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** CD edition ** We’re thrilled to announce the first ever box set gathering the entire ten album collection of Brian Eno’s Obscure Records, originally issued between 1975 and 1978. Containing the debut releases of Gavin Bryars, Michael Nyman, John Adams, David Toop, Max Eastley, Harold Budd, Christopher Hobbs, Jan Steele, and Simon Jeffes / The Penguin Café Orchestra, in addition to important works by John Cage, Tom Phillips, and John White, not to mention Eno’s seminal “Discreet Music”, the la…
Songbirdsongs is among John Luther Adams’ seminal works. This is the first time the cycle appears on CD. Although music has been written involving the sounds of birds for centuries, no composer has ever approached the concept in this way. Based on Adams’ observations and studies of actual bird songs, he scored them for various ensembles of piccolos, ocarinas, flutes and percussion. Rather than having a fixed score, each piece consists of a collection of unordered phrases for each instrument. T…
** 2021 Stock ** John Luther Adams is an Alaskan composer. For Adams, Alaska is not a catalogue of ideas and sounds, instead, Alaska is a provocation. For all of its enormity, Alaska leans inward towards essential qualities and purified forces, and in Adams’ music we find this same sense of space and the same tendency inward towards the purified. His is an intimate and focused music that reverberates in a large place. Strange and Sacred Noise is a monumental work for percussion quartet in 9 move…
John Luther Adams's Everything That Rises, commissioned by SFJAZZ and the JACK Quartet, is an ever-in-motion virtuosic just-intonation work built of a series of 16 ascending musical “clouds.” Its pitches are derived from the harmonics of the piece’s subsonic fundamental tone (C0).The composer writes: “Everything That Rises, my fourth string quartet, grew out of Sila: The Breath of the World—a concert-length choral/orchestral work I composed on a rising series of 16 harmonic clouds. This music tr…
The Wind in High Places is an elegant, haunting collection album containing three of John Luther Adams’s serenely powerful recent string works: (1) The Wind in High Places (2011), a three-movement string quartet commissioned to celebrate the 50th anniversary of Theodore Front Musical Literature, performed by JACK Quartet; (2) Canticles of the Sky, a four-movement piece for four cello choirs, performed by the 48-member Northwestern University Cello Ensemble, directed and conducted by Hans Jørgen …
Four Thousand Holes is a sometimes lush, sometimes fragile, rhythmically complex and technically demanding work for piano and mallet percussion (performed by the extraordinary pianist Stephen Drury and percussionist Scott Deal) and ghostly electronic “auras”—electronic sounds created by processing the acoustic instruments’ sonorities.Unlike John Luther Adams’s other works, the pitch material used in Four Thousand Holes is drawn exclusively from Western music’s most basic elements: major and mino…
John Luther Adams's The Place We Began contains four mysteriously evocative electro-acoustic works that the composer built from short recorded moments—audio fragments—of his early music (circa the early 1970s). This is not a trip down Memory Lane: in The Place We Began, Adams has reappropriated and transformed these sonic fragments into completely new works that speak to his current musical interests and directions, especially his recent installation pieces, and refer to his past only in ways th…
The four pieces that make up this CD—Dark Waves, Among Red Mountains, Qilyuan, and Red Arc/Blue Veil—are for various combinations of one or two pianos, percussion, and electronics. Each piece is built from a complex, polyrhythmic layering of voices that combine to form large, multi-arch musical shapes that explore a rich palette of harmonic and timbral colors, lush textures, and clear, simple compositional forms. This is music of broad strokes and ever-changing ebb and flow. John Luther Adams ha…
These three works exist amid an undeniable esthetic spirit of the times—the embracing of pre-compositional principles and structural processes in the service of a highly personal artistic statement. However, John Luther Adams’s recent work tends to transcend his compositional devices—it is simply potent, compelling music that is timeless in its sublimity. This is quietly expressive music in which process never intrudes on the music’s “sounding,” but churns away in the background, while the foreg…