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“Padre, fammi partire!” (Father, make me leave!). Franco Battiato, orphan of a father, sings this verse in "Da Orienta a Occidente". He declaims it solemnly and decisively. More than a request for a blessing, it is a declaration of intent. The force with which this prayer is recited admits of no weakness, no compromise and no obstacle. To leave is necessary. The volcano is there, showing the way. The power of this phrase reflects the impatience of a hawk that, tied to the arm of its falconer, wa…
The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spa…
The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spa…
This album was commissioned by KAAP / Concertgebouw Brugge for Jazz Brugge Festival.
Music, production, pianos, Fender Rhodes, synthesizers and pipe organ by Giovanni Di Domenico. Featuring Alexandra Grimal on soprano saxophone (Part I) and Eric Thielemans on drums (Part II and Part III). Recorded in January 2023 at Concertgebouw Brugge by Christophe Albertijn and in April 2023 in Zaal Miry (Ghent) by Peter Desmedt. Mastered by Joe Talia at Good Mixture. Vinyl cut by Andreas at Schnitstelle. Art…
*200 copies limited edition* Akira Sakata is a treasure of Japan’s free jazz/improvised music world. Rie Nakajima is a London-based sound artist with an international career in Europe and beyond. Sakata and Nakajima have performed together in Japan and other countries since the mid-2010s. When Nakajima came to Japan for a time in 2023, the two appeared at Ftarri, Tokyo, on December 4, performing two duo sets. Sakata, on alto sax and clarinet, forgoes ferocious sound-making and plays with calm el…
Originally released by Extreme in 1991, Tamper holds a significant place in Jim O'Rourke's discography, as it represents one of his early ventures into the realm of electro-acoustic music
Tip! The trio of Japanese Saxophone legend Akira Sakata with the scandinavian rhythm section presents already his fifth album! While the trio was on a Japan tour in 2019, Sakata arranged for a handful of special collaborations, with some of Japan’s most important artistic figures. Featuring the avantgarde dancer Min Tanaka, the pianist Yuji Takahashi and a heavyweight veteran of Japanese experimental music - drummer Takeo Moriyama. Moriyama was playing with Sakata in the Yosuke Yamashita Trio an…
*2024 stock* The cliffhanger collaboration by Masataka Fujikake and Takeharu Hayakawa, which has been going on since 2007, is now complete with a live performance of the May 2011 session with Jim O'Rourke as a guest. The trio's bold arrangements are a powerful work centered on a solitary guitar sound that only Jim O'Rourke could express.
Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourk…
*2024 stock* The Yamashita Trio on tour in Germany in 1975 had a miraculous encounter with free improv genius Manfred Shcoof! This is a too hot live recording of the live performance with Yosuke Yamashita, Akira Sakata, Takeo Moriyama, and Manfred Schoof, who responded aggressively with their whole heart and soul!
Face-shredding, spine-melting - these are all just clichés next to the jams found within this humble packaging. Jim O'Rourke, Darin Gray and Chris Corsano may not even exist anymore, judging from the cataclysms to be heard here.
2024 repress; originally released in 1999. LP version. "Jim O'Rourke is doing for himself what he's more than generously done for other so-called musical talents. Everybody wants a little pop in their lives and the O'Rourke is no exception. There is no way to listen to Eureka without hearing the eccentricity, the progressive musical textures, the utter lack of anything like pop music, but at the same time it's magnificent in scale, pleasant to listen to, catchy and even reminiscent of other reco…
2024 Repress. Insignificance, Jim O'Rourke's third solo album for Drag City, reaffirms that he is not only a fine composer, arranger, and producer, but a gifted, creative songwriter as well. As with Eureka and the Halfway to a Threeway EP, O'Rourke continues to find as many possibilities in singing and songwriting as he does experiment with pure sound. However, this time O'Rourke adds a few twists to the formula he pioneered on those two efforts.
He sings on each of Insignificance's tracks, his…
2024 stock. "Well, never mind--as long as people love it, here's another few sides of long-ago and far-away Jim O'Rourke back on vinyl for the first time since way back in the mid-aughties. It's the Halfway to a Threeway 12" EP back to set turntables a-spinnin'! Fans of Eureka and Insignificance (not to mention Jim's tomfoolery as part of the Loose Fur band) will appreciate the analog pressing of these four slices of the pop music party-pooper combination of folk, classic rock, smooth jazz and a…
2024 Repress. LP version, originally released 1997, the first Jim O'Rourke album for Drag City. "Make no mistake, Bad Timing is not a pop album by any standards. But it is a musing on popular standards and uses much of the same instrumentation that many of our country's most popular records have. Yes, Bad Timing is a theme record, Jim O'Rourke's pop opera, just waiting for someone to come along and play with it. Based on John Fahey-esque 6-string acoustic guitar foundations, each of the three pi…
Eivind Lønning has been sharing ideas with Jim O’Rourke for several years: the duo collaborated on music for the Whitney’s ‘Calder: Hypermobility’ exhibition, and Lønning played trumpet on O’Rourke’s brilliant 2020 album ‘Shutting Down Here’. For this new work, Lønning headed to O’Rourke and EIko Ishibashi’s home studio in the Japanese mountains, where he teased unfamiliar, alien textures from his trumpet to open the labyrinthine three-part composition. O’Rourke took the material and subsequentl…
2024 Stock. Full title: "Caught in the dilemma of being made to choose" This makes the modesty which should never been closed off itself Continue to ask itself: "Ready or not?" The renowned trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi return to Black Truffle with their 11th release. Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York's Is…
Big Tip! Tidal Perspectives is an album by Giovanni Di Domenico, Pak Yan Lau, and John Also Bennett. Recorded across a single afternoon in Brussels, Belgium, the album’s four parts are a rippling alchemy of processed Rhodes piano, sizzling ceramics, and liquified bass flute, a rare meeting of three unique voices from the contemporary music landscape that manages to flow with the depth and effortless inevitability of the oceanic tides.
Giovanni Di Domenico, an accomplished composer and prolific …
Trost Records returns with a blasting gut-punch of an LP, with “Live at SuperDeluxe - Volume 1”, a full throttle body of improvisations from the all-star quartet of Akira Sakata, Jim O'Rourke, Mette Rasmussen, and Chris Corsano - never before captured on tape - live at legendary Tokyo venue, SuperDeluxe. Riding the wire between free jazz and noise, it's nothing short of powerful, real-time advocation of socio-political importance of free improvisation that leaves you on the edge of your seat fro…
Jim O'Rourke plays a lot with Japanese Free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist Giovanni di Domenico and the drummer Tatsuhisa Yamamoto they form this powerful band. This is their first release, combining contemporary Avantgarde and Free Jazz in a beautiful way.Line-up:Akira Sakata - sax, clarinet, voiceJim O’Rourke - double bassGiovanni di Domenico – piano, hohner pianetTatsuhisa Yamamoto - drumsRecorded at Pit Inn Tokyo on 10 January 2017