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Henrik Munkeby Nørstebø and Daniel Lercher met in the Czech country side in 2010, as part of an improvising orchestra comprised of Austrian, Czech and Norwegian musicians, and started working as a duo shortly after. Finding common ground in fine grained and slow pulsed music, the duo went through a research period, striving to develop a common material void of all things unnecessary, where the impact of acoustic and electronic sound elements were truly balanced. While Nørstebø refined his arsena…
Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Beam Splitter‘s debut album Rough Tongue on Corvo Records is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din. All tracks are taken from three live concerts in 2016. Utilizing the pure sounds of acoustic and closely amplified trombone and voice, the record exemplifies the joining together of these two i…
(…) the three pieces presented by Borg (piano) and Norstebo (trombone) are spellbinding explorations of the low tone. Three pieces but they segue into one another effortlessly and, with the possible exception of slight variation in pitch (and I’m not even sure of that) are pretty much indistinguishable from each other unless I missing some subtle pattern shift. The sounds are all low and sustained–bottom of the keyboard piano and extremely low trombone (the disc says, simply, “trombone”, though …
Henrik Munkeby Norstebo, trombone, half clarinet, electronics.Melting into foreground is the second solo album from trombone player Henrik Munkeby Norstebo, and his debut on the SOFA label. The first track is solo trombone. No effects. He is using the whole spectre of his instrument, from pure tones to noise and the barely audible, in an attempt to find the balance between the intuitive and the strictly constructed. About the second part, Henrik says that all the electronic sounds stems from one…