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Tip! *100 copies limited edition* Colin Andrew Sheffield's "Images" was entirely constructed from heavily edited and manipulated samples from jazz records. These eight electroacoustic mosaics range in style from lush ambient loops to jarring tones like the wails of the damned. Chopped drum solos appear and retreat along with spiraling piano fragments; saxophone and trumpet scraps clash or fall in time with disfigured bass rumblings, etcetera. These song-length explorations are detailed, atmosphe…
*200 copies limited edition. In process of stocking* Don't Ever Let Me Know is Sheffield's first solo release since 2018's Repair Me Now (Glistening Examples) and is a work in a similar mode to that album in that it comprises two lengthy pieces of multiple movements and moods. For this new work, and as a kind of ode to his late father, Sheffield has employed samples entirely taken from (or inspired by) the city in which both men were born. In this way, the sounds have been utilized as a kind of …
**2021 Stock** After a break in recording of nearly fourteen years, the improvising duo of Colin Andrew Sheffield (samples, processing) and James Eck Rippie (turntables, samples, processing) returns with "Essential Anatomies," comprising two substantial new pieces of evocation.
Working exclusively with samples, Sheffield and Rippie sculpt primarily with commercial recordings to turn aspects of plunderphonics and electronic sound art into a form of abstract beauty. Their work together has always …
**2021 Stock** First Thus is a phrase used by book sellers, publishers, collectors, etc. to describe a book which may be considered a first edition and/or first printing, but which has been available previously in a slightly different form. A true first edition is the original, first printing of a given book, while a first thus is the first printing of a new version of that book. This classification can come about for any number of reasons, though often times it has to do with a new translation …
**Minimax CD in full-color digipak. Edition of 200.** Exploded View is a stand-alone piece exploring the intricacies of manipulated micro-samples by two veterans in the art of sound collage. Colin Andrew Sheffield & James Eck Rippie work with turntables and samplers (both vintage and modern) in their ongoing experiments with the re-contextualization of found sounds. "Exploded View" showcases the duo's focus on fragments of audio - the shards of samples broken apart and re-shuffled, like the cut-…
Brussels’ based media saboteur Yann Leguay operates with conscious ambiguity at the intersection of music, sound art and installation. Depending on the context you could as well describe him as a performance artist, a musician or a visual artist. He has little interest for such definitions and feels all the more unobstructed in his work, ready to hop from one domain to the other freely. On this release for Tanuki records he presents two contrasted pieces. The A-side, entitled “Here I am / A port…
These pieces were composed without the use of a computer, only a turntable, old sampler and a portable 64-track digital workstation. Each track is a distillation of commercially available recordings with the essential qualities remaining, only very brief sections are selected and the raw components then contracted into gradually shifting and unfolding atmospheres, offering subtle nuances and quiet restraint. Fragments from these tracks include sounds from birds or water, some being partially obs…