Eli Keszler
Oxtirn
2024 (lucky) stock, totally sold-out at source since many years. Limited edition of 300 copies, pressed on 180 gram vinyl. Oxtirn is a truly unique and powerful blend of free energy, modern composition, and mechanical music that defies genre. With two proper full-lengths and an array of self-releases under his belt, Eli Keszler has turned to ESP-Disk for the release of Oxtirn, his third, most composed, and large scale effort to date. Oxtirn captures Keszler and crew at their most frenetic, and a…
Greatest Hits
** Edition of 300 ** Since the early 1990’s, Marina Rosenfeld has produced a substantial archive of acetate test-pressing records, or dubplates, which track across her practice - forming the basis for both improvised music, installations, and scores structured by the politics and aesthetics of turntablism and the material distortions of mechanical sound reproduction. Rosenfeld’s works thread into each other and unfold gradually in various musical forms and sites through their reproduction and in…
The Scary of Sixty-First
Eli Keszler’s score meets at the confluence between the visceral electro-acoustic Giallo style and brooding acoustic drones, which feature his abstract and textural percussion playing he has explored in his solo music
Icons
Composer and percussionist Eli Keszler has very likely been a vital force behind some of the 21st century’s most forward-facing music. Among his CV highlights are collaborations with the likes of Oneohtrix Point Never, Laurel Halo, Kevin Beasley and Rashad Becker, as well as a hand in crafting the nightmarishly psychedelic score for Uncut Gems. Now, Keszler returns with a solo album of beguiling fourth world jazz.
Icons begins with an ambient synth swell, where the only hint of rhythm comes in t…
Stadium
New small repress available. This is a stunner! Inimitable percussionist Eli Keszler takes time out from 0PN’s ensemble to unfurl the incredible, dextrous rhythms and electro-acoustic jazz keen of his masterpiece, ‘Stadium’ - a spellbinding follow-up to his cherished ‘Last Signs of Speed’ LP and recent duties working on 0PN’s ‘Age Of’ and Laurel Halo’s ‘Raw Silk Uncut Wood’ sides. For us this is one of the defining albums of the year - an isolationist avant-jazz masterpiece that is a total must-…
Last Signs Of Speed
Empty Editions present Eli Keszler's Last Signs Of Speed as their inaugural release. This release has represented a labor of love for both Eli and the label. Last Signs is Eli's first solo release since 2012's Catching Net (PAN 032CD) and explores a very different side of his unique acoustic universe. One in which the macro-cosmic percussive collisions of his earlier work give way to a gradual unfolding of dub-influenced rhythmic constellations. Eli has described Last Signs as his response to pl…
Neum
Neum is a book of drawings, prints and diagrams by eli keszler made in conjunction with the presentation of the neum installation at the south london gallery Ð a large scale piece, occupying a 150 wide by 50 foot tall space made up of 16 overlapped and splayed piano wire, activated by a mechanical system which is featured as part of the group show 'at the moment of being heard'. the book consists of over 65 drawings, sketches and diagrams of various sizes dimensions and medias as well as 3 silk …
Catching net
PAN presents a 2CD set from experimental composer/artist/multi-instrumentalist Eli Keszler. The first disc features two ensemble versions of Cold Pin (PAN 021LP), previously released in a 2011 LP of the same title on PAN, plus a 26-minute, previously-unreleased live ensemble recording (mixed sextet and piano quintet; these are captured in contrasting acoustical spaces). The personnel for all three tracks is Eli Keszler (drums, percussion, crotales, guitar); Ashley Paul (alto saxophone, bass…
Split LP
NNA is very excited to announce a split LP between world-renowned electronic music composer Keith Fullerton Whitman and multi-instrumentalist composer Eli Keszler. This LP is a conversation in sound between two prominent artists, one working in the electronic realm (Whitman), and the other in the world of live acoustics (Keszler). In fact, Whitman’s piece was inspired and created as a direct response to Keszler’s signature frenzied percussion style. Both sides of the record are full of incredibl…
Ithaca
Restocked!! Last copies arounf - recorded on november 2010, 'Ithaca' stands as one of the missing links between the tradition of free jazz and the current explorations in sound art. Bringing together one of the greatest living free jazz saxophonists and a young talented percussionist and sound sculptor, you have a record that sounds like a 'classic' and yet way ahead of its time. McPhee’s playing here is so lucid that it feels like a compendium of all those aspects of his style that have e…
Cold Pin
Over two years in the making, Cold Pin is the new full length record by Eli Keszler. Both a composition and stand alone installation, 14 strings ranging in length from 25 to 3 feet are strung across a 15 x 40 curved wall, with motors attacking the strings, connected by micro-controllers, pick-ups and rca cables. Recorded in Boston's historic Cyclorama, a massive dome built to house the Cyclorama of the Battle of Gettysburg painting in 1884. The b side features in addition, a 'dry' version …
Aster
'Aster is the duo and debut LP release of Ashley Paul and Eli Keszler. Performing across the northeast the past 3 years they have developed a unique style of sound which combines Keszler's piercing high pitched resonances from bowed crotales and cymbals with Paul's altissimo sustains and drastic pitch bends on alto saxophone and clarinet. The split tone combinations from these instruments is surprising and overwhelming, creating continuously shifting, multi-layered harmonics and intense inner ea…