received a masters degree in curator…