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*100 copies limited edition* Notes from the nave is the debut album by 𝗟𝗶𝗻𝗱𝗲𝗻 𝗦. - Michiel Dondeyne’s alter ego. It’s a musical correspondence from the refuge of an introvert: the ‘nave’ - or the middle part - of a church in Antwerp, Belgium. It’s there, where he established the improvisations on piano that sprouted this album. Loose ideas became the blueprint of extended collages, wherein piano, subtle loops and samples conflate with the cello of Clémence Clarysse and the tenor saxophone…
Studio Mule is proud to present the first-ever vinyl edition of Banka, the 1991 CD-only masterpiece by Shinsuke Honda. Renowned as the guitarist of the legendary band Hachimitsu Pie, Honda’s work on the album Silence is widely celebrated as one of the most remarkable achievements in Japanese ambient guitar jazz. Now, with this release, Banka joins that legacy on a beautifully crafted double LP.
Building upon the spirit of Silence while exploring new depths of refinement and sound, Banka offers a…
Meditations is a set of 8 works based on the experience of meditation practice. Music made for both meditation and reflecting the realities of a life of daily practice. The breath, the quietness, the listening, the distracted dissonant and consonant thoughts that pass through. The texts throughout the pieces are fragments of the Buddhist Heart Sutra, the shortest and created from a mixture of traditions and sources, produced long after Buddha's death and meant to be chanted or sung as a ritual a…
Trinity, the third collaborative album between Lawrence English and Stephen Vitiello, continues the pair’s patient, pliable musical explorations while marrying them with a unique collaborator—one per track—to map new territories. Trinity presents five collaborations with acclaimed artists who work at the edges of sound and genre: Chris Abrahams (The Necks), improvising turntablist Marina Rosenfeld, Brendan Canty (Fugazi, The Messthetics), multidisciplinary artist Aki Onda, and the late contempor…
At the end of the 1980s, Mariolina Zitta approached the world of natural sounds, studying musicology and developing a passion for speleology. Her encounter with Walter Maioli was fundamental, guiding and influencing her definitive research into sound archaeology and the primitive sources of musical acoustic phenomena. In these recordings Mariolina conducts a magical ritual as a cave priestess, celebrating the icons par excellence of the mysteries of the night: bats. The specific frequencies of t…
*200 copies limited edition* Various Small Whistles and a Song, the new album by Chicago-based artist Lia Kohl, incorporates notions of space, social relations, and humor. As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes, with gue…
Mitar Subotić Suba (Rex Ilusivii) was one of the most prominent ex-Yugoslav producers and sound artists. His work encompassed not only successful production on some of the cult ex-Yugoslav records, but also works in the field of music for theatre, experimental electronic music, and installations. After moving to Brazil in the 1990s, he further explored his interest in local culture and released his essential work "São Paulo Confessions". Almost at the same time, he produced "Tanto Tempo", a semi…
Elations Recordings presents Return of the Airpoets, an exploratory recording from longtime collaborators Reuben Lewis and Adam Halliwell, occupying a unique space between contemporary experimental music and avant jazz. Engineered and mixed by Reuben Lewis in 2023, and featuring guest appearances from acclaimed Australian drummer Ronny Ferella. Return of the Airpoets continues a conversation begun with "Cygon Dance", an extended duo between Lewis and Halliwell from Halliwell's 2023 LP Freedom La…
Retinal Rivalry is the soundtrack to Cyprien Gaillard’s new stereoscopic film, Retinal Rivalry (2024). It is an entrancing journey through Germany’s urban landscape and its layers of historical and social significance. Building on his previous exploration of the sculptural qualities of three-dimensional moving images, the work extends beyond the confines of the screen. By harnessing cutting-edge technology to its full potential, Gaillard offers an expanded, sharpened and deeply affecting novel v…
*200 copies limited edition* "Opposite directions, two different places, other means of expression—and the same extraordinary sensitivity with which Rożynek guides her sonic narrative. Two acousmonia, in which sound gradually gains vibration and density, finally blooming open and unfolding straight towards us. Pathopoeia is a term borrowed from the theory of rhetorical figures used in Baroque music—codified melodic progressions with specific assigned meanings. This figure leads sounds downward, …
Based in Baltimore, M.C. Schmidt is one half of the acclaimed electronic duo Matmos. As half of Matmos, Schmidt has worked with Terry Riley, Björk, Kronos Quartet, Peter Rehberg, INA-GRM, Rrose, Marshall Allen, Horse Lords, People Like Us, Keith Fullerton Whitman, Antony Hegarty, William Basinski, and many more. Batu Malablab, his first solo album, works a dislocating magic, indulging in a tradition of western fantasy of non-western music. Recalling gamelan-inspired experimental classics such…
Whistle and I’ll Come To You by Death and Vanilla is an evanescent, cinematic dream-pop companion to the cult 1968 BBC ghost story film. Through shimmering synths, vibraphone, and spectral loops, the Malmö trio crafts an atmospheric journey where hauntology, vintage electronics, and melancholy motif intertwine, conjuring equal parts nostalgia and spectral unease.
As trans-Atlantic alchemists pulling from a shared dialectic that somehow encompassed both postmodern deconstructionist tendencies and a delightfully subversive sense of poptimism, it’s easy to see how David Cunningham and Peter Gordon immediately hit it off upon initially meeting each other back in the late-1970s at the height of their youthful transgressions. Having initially worked together on the second Flying Lizards’ LP fourth wall, with its ingenious fusion of dismantled rhythms and rearr…
Dylan Henner’s album "Star Dream FM" is an experimental ambient suite woven from choral textures, marimba, processed voice, and impressionistic electronics. Presented as a fictional radio transmission of Henner’s adolescence, its 41 minutes blend memory and invention, immersing listeners in shimmering sonic vignettes that blur the boundaries between personal nostalgia and collective dream.
Mirante, the ninth album by Nick Storring, is an impressionistic, multi-instrumental homage to Brazil. Across seven movement-rich tracks, Storring weaves liquid ambient textures, intricate rhythms, and a panoply of both Brazilian and experimental influences, forging an album that balances celebratory groove and lush introspection.
Spiral Joy Band are one of the descendants of Richmond VA's legendary musical juggernaut, Pelt. Active and mutating for nearly 20 years, the iteration of the Spiral Joy Band who recorded this session in Madison Wisconsin in 2011 was a trio. Troy Schafer, Patrick Best and Mikel Dimmick play an array of instruments -- violin, viola, harmonium -- to produce lush tapestries of the multiphonic drones for which they are known. I remember Pelt getting called 'The Hillbilly Theatre of Eternal Music' at …
First LP, after several fine cassettes & CDRs, by this psych project helmed by Brian Lucas. Lucas is best known these days for his bass work with Dire Wolves Just Exactly Perfect Sisters Band, but he has a hand in many other California psych outfits. The Wolves have been quiet vis-a-vis new recordings lately, but Old Million Eye has been pretty busy. Often the OME moniker represents solo work, but this time Brian has recruited Dena Goldsmith-Stanley (3 Moons) and Steven R Smith (an old band mate…
Standing / Engraving by Jean D.L. is a meditative suite where solo guitar sketches and field recordings fold into a chiaroscuro of memory and texture. Drawing from experimental folk and nocturnal ambient, the album patiently sculpts sound and silence into subtle vignettes, inviting the listener into an immersive domain of reflection and suspended time.