Andrew Chalk
Andrew Chalk has been active since 1985 as Ferial Confine and has worked with many associates over the years, such as David Jackman (in Organum), Vortex Campaign, New Blockaders, The, Darren Tate (in Ora), Giancarlo Toniutti, Jonathan Coleclough, and Christoph Heemann (in Mirror). He has now released a number of releases under his own name which have won widespread acclaim, on labels such as Robot Records, Christoph Heemann's Streamline label and his own Faraway Press label. The Mirror project released a steady string of stunnng, highly sought-after records in limited quantites and Chalk's releases on Faraway Press have followed this aesthetic.
Andrew Chalk has been active since 1985 as Ferial Confine and has worked with many associates over the years, such as David Jackman (in Organum), Vortex Campaign, New Blockaders, The, Darren Tate (in Ora), Giancarlo Toniutti, Jonathan Coleclough, and Christoph Heemann (in Mirror). He has now released a number of releases under his own name which have won widespread acclaim, on labels such as Robot Records, Christoph Heemann's Streamline label and his own Faraway Press label. The Mirror project released a steady string of stunnng, highly sought-after records in limited quantites and Chalk's releases on Faraway Press have followed this aesthetic.
Time of Hayfield
Time of Hayfied represents a thematic shift away from more long-form and slowly developing pieces Andrew Chalk is known for prior to this and also especially in his work with Mirror (1999-2004). It is the stepping stones between two worlds and is still steeped in foggy textural atmospheres, but as though pierced by sunlight through a forest canopy, where melodies and harmonic structures appear and dart through the vignettes. There is a sense of lost golden summers and all is enhanced by the narr…
Everyone Goes Home When the Sun Sets
The arrival of a new Andrew Chalk album is always a cause for celebration. Following last years 'A Light at the Edge of the World' (a single piece), the sequel, out on his Faraway Press imprint, finds a new collection of 19 pieces sequenced in story-like chapter and verse from memories and melodies of a nostalgic past. Played more in thoughtful focus and with a lyrical narrative. In recent years, Chalk's recordings have reconfigured away from the static drama of high minimalism and into collec…
Bright Rivers Run / Shimmer In The Sun
Japan only EP limited to 150 copy. mastered by Denis Blackham.
Calluna
Calluna is the second collaborative release from Andrew Chalk & Tom James Scott, and was completed following the duo's first live performance in summer 2014. Recorded over a longer time period than Wild Flowers (2013), Calluna sees the haze of their debut lifted to reveal a clearer, more expansive sound world. Scott's sparse unadorned piano notes occasionally cluster into more elaborate, decorative phrases, delicately underpinned and enhanced by Chalk's slow, carefully placed additions. Edited f…
A Light At The Edge Of The World
'A Light At The Edge Of The World' captures the fading essences and glow of 'Forty-Nine Views In Rhapsodies' Wave Serene' (2012), in a single 40 minute piece for electric piano atmospherics. Its predecessor being an album of romanticised vistas, is concluded here in a restrained and delicate homage of poetic impressionism. Beautifully mastered by Denis Blackham and packaged in completely handmade mini slipcase sleeves by Faraway Press."Andrew Chalk is an enigma. The outlines of both his biograph…
Tahta Tarla
*2022 stock* Original copy of the long out of print LP album. First pressing from back in 1993, Tahta Tarla is a collaborative recording based apparantly upon long wires strung through the woods with the wind activating some of these wires with each artist seeming to be in charge of the production of one of two sides. For Toniutti's half, the scrabbling textures and aeolian drones are mostly left unprocessed with bellowing rumbles, eeries echoing, and peculiar hisses that seem to come from nowhe…
Ghosts Of Nakhodka
This is a gem of a recording! A new album, the sister of Ghost of Nakhodka in some ways (Siren Records 2009), but entirely new and different material. 'Ghosts' is all played on a monphonic synthesizer and recorded directly to two track tape. Evoking memories of dreamy postcard memories and snapshots of another time and place. Moving in 13 parts to a final conclusion- 'Map of the World'."You may be thinking, there was an album by Andrew Chalk with this exact same title. And you would be correct…
The Shadows Go Their Own Way
'The Shadows Go Their Own Way' took easily as long as its predecessor 'The Days After' to complete.After many planned sequences and pieces it suddenly and quite unexpectedly became finished last autumn. Denis Blackham at Skye Mastering gave
the recordings a real touch of magic and we are completely happy with the final shape and sound of everything.Thanks go out to Naoko Suzuki who gave some vocals to two tracks and to Vikki Jackman for her inimitable piano playing on track #11 'Mirages'. 'The S…
The Circle Of Days
Truly beautiful new LP, "The Circle Of Days", from UK sound/drone artist Andrew Chalk on his own Faraway Press imprint. Recorded in 2003-06 and created with field recordings, keyboards, guitar, bass guitar, and slide-guitar, "The Circle Of Days" includes a return for Chalk to his long-term collaboration with Daisuke Suzuki (Ghosts On Water, Lost Shadow, Siren Records et al), who features on five of the LP's 14 (relatively short) pieces. The field recordings, mostly captured from everyda…
Wild Flowers
*restocked* Andrew Chalk & Tom James Scott released their first duo recording in 2013 through Scott's own Skire label. Wild Flowers saw the delicate surface of Scott's hushed piano playing occasionally blurred by Chalk's sensitive and unique approach to production, unearthing a depth of feeling usually heard as an undercurrent to the muted, almost half-sounded surface notes. Evoking distant childhood summers, strings swell and vanish like flashes of light across a weather-beaten lens, enveloping…
A Paper Doll's Whisper Of Spring
A welcome reissue of 2012's tiny CDr edition of 'A Paper Doll's Whisper Of Spring' by Vikki Jackman, Andrew Chalk, and Jean-Nöel Rebilly. It's been beautifully remastered by Denis Blackham of Skye Mastering and pressed onto 140g vinyl with DMM cut and printed sleeve, plus a Japanese obi strip. Vikki's third album (here accompanied by Andrew Chalk and Jean-Noel Rebilly- playing synthesizer and clarinet, respectively) after 2008's Whispering Pages, is a more reflective collection of pieces, often …
Goldfall
Edition in mini slipcase with wooden spine. "Haunted keyboards extending into the distance, like the recent Andrew Liles The Dying Submariner, this piece puts aside the enveloping blankets of drone for a sparser sound, close in spirit to Harold Budd or William Basinski. This is a superb platter of sonic and visual art." --Synaesthesia Records
East of the Sun
Special portfolio edition - see special editions tab in mini slipcase with wooden spine. East Of The Sun available again though Andrew Chalk's own Faraway Press, complete with breathtakingly resplendent packaging. These recordings originally came out in 1994 as a cassette, released through Ora's in-house label, Ora being an early collective that revolved around Chalk, Colin Potter, and Darren Tate with occasional assistance from Jonathan Coleclough, mnortham, Lol Coxhill, and a handful of …
Mutsu no Hana
Reissue of a tape edited in 2011 for the victims of Fukushima. Drony and melancolic. Gatefold cover silkscreened by Alan Sherry, mastering by Denis Blackham.
Forty-Nine Views In Rhapsodies - Wave Serene
Brand new Andrew Chalk release packaged in an elaborate handmade slipcase with a Japanese language obi strip. Exactly the same style as the recent ‘Violin By Night’ LP, ie. super thick sturdy slipcase/box with a dowelling spine and a full colour inner sleeve. All copies handmade by Andrew Chalk."Forty-Nine Views In Rhapsodies Wave Serene features as many tracks, tiny sound worlds ;impressionistic views of landscape and indistinct memories, compiled into a musical suite lasting 54 minutes." - Far…
The Cable House
The arrival of a new Andrew Chalk album is always a cause for celebration, and now this record re-appears after a very small vinyl pressing last year. Mr. Chalk has long stood as one of our favorite drone composers over the years, beginning with his early contributions to the more placid Organum recordings, through his exemplary collaborative work in Mirror and Ora, and onto his near perfect catalogue of solo recording self-released through his Faraway Press. Through the more recent recordings G…
In Faxfleet Clouds Uplifted Autumn Gave Passage To Kind Nature
Originally released on vinyl in the summer of last year, and presented as an extended play single, these three pieces total less than 25 minutes, and while the collaborators have chosen to present the recordings in these versions, the fade-outs suggest there's more to them than what we're given.
There's a lot of movement in the stillness here. The faint rhythms on "Queen of Heaven" are only a backdrop to the very prominent sustained layers of keyboards and almost inaudibly low frequency ba…
Ghost of Nakhodka
Here's the cd reissue of a 2009 cassette from the emissary of British dronemusik, Andrew Chalk. That cassette, like this cd version, had been released by the Japanese imprint Siren Records, although it seems that Chalk himself did all of the printing as with all of his Faraway Press productions. So, it certainly looks as lovely as it sounds. The album opens with a 22 minute abstraction of piano tones, smeared, stretched, and warbled by a process that seems more attuned to tape decay techniques t…
The river that flows into the sands II
The seventh release from andrew chalk’s faraway press, offering a series of five pieces scored for muted electric guitar figures, then mutated well beyond the instrument’s natural range via Chalk’s array of time-altering electronic treatments.
Shadows from the album skies
This CD contains two pieces (the first just under a half-hour, the second over 45 minutes) originally “issued” by three poplars in 2004 in some nanometric edition 3 years back. Each are concerned with only the slighest gradient-shift of quiet, hovering tonality resulting in a fine array of upper-partial activity fine for deep listening.