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In the second half of the eighties, I heard the duo of Charles Gayle and Peter Kowald at the Jazz Days in Novi Sad. A few years later, when Szilárd Mezei and I met, and played music together, I told him a lot about the experience that this concert had given me. I remember that the intensity, the density, the strikingly different quality of Gayle's music-making was beyond my comprehension, or even my measure. And then the world changed, and what seemed unattainable at the time became reality. A j…
** Deluxe 3LP set, housed in heavy tip-on box with pigment ink foil stamping, mounted film laminated cover painting by Jeff Schlanger, three printed inner sleeves with original notes by William Parker and Alan Licht, original concert flyer re-print and a five photograph portfolio in black envelope ** A legendary concert by one of the great unrecorded bands in free jazz history is here at last. WEBO, the third installment in the Black Editions Archive series of previously unreleased recordings fr…
Charles Gayle is a saxophonist, pianist, sometimes a clown and
radical musical performer wrapped into the body of a humble person
living in Downtown Manhattan since the 1960s. As this set attests to, it
is sometimes hard to predict what he will do on stage... In all his
musical (and personal) life Charles Gayle has remained outside of any
form of mainstream, carving his own singular path. There is no player on
the scene today with the emotional wallop of Charles Gayle. John Edwards
is a t…
This performance from May 2014 was the opening concert at Jazzwerkstatt 51, given by Charles Gayle (tenor saxophone, piano), William Parker (double bass) and Hamid Drake (drums) in the Stüler Church, Peitz, Germany. The concert was dedicated “In Memoriam Peter Kowald”, the German bassist who died in 2002 and lived in New York for almost the last two decades of his life. Gayle and Parker were among his earliest musical associates in the city, as seen in the film Rising Tones Cross (full of now fa…
"This is Charles Gayle's most accessible work. Gayle's mastery of free jazz is blended with a more traditional compositional style of jazz on this disc. Touchin' on Trane is composed of five original songs, and even includes ex-Coltrane drummer Rashied Ali. As the title insists, Coltrane is the influence for the music on this disc. The influence ranges from the upbeat tempo of "Giant Steps" in "Part A," while "Part D" is reminiscent of Coltrane's "Live in Japan" performances. Gayle, bassi…
This is a document of one of the solo gigs by the modern sax legend and presumed bearer of the hallowed flame of Black American free jazz when he made his first trip to Japan.