James Romig
Still
James Romig (b 1971) endeavors to create music that reflects the intricate complexity of the natural world, where fundamental structures exert influence on both small-scale iteration and large-scale design, obscuring boundaries between form and content. Still, for solo piano (2016), inspired by the paintings of Clyfford Still, comprises 43 individual "Iterations" that may be performed in a continuous unbroken strand of music that lasts approximately 55 minutes, or it may be divided into smaller …
Spaces
*Limited Edition Handmade CDR* Spaces, for solo vibraphone, was composed in 2021 for percussionist Tony Oliver in celebration of more than thirty years of musical collaboration and friendship. The work is nearly 80 minutes in duration when performed in its entirety, but its eight 10-minute iterations (1a, 1b, 2a, 2b, 3a, 3b, 4a, 4b) may also be programmed individually or in suites. Each iteration labeled "a" begins with a group of three pitch-classes that gradually combine with a second trichord…
The Complexity Of Distance
At the onset, we hear a single, heavily distorted power chord. The chord fades, and then we hear three more iterations of the chord in regular, pulsed attacks. To some, especially fans of metal and its many subgenres, this sound is welcoming and familiar. To others, this sound is surprising, perhaps arresting—an unexpected opening from a composer known for music of quiet, prolonged stillness. This chord and its four attacks signal the opening of The Complexity of Distance, a 58-minute collabora…