Dennis Oppenheim
Dennis Oppenheim was a pioneer of earthworks, body art and Conceptual art who later made emphatically tangible installations and public sculptures that veered between the demonically chaotic and the cheerfully Pop
Dennis Oppenheim was a pioneer of earthworks, body art and Conceptual art who later made emphatically tangible installations and public sculptures that veered between the demonically chaotic and the cheerfully Pop
Drag Marks
In (heavy and over-sized) wooden box of 40 handnumbered copies. Includes one handnumbered insert. 10 audiotqps with interviews/statements, experimental and electronic music by William Burroughs, Henri Chopin, Terry Fox, John Giorno, Glenn Blanca, Gruppo 70, Vito Acconci, Richard Friedman, Michael McLure and many more
1. Sarenco / Ori / Marcucci. Gruppo 70Side A: - Sarenco, "Hommage To Lin Piao"- Luciano Ori, "Situazione Blanca"Side B:- Sarenco, "Kein Gott"- Lucia Marcucci, "Poesia Auditiva" (Exc…
Moca/FM Interview
** Limited edition of 70. The cassette comes with two laserprinted and xeroxed inserts **
Theme For A Major Hit
"It aint what you make, its what makes you do it." Theme for a Major Hit is the soundtrack to an installation with motor driven marionette, wood, cloth, felt, tape player & external speakers made in 1974 by Dennis Oppenheim. Recorded at Angel Sound, New York in 1974. This piece consists of 15 marionettes with the artist's face, dressed in felt suits. They are rigged to machinery that engages them in a jerky, disturbing dance to a soundtrack. Stepping into the room (and consequently stepping into…
Tooth and Nail: Film and Video 1970-1974 by Dennis Oppenheim
Dennis Oppenheim (born 1938) has received international attention for a conceptual oeuvre spanning performance, video, sculpture, installation, and land art. In the early 1970s, Dennis Oppenheim was in the vanguard of artists using film and video to investigate themes relating to body and performance. This portfolio features a selection of his works known as the Aspen Tapes, produced between 1970 and 1974, in which Oppenheim uses his own body as a site of experimentation on the personal. In thes…