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*Stock 2024* When Rune Grammofon got going as a record label, one of their first projects was reissuing pioneering work by Norwegian artist Arne Nordheim, who dealt in some experimental works in the late 60s before developing a career as a composer. As a response of sorts from the next generation, Biosphere and Deathprod endeavoured to remix some of Nordheim's prescient pieces through their respective modern lenses. Originally released in 1998 and sounding as vital and inventive 25 years later, …
Oslo’s Deathprod (aka Helge Sten) announces Compositions, his new album out January 27th on Smalltown Supersound, and presents its lead single/video, “Composition 1.” The first new Deathprod studio project since 2019’s Occulting Disk—“a mesmerizing, terrifying, and emotionally nuanced ‘anti-fascist ritual’ of an album” (Pitchfork)—Compositions is the result of an intense period at his legendary Audio Virus Lab studio in central Oslo. All tracks are released in chronological order – in other word…
Staggering, career-defining work from Norwegian vanguard Helge Sten (aka Deathprod), who drives relentlessly forward on this illuminating new tome, using Harry Partch's extremely rare metal and glass instruments to pen a major new work that’s been years in the making and somehow resets modern experimental mores. Truly one of the most exceptional, most unclassifiable albums we've heard in ages - one that does a rare thing of having immediate impact - only to further expand deeper into the psyche …
Deathprod, a.k.a. Helge Sten, has been deeply embedded in the Oslo music community for decades, but his brooding soundscapes and deliberate process make him seem sometimes like a phantom. Sten is a founding member of Supersilent, adding his sounds and treatments to the avant jazz leanings of that powerful collective, and he has collaborated with artists as diverse as Biosphere, and Led Zeppelin’s John Paul Jones. But Occulting Disk is the first new Deathprod album in 15 years; his attention to d…
Deathprod's album trilogy (in bundle), gatefold cover with Japanese obi pressed on 180g vinyl. Based in Oslo, Norway, composer Helge Sten has been crafting this music since the early 90s, a deeply atmospheric, grainy minimalism that slows time down and explores the very particles of sound itself. The Deathprod concept arose in 1991 when Sten realized his complex array of homemade electronics, samplers, sound processing and analogue effects – cumulatively known as the “Audio Virus” – could ad…
ARNE NORDHEIM Forum for the Arts (1969)Taken from the soundtrack to A Forum for the Arts – a promotional film about Henie Onstad Kunstsenter directed by Pål Bang-Hansen in 1970. Original material recorded in Studio Eksperymentlne Warsaw, 1969. Edited and reconstructed by Helge Sten at Audio Virus Lab, 2012. Licensed by Rannveig GetzDEATHPROD Studio (2010)Taken from the sound and light installation Studio commissioned for the John Cage – The Anarchy of Silence exhibition at Henie Onstad Kunstse…
UK experimental institution Touch is now out with a split album from Biosphere and Deathprod, titled Stator.The two Norwegian artists have been producing ambient and other abstract musical forms on their own for well over two decades. Biosphere, real name Geir Jenssen, is likely known best for his classic 1997 album Substrata, though he's put out more than a dozen LPs since then, including many for Touch and his own label Biophon. Meanwhile, Deathprod, AKA Helge Sten (once part of the band Motor…