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George Antheil
George Antheil (1900-1959) was an American composer. Antheil wrote over 300 musical works in all major genres, including symphonies, chamber works, film music, and operas. He was extremely outspoken and articulate, and wrote numerous articles, as well as an autobiography, Bad Boy of Music, which is still in print. As a young composer, he considered himself to be quite the revolutionary, and his music, especially in his early career, employed many unusual sound sources and combinations of instruments. In many ways, both musical and technical, he was far ahead of his time. His concerts routinely caused riots all over Europe, which at the time was considered a sign of genius. At the end of his career he settled in Hollywood, where he enjoyed a reasonably successful career as a composer for film and television.
George Antheil (1900-1959) was an American composer. Antheil wrote over 300 musical works in all major genres, including symphonies, chamber works, film music, and operas. He was extremely outspoken and articulate, and wrote numerous articles, as well as an autobiography, Bad Boy of Music, which is still in print. As a young composer, he considered himself to be quite the revolutionary, and his music, especially in his early career, employed many unusual sound sources and combinations of instruments. In many ways, both musical and technical, he was far ahead of his time. His concerts routinely caused riots all over Europe, which at the time was considered a sign of genius. At the end of his career he settled in Hollywood, where he enjoyed a reasonably successful career as a composer for film and television.
The rare SPA recordings and private audio documents, 1943-1958. Composer George Antheil (1900-1959) is most remembered for his mechanistic piano music hailed by 1920s Paris, but by 1948, when he’d become the third most-played American-born composer o…
Futurpiano showcases three influential avant-garde composers associated with the Futurist movement, by way of piano music composed between 1913 and 1933.
Arthur-Vincent Lourie was the first Russian Futurist musician, and a signatory of the original S…
George Antheil was not only always ahead of his time; he was also an alert contemporary and ready to take in all artistic trends of the first half of the 20th century. There was hardly a kind of music he wasn't aware of, hardly a madness he didn't ta…
Ballet Mécanique (1924) was a project by the American composer George Antheil and the filmaker/artist Fernand Léger. Although the film was intended to use Antheil's score as a soundtrack, the two parts were not brought together until the 1990s. As a …
The Piano Concerto No. 2 is an experiment in classical form. The work contains the same sudden juxtapositions and abrupt contrasts of mood as his futurist music. But the excesses of his recent Ballet mécanique are compensated for by an almost spare, …