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Ingram Marshall

Ingram Marshall (born May 10, 1942 in Mount Vernon, New York) is an American composer and a former student of Vladimir Ussachevsky and Morton Subotnick. Marshall’s early work is primarily electronic, but by 1971 he had taken a substantial interest in Indonesian music and began to study the gamelan traditions of Bali and Java.
In the mid-1970s, Marshall worked to combine his eclectic interests into a unique and memorable sound, sometimes layering electronic tones with the sounds of the Balinese flute, other times incorporating “text sound” in the form of the manipulated human voice. Since 1985, his main focus has been ensemble music that sometimes incorporates electronic sounds and sometimes does not.

Ingram Marshall (born May 10, 1942 in Mount Vernon, New York) is an American composer and a former student of Vladimir Ussachevsky and Morton Subotnick. Marshall’s early work is primarily electronic, but by 1971 he had taken a substantial interest in Indonesian music and began to study the gamelan traditions of Bali and Java.
In the mid-1970s, Marshall worked to combine his eclectic interests into a unique and memorable sound, sometimes layering electronic tones with the sounds of the Balinese flute, other times incorporating “text sound” in the form of the manipulated human voice. Since 1985, his main focus has been ensemble music that sometimes incorporates electronic sounds and sometimes does not.

September Canons
Todd Reynolds, violin, with electronic processing; Members of the Yale Philharmonia, Julian Pellicano, conductor; The Berkeley Gamelan, Daniel Schmidt, director; Ingram Marshall, gambuh (Balinese flute), Serge synthesizer, live electronic processing …
Fog Tropes / Gradual Requiem
2015 restock. Essential piece of modern composition from American composer Ingram Marshall, using tape delay, Serge synth and foghorn field recordings reissued on Arc Light Editions. Described by John Adams as "the antithesis of the human voice again…
Dark Waters
Dark Waters, for English horn and tape, was written in 1996 for the oboist Libby Van Cleve. The English horn is amplified and processed through several digital delay devices and mixed live with the tape part. The tape part was created using raw m…
Ikon and other Early Works
This CD comprises the text-sound works (1974-1980) on which Ingram Marshall concentrated throughout the seventies and falls into two parts: the works from the Fragility Cycles period (Cries Upon the Mountains, SUNG, Sibelius in His Radio Corner, and …
One Line Two Views
One Line, Two Views features seven compositions for nine-piece ensemble by Muhal Richard Abrams. Works range from the subtle textural and tonal explorations of “Textures,” “Hydepth,” and the title track to the hard bop revisitations of “11 over 4”…
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