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Sublime, ethereal minimalism: the first drawing together of Hiroyuki Onogawa’s soundtrack compositions, plotting a decade of music for films by cult filmmaker Gakuryū Ishii. ‘Sequenced into an album by Onogawa himself, this retrospective spans a fertile period of collaboration with Ishii, through soundtracks for three remarkable films — August in the Water (1995), Labyrinth of Dreams (1997), and Mirrored Mind (2005) — where the cinema is texturally and sensually imbued with the spiritual, ambien…