Hanne Lippard
Hanne Lippard’s practice explores the voice as a medium. Her education in graphic design informs how language can be visually powerful; her texts are visual, rhythmic, and performative rather than purely informative, and her work is conveyed through a variety of disciplines, which include short films, sound pieces, installations and performance.
Hanne Lippard’s practice explores the voice as a medium. Her education in graphic design informs how language can be visually powerful; her texts are visual, rhythmic, and performative rather than purely informative, and her work is conveyed through a variety of disciplines, which include short films, sound pieces, installations and performance.
Talk Shop
Dischi Fantom’s Sussurra Luce series, blurring the boundaries between text, music and voice, returns with their third instalment, Hanne Lippard’s “Talk Shop”. Sculpting a fascinating bridge between radically experimental sound practice, conceptual art, and sound poetry, across its two sides the Berlin based multidisciplinary artist taps an almost dada sensibility, delivering a suite of poems and texts where singular words and sentences are looped and repeated creating a sensory experience of the…
This Embodiment
This Embodiment consists of work stemming from exhibitions and performances by Hanne Lippard over the past number of years. Including texts from her most recent exhibition entitled ‘Flesh’, at Berlin’s KW, that saw the artist use ‘her body and words to counterfeit perimeters given by established standards in art production and create a universe where the audience is physically as well as mentally brought outside of their confinements.’ The works collected display the various areas to which Lippa…
Work
This is a brilliantly weird and hypnotic record, featuring pretty much nothing but the voice of conceptual artist Hanne Lippard reading a variety of texts typical of our digital age - things like autoresponders, FAQ’s, social media posts, bot-generated spam mail etc (or as she calls it ‘degenerate, or “b-language”) as a continuation of her ongoing investigation of the differences between the spoken and the written word. The result is entrancing, funny/sad in an almost Larkinian way and highly th…