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Ian MIDDLETON

Well of Sorrows
Well of Sorrows is Ian Middleton's first LP release since 2009's Aural Spaces and Time Building (Swill Radio and Entr'acte respectively). Employing his signature MS10 analogue synthesizer, Middleton's sound takes on a more plaintive tone, weaving quietly lyrical melodic patterns into an ever-shifting stasis. Precise and elemental, Middleton's music reflects years of exploration into the possibilities of his chosen instrument, sidestepping the transience of current trend and carving his own path …
Aural Spaces
I've been in touch with Ian MIDDLETON for over 13 years now, lured into contact by a remora lathe-cut lp, I believe, which sounded similar in intent to ifco material that karla and I were working on at the time. IanIan's music has always had both organic and artificial elements combined with the vague melancholy of distant beauty. With Aural spaces, Ian has refined and distilled his processes into a gorgeous electronic diamond. To quote my good friend oskar spee, 'Aural spaces is an exotic, scie…
Time Building
I started making music in earnest in 1994 with a Casio keyboard and a four-track cassette recorder. Since 1996 I have been using a Korg MS10 analogue synthesiser and some effects pedals which I have added over time Ñ delays, phasers, a ring modulator and a pattern generator. Occasionally I use acoustic sounds as well. On this LP, I made extensive use of a pattern generator (a Moog Murf) in combination with other effects. Before recording anything, I spend time designing and shaping the sounds I'…
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