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Andrea Belfi (1979) has been playing drums since the age of 14. He studied art in Milan and has been working in the experimental music field since 2000. In his live set AB faces the audience with an essential drum set, surrounded by synthesizers, a loop station, some contact microphones, an harmonica and two small-size speakers. The acoustic elements and the electronic ones mingle, intertwine and sometimes switch places: the acoustic sounds are treated as they were electronic, and the actual electronic ones are played at the very moment. Rhythmic patterns go beyond the mere beat as AB shapes them in cycles, ever-circling but ever-changing, both reassuring and surprising. A careful preparatory work, which consists in a previous and much reflected upon selection of emotional scenarios, allows the live set to be spontaneous and to “live the moment”, definitively avoiding any over-conceptualization. AB main achievement is the building of “proper” songs through a radical improvisation rather than through the use of fixed and codified elements.
Andrea Belfi (1979) has been playing drums since the age of 14. He studied art in Milan and has been working in the experimental music field since 2000. In his live set AB faces the audience with an essential drum set, surrounded by synthesizers, a loop station, some contact microphones, an harmonica and two small-size speakers. The acoustic elements and the electronic ones mingle, intertwine and sometimes switch places: the acoustic sounds are treated as they were electronic, and the actual electronic ones are played at the very moment. Rhythmic patterns go beyond the mere beat as AB shapes them in cycles, ever-circling but ever-changing, both reassuring and surprising. A careful preparatory work, which consists in a previous and much reflected upon selection of emotional scenarios, allows the live set to be spontaneous and to “live the moment”, definitively avoiding any over-conceptualization. AB main achievement is the building of “proper” songs through a radical improvisation rather than through the use of fixed and codified elements.
Marionette presents 'dessus oben alto up', the first collaborative recording by Andrea Belfi and Jules Reidy. Hailing from different ends of the globe (Australia and Italy) but both longtime residents of Berlin, Reidy and Belfi’s approaches have much…
Eternally Frozen consists of a series of canon based compositions for brass ensemble, percussion and synthesizer by Andrea Belfi. The canon is an ancient compositional technique in which an initial melody is imitated at a specified time interval by o…
"Alveare, a collection of electroacoustic music by Italian percussionist / composer Andrea Belfi, is part of a collaborative multimedia project with photographer Matthias Heiderich. Inspired by Heiderich’s pictures of the modernist housing complexes …
Andrea Belfi (born 1979) is an international respected electroacoustic musician and composer. He began playing drums at the age of 14. He studied art in Milan, before becoming involved in experimental music and since 2002 he's been in collaboration w…
Electro-acoustic experimenter Andrea Belfi veers towards techno structures in Cera Persa for the Paris-based Latency label. Too somnambulant for the ‘floor, best suited for home listening immersion, the piece is cleft in two parts and follows a crumb…
Live recording from the performance of The Wired Salutation at Hebbel am Ufer Theater, August 18, 2013, Berlin. Interested in systems of rules and ordering principles that structure social behavior, Angela Bulloch creates multidisciplinary installati…
Andrea Belfi's Miasmah debut, consisting of a set of six rhythmically-anchored pieces for floating electronics & creaking drones that pay homage to Roberto Cacciapaglia et.al while keeping their contemporary sensibilities intact. Natura Morta, "de…
Dust & Mirrors’ is the second full-length album by the trio of Andrea Belfi (drums, percussion, electronics), David Grubbs (electric guitar, piano, voice), and Stefano Pilia (electric guitar). It follows 2010’s ‘Onrushing Cloud’ LP and finds the trio…
Voice by Pete Simonelli, guitar by David Grubbs, organ by David Maranha, percussion by Andrea Belfi. Selection of texts follows that of Harry Partch's „Eleven Intrusions” Texts by Ella Young, Ella Young and Lao Tzu, Tsurayuki, Willard Motley, George …
Wege translates as 'path' and it's a fitting title for the latest rendering from master percussionist and experimental composer Andrea Belfi. The albums' four pieces act as orientation points through some imaginary sonic landscape. Wege is Belfi's fo…
Although Onrushing Cloud is the first recording by this trio, Andrea Belfi (drums, percussion, electronics), David Grubbs (electric guitar, voice, piano) and Stefano Pilia (electric guitar) share a common bond in that they’ve all release…
A striking collaboration took place between Andrea Belfi on drums and assorted small percussion and Rutger Zuydervelt on guitar and organ. Together they produce the 'pulses' and 'places' mentioned in the title. Organic yet partially improvised, it re…
Andrea Belfi's debut album, issued in 200 copies only, each disc enclosed in a beautiful blue velvet case "In Ned n°2 objects, people, intresting situations, computer errors, melodies, rooms, and many other "sound stuffs" translated as wavewfiles on …
** LAST COPIES** Italian drummer Andrea Belfi truly drives his new solo release into a poly-rhythmic drum circle from another dimension. The whole work not only sounds wonderful but, more importantly, Andrea Belfi has developed a strong spatial sense…
This is Italy-based Andrea Belfi's second full-length release. Belfi is the drummer of Rosolina Mar and is a member of Medves along with Giuseppe Ielasi, Stefano Pilia, Renato Rinaldi and Riccardo Wanke. In 2002, Belfi embarked on a vast project, wh…