We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
CD Edition. Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichord presents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus. Originally debuted in 1976 at the festival Brouwer's Lattice at Stockholm's Moderna Museet, The Electric Harpsichord has steadily mystified fans and students of Western minimalist music for its implacable, transformative qualities, and the long-hel…
In addition to the unique musical proposals and the large body of work that they have developed separately, Amelia Cuni and Werner Durand have been performing together as a duo as well as in collaborations (Tonaliens, Born of Six) for more than 20 years. Fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach, they have expanded the reach of their soundworlds as well as proposed new paths for contemporary music.In this occasion, Uli Hohmann joins them in…
With Solo for Tamburium, Hennix plays and manipulates recordings of her precisely tuned and continuously sustained tamburas through a keyboard interface, fusing tones into psychoacoustic textures in the style of her early modal works
** CD in gatefold carbord cover with booklet ** “Stimmen aus Himmel und Hölle” is a searching work. Search for a new voice. The appropriation of new living and sound spaces. The title “Voices from Heaven and Hell” has multiple meanings that intersect, revealing themselves to our ears. There is the literal meaning, and therefore we hear (and sometime we "see") heaven and hell in sounds, through sounds.There is the meaning of the game (“Himmel und Hölle” is the German name of the "Hopscotch" game …
Following on from the stunning recording of her 1992 performance at the Berlin Parampara Festival, Black Truffle continues its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours o…
Black Truffle is thrilled to announce ViewFinder / Hide & Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living exp…
Black Truffle is pleased to announce Parampara Festival 13.3.1992, a stunning performance by Amelia Cuni captured live in Berlin almost thirty years ago. Milanese by birth and resident in Berlin for many years, Cuni lived in India for over a decade, studying the classical vocal style of dhrupad under masters of the form. Though perhaps known to many listeners primarily through her performances of the vocal music of John Cage and collaborations with Werner Durand and Terry Riley, she is recognise…
Here the third and final chapter of “Schwingende Luftsäulen” the series dedicated by Werner Durand to the Pan-Ney, the wind instrument of his own invention. In confront with the first two volumes this one represent a sort of flashback. In fact the five pieces on the CD present “early” works, mainly created in the first half of the 90s. “Still Another Ocean” was composed in June /July1991 in Ile de la Réunion, in the wonderful house of Frédéric Borne. “M-Ocean” was composed in the summer of 1994 …
"Unbegrenzt" is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows "Selected Early Keyboard Works" and "Selections from 100 Models of Hegikan Roku" (named the #1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled "Poësy Matters" and "Other Matters".
This two-volume set, Poësy Matters and Other Matters, presents selected texts by the Swedish polymath Catherine Christer Hennix. Volume one, Poësy Matters, is divided into two sections: poetry and drama, with each section also containing pieces of commentary by Hennix or her longtime collaborator Henry Flynt. Volume two, Other Matters, is divided into two sections: first, program notes and essays about a wide range of topics (including music, psychoanalysis, and mathematics), and second, a repro…
*Reduced price. Last copies* Besom Presse is pleased to announce the July 2019 release of Processions, a double LP by composer, performer, and instrument-maker Werner Durand, with Amelia Cuni and Victor Meertens. Recorded and mixed in his home studio in Berlin from 2012-16, Durand offers four just-intoned drone works distilling global influence into compositions of singular beauty. Performed on an unlikely array of instruments including various self-made wind and reed instruments, sarod, mirlito…
** Astonishing 1976 recordings of drone works inspired by La Monte Young and the Theatre of Eternal Music ** A co-edition with Empty Editions. Selections from 100 Models of Hegikan Roku is the second in an ongoing series of archival records of the unheard music of Swedish composer, philosopher, poet, mathematician, and visual artist Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows last year’s Selected Early Keyboard Works and anticipates Blank Forms’ …
**2019 stock* * Indian Dhrupad songs meet the chants of Hildegard of Bingen: this extraordinary encounter took place in 2011 at the Montalbâne Festival. It was a successful experiment in a concert that linked together two worlds that at first glance have nothing in common. But this is deceptive, since both musical worlds follow the rules of modal music and can thus lay, intertwine, and harmonize wonderfully with one another. And both worlds come from the context of contemplation in monasteries a…
**2019 stock** Amelia Cuni was born in Milan and lived in India for more than ten years learning dhrupad singing from renowned masters (i.e. R. Fahimuddin Dagar and Bidur Mallik, Pt. Dilip Chandra Vedi). She also studied kathak dance and pakhawaj drumming. She received a three year scholarship from the Indian government. Since 1987, she performs internationally and since 1992, she is based in Berlin. Her music is featured on several solo CDs and collaborations. She has recorded for radio and TV …
**2021 stock** The world premiere recording of Solo for Voice 58 by legendary American avant-garde composer John Cage. Italian-German dhrupad singer Amelia Cuni is the ideal interpreter, trained in classical Indian singing but also able to improvise on ragas in a new music context. Cuni developed from Cage’s score of eighteen raga scales a remarkable and unique interpretation that belongs to both the classical Indian and Western experimental traditions. Includes an extensive booklet with essays …
Werner Durand Schwingende Luftsäulen 2, the second chapter dedicated to Durand's music applied to the Pan-Ney, the wind instrument of his own invention. With gorgeous artworks by Karlheinz Bux and extensive liner notes by Adelio Fusé. "Schwingende Luftsäulen 2 is the second chapter of a trilogy featuring the Pan-Ney with its tubes or columns of vibrating air (Schwingende Luftsäulen, in fact). This second chapter, in which the Pan-Ney is flanked by the tenor sax, reconnects where the first one en…
The Lion’s Throne bears witness to the performances that the legendary composer Terry Riley and Italian singer Amelia Cuni did together in the United Kingdom and Italy between 1999 and 2006. Riley, whose remarkable body of work seamlessly integrates a lifetime of devotion to Indian classical music into the western classical tradition, collaborates with Cuni, a singer trained in Dhrupad who, like Riley, experiments with Indian singing in a variety of ways.In these recordings, Riley plays piano or…
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on invented and traditional instruments stems from the minimalist tradition, routed through his unique study of obscure world musics. The two artists first met in Berlin in 1984 while Sam was touring Atalanta with Robert Ashley’s opera company, with whom he …
A co-edition with Empty Editions. Selected Early Keyboard Works is the first in a series of planned archival records of the unheard music of Swedish composer, philosopher, poet, mathematician, and visual artist Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It comes hot-on-the-heels of Traversée Du Fantasme at the Stedelijk in Amsterdam, Hennix's first solo museum exhibition in over 40 years, and coincides with both Blank Forms' publication of Poësy Matters a…