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** 250 copies limited edition. one sided transparent 7" flexi with postcard artwork** Tuli Kupferberg (1923-2010) a prolific poet/ lyricist cartoonist pamphleteer, anarchist and founding fug. This flexi contains a song for are time ... from another time, (c1970s) or for almost any time in human existence. One song recorded live and unaccompanied on the Lower East Side of NYC, by the master of political song-writing.
*350 copies limited edition* Previously unpublished performance of the internationally renowned dance band Selten Gehörte Musik (on this occasion: Christian Attersee, Gerhard Rühm, Oswald Wiener) at the closing event of the "Literanover" Festival at the Kunstmuseum Hannover, on November 16th, 1980. Close to two hours of very rarely heard dance music, indeed.
*100 copies, white vinyl * Agenzia Dancing Days involves elderly people dancing to electronic music choreography. The dances are collective. The itinerant project took place in discos, dance floors, ballrooms, city squares and festivals. The record collects the sound recordings of rehearsals and performances.
**Edition of 50** Described as 'the People's Vote Turner Prize winner', this release comprises the short film (DVD) documenting the word-for-word recreation of Princess Diana's funeral at Salford's The White Hotel, along with the full, unedited audio recording (CD) from the ceremony. Comes with myriad printed matter on riso plus a sticker featuring Stanley Schtinter's 'Purge Royal Standard Flag' (designed to drape over Diana's second coffin), and reviews from the London Review of Books and the D…
Goodbye 20th Century is a double album of covers of Avant-garde recordings by Sonic Youth and collaborators. SYR4 features works by avant-garde classical composers such as John Cage, Yoko Ono, Steve Reich, and Christian Wolff played by Sonic Youth along with several collaborators from the modern avant-garde music scene, such as Christian Marclay, William Winant, Wharton Tiers, Takehisa Kosugi and others. The album received mixed reviews, but most critics praised the group's efforts at popularizi…
300 copies The record Rire, Ridere, Laugh, Lachen comes from the homonymous piece about laughing as laughing of the Berlin artist Antonia Baehr. In front of a score and with her hands on the turntable, Baehr explores this expression as a sovereign entity, in separation from causal baggage; jokes, tickles, narrative, humor, joy, looking at the thing itself: the sound and shape, the music, choreography and drama, the rhythm and the gesture of laughter. For the listener, contamination is an unavoi…
Includes five albums: etat16 - Various - I.D. Art #2 (LP) etat17 - Le Forte Four / Doo-Dooettes - Live at the Brand (2xLP) etat18 - Various - Blorp Esette Volume One (LP) etat19 - Smegma - Glamour Girl 1941 (LP) etat20 - Various - Sound (LP)
Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces opened at the Los Angeles Institute of Contemporary Art in the summer of 1979 (and was also on view later that year at PS1 in New York). Curated by Bob Wilhite and Robert Smith, the exhibition surveyed the field of sound art. The forty-four participants were painters pivoted toward performance, conceptual artists attracted to time-based mediums, self-styled creators of environments, and musicians (formally…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
250 copies only and no re-press ever; 180gr vinyl in custom-made screen-printed outer (sealed), containing two risograph inserts featuring original writing by director Jack Mcnamara; no digital Jason Williamson of Sleaford Mods reads two stories by Alan Moore: In the Drownings (AD 43) and The Sun Looks Pale Upon the Wall (AD 1841). A new and unique collaboration marking 25 years since the publication of Moore's 'Voice of the Fire'.
* Edition of 300 on black vinyl. Includes a full color 21 page 8.5" x 11" booklet of photographs, poetry, artwork, liner notes and other ephemera * Dr. John M. Bennett (Chicago, 1942) has been a prolific contributor on the absolute fringes of the American poetry, mail-art, and underground music worlds throughout his career, while working as a scholar and archivist of Latin American literature and avant-garde writing. One of two sons to prominent cultural anthropologist John W. Bennett, he was bo…
** 300 copies only ** A major part of Katalin Ladik’s work was associated with vocal and instrumental music, although she had no particular music qualifications, nor was she an ‘amateur musician’, but rather a phenomenon of music excesses and voice miracles, combining music, theatre and poetry. Her music essentially addresses relations between sound and woman’s body. It was the music of a female body and its motions, transformation, action and expression: when she produced sounds with her body a…
* Edition of 30 signed and numbered linen boxsets. 4 signed LPs with hand-drawn sleeves, also including a 112-page signed book with title page in calligraphy * Alga Marghen started their activities in 1996 soon to become a reference for experimental music, sonic arts and sound poetry publishing. Now in 2021 it’s time to celebrate the 25 years of activities and we decided to start by presenting for the first time on vinyl some of most radical and uncompromising Fluxus events. alga marghen is the…
1996 release. A prime example of the intense & noisy wildness of Hermann Nitsch’s early actions employing scream-choirs, beating, whistles, chaotic austrian folklore juxtapositions, rough brass sections and dissonant strings
Richard Ojijo’s music for the films of german video artist Marcel Odenbach not only underscores and accentuates the imagery and motion, but also serves to propel the narrative too. The compositions are auditory distillations of the visual and create a synergy between music and image that draws the observer ever deeper.
With Odenbach’s and Ojijo’s collaboration now entering its 3rd decade, Ojijo was recently inspired to revisit and remix some of the themes contained within the extensive body of …