We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Massive discount on a large selection of items from the Superior Viaduct catalogue until stocks last!

Astasie-abasie

Vestigial Gamelan / Blue Plum Bloom
Launching into the new year with some serious heat, Shame File Music returns to their longstanding explorations of experimental music from Australia and beyond, with “Vestigial Gamelan”, the third in Ian Andrews’ Astasie-abasie project’s “Gamelan” series, and “Blue Plum Bloom”, the debut full-length from the all-star trio David Brown, Tony Buck, and Magda Mayas. Each plumbing the radical possibilities of small and discreet sounds in remarkably singular ways, each of these startling creative stat…
Vestigial Gamelan
Tip! *100 copies limited edition* This album is the third in a series of experiments exploring the magnification of the insignificant sounds. The chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills/screwdrivers. Astasie-abasie is a project of Ian Andrews which evolved out of a long running perfo…
Molecular Gamelan
*2022 stock* Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance …
Elliptical Gamelan
Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performin…
1