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With a memorable score including several orchestral variations of the main theme and a brilliant motif with lounge flavor - vocalised by Alessandro Alessandroni I Cantori Moderni - here’s another Maestro key release. A dreamy record with the excellent voice of Edda Dell'Orso and a samba number as well, going in a more exciting direction. A must have for any exotic Morricone aficionado out there !
Huge Tip! ** Double LP, 300 copies. Black Vinyl ** Soundtrack to classic police movie from 1975. First time on LP. Played by Cyan & Baba Yaga. Percussions: Tony Esposito. Track 1 & 2 sung Sammy Barbot. Track 10 & 11 vocalism by Edda Dell'Orso. Between the 60s and 80s, Albert Verrecchia played a major role in Italian pop music and in the European disco and Afro-cosmic scene, both under his own name and under the monikers Albert Weyman and Albert Prince. He was the keyboardist of legendary Itali…
* 300 copies * Digitmovies presents on LP another musical jewel by Ennio Morricone from the TV movie broadcasted by Italian Rai Television in 1978 Il Prigioniero (The Prisoner). Ennio Morricone has composed an extremely serious score which reflects the whole sentimental and dramatic side of the historic atmosphere, in which the protagonist is immersed. The author varies the main theme with different orchestrations: the romantic, but nostalgic "L'estate È Finite" for flute, harpsichord and orches…
* 300 copies * Digitmovies release an LP of the OST by Ennio Morricone: Noi Lazzaroni (We Rascals) from 1978. Ennio Morricone has composed a very "rural" score with the sounds that represent the life of the protagonist. Although integrated within modern society, the soul of this man is always directed to his past, to his land, to the teachings of his father which he could never leave behind. This adherence to the homeland is expressed through deliberately wild and almost enraged vocal performanc…
Edda Dell'Orso (born Edda Sabatini, February 16, 1935) is a legendary Italian singer who has long been the vocalist of choice for the maestro Ennio Morricone. She has provided vocals, often wordless singing, to countless Morricone scores beginning in the mid-1960s and most famously for the immortal score to Il Buono, Il Brutto, Il Cattivo (The Good, The Bad And The Ugly, 1966). This collection compiles, for the first time in one place, many of her finest performances for Morricone, includin…