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if Alan Licht ever continues with his revered Minimal Top Ten lists then Sam Esh would surely be added to the pile. Penultimate Press is proud to release one of the most audacious and unrelenting entries in the entire minimal cannon. A collection of recordings from a true American eccentric maverick pioneer, Sam Esh. Originally available as 2 x cassettes in tiny editions on Mike Rep Hummel’s Old Age / No Age label these are now bound together on a 2CD set which does not interrupt the unrelentin…
Lucky restock, few copies available Within our little bubble of avant-garde, experimental, and underground sound, with its endless web of recordings from the past and present day, it can be easy to forget that these contexts are rarely as hermitic as they seem. Many of the great creative accomplishments of the last century have been a result of interdisciplinary conversation - the marriage between image, action, and sound - collaborations reaching toward new forms of “total” art. This is partic…
Temporary Super Offer! The legendary French painter and sculptor Jean Dubuffet exalted naivety and spontaneity in visual art, and his brazenly experimental recordings on Musical Experiences evince the same spirit through sound. He once reflected, "Certain unexpected windfalls ... come of improvising on an instrument one doesn't really know how to use."Dubuffet, who famously founded the art brut (or outsider art) movement, began making music in the early 1960s with avant-garde figure Asger Jorn. …
When visiting Antwerp last summer, Uncle Jim (aka Alvarius B), recorded a rant for the invitation card single that anounces Dennis Tyfus' exhibition 'My Niece's Pierced Knees', opening on October 27th at Middelheim Museum in Antwerp. This card single was send out for free to everyone in the museum's mailing list.
* In process of stocking * Absolute collage hell from the bowels of several known earths. We have worked with the horrible Orchid Spangiafora (aka Rod Carew) before. Back in 2013 we were tricked into doing an expanded 2LP reissue of Rod's 1979 Twin/Tone album, Flee Past's Ape Elf. A mistake we swore we'd never make again. Glands are a different story, being a two-headed beast comprised of Allie Caulfied (of Just Bananas magazine) and Bobbi Manring (former leader of both Poop World and The Giant …
To celebrate composer Charlie Morrow’s 80th birthday, Recital presents 80 minutes of voice-based recordings in his new album, Chanter. While Morrow’s previous two albums on Recital Toot! Too (2017) and America Lament (2020) focused on chamber and electronic compositions, Chanter covers over 60 years of vocal explorations. Spanning from Charlie’s first ever tape recording Ella (1960) to two intimate chanting improvisations made in 2021 for this CD.
Curated by Sean McCann, the dozen tracks which c…
Includes five albums: etat16 - Various - I.D. Art #2 (LP) etat17 - Le Forte Four / Doo-Dooettes - Live at the Brand (2xLP) etat18 - Various - Blorp Esette Volume One (LP) etat19 - Smegma - Glamour Girl 1941 (LP) etat20 - Various - Sound (LP)
Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces opened at the Los Angeles Institute of Contemporary Art in the summer of 1979 (and was also on view later that year at PS1 in New York). Curated by Bob Wilhite and Robert Smith, the exhibition surveyed the field of sound art. The forty-four participants were painters pivoted toward performance, conceptual artists attracted to time-based mediums, self-styled creators of environments, and musicians (formally…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
This special bundle includes the following Anton Bruhin releases on Alga Marghen:- Rotomotor / InOut (LP)- Vogelsang / Vogelsong / Vogelsung / Vögelsäng (4CD Box)- Rotormotor (CD)Anton Bruhin - Rotomotor / InOut (LP)InOut, a masterpiece for tuning whistle, mouthharps, flutes, toy and party gag instruments, percussion, bells, electric razor, model ship engine with propeller, birdcall whistles, CH-Phon, feedback speaker-microphone, siren, double shawm, falling down spoon, jew’s harp (only two shor…
InOut, a masterpiece for tuning whistle, mouthharps, flutes, toy and party gag instruments, percussion, bells, electric razor, model ship engine with propeller, birdcall whistles, CH-Phon, feedback speaker-microphone, siren, double shawm, falling down spoon, jew’s harp (only two short notes), tearing scotch tape from the spool, ocarina, hair dryer and other noise makers plus occasionally radio tuner was recorded in Zurich between May 17th and May 22nd, 1981, on a Sanyo M7300L stereo radio casset…
** 100 copies ** Alga Marghen proudly present the new 4CD edition of the complete cycle titled Vogelsang / Vogelsong / Vogelsung / Vögelsäng from 1977, available now with new artwork and issued in an edition limited to 100 numbered copies. If the idea of recording birds could have come from his friend Hans Krusi (this was a common practice for Art-Brut master Krusi who layered into primitive multi-track sonic sculptures the recordings of the many birds sharing his living space), Anton Bruhin is …
250 copies only and no re-press ever; 180gr vinyl in custom-made screen-printed outer (sealed), containing two risograph inserts featuring original writing by director Jack Mcnamara; no digital Jason Williamson of Sleaford Mods reads two stories by Alan Moore: In the Drownings (AD 43) and The Sun Looks Pale Upon the Wall (AD 1841). A new and unique collaboration marking 25 years since the publication of Moore's 'Voice of the Fire'.
* Edition of 300 on black vinyl. Includes a full color 21 page 8.5" x 11" booklet of photographs, poetry, artwork, liner notes and other ephemera * Dr. John M. Bennett (Chicago, 1942) has been a prolific contributor on the absolute fringes of the American poetry, mail-art, and underground music worlds throughout his career, while working as a scholar and archivist of Latin American literature and avant-garde writing. One of two sons to prominent cultural anthropologist John W. Bennett, he was bo…
* Edition of 200 copies, incl. 8 page booklet * Das Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. After encouraging my sister to record her piano playing for years, she embarked on her first recording project with Fanny Mendelssohn Hensel’s Das Jahr (“The Year”, 1841), a groundbreaking cycle of twelve thematically and harmonically interlocked character pieces depicting the twelve months of the year. Putting aside her usual toil for perfectio…
** 300 copies only ** A major part of Katalin Ladik’s work was associated with vocal and instrumental music, although she had no particular music qualifications, nor was she an ‘amateur musician’, but rather a phenomenon of music excesses and voice miracles, combining music, theatre and poetry. Her music essentially addresses relations between sound and woman’s body. It was the music of a female body and its motions, transformation, action and expression: when she produced sounds with her body a…