Michihiro Sato
Tayutayuto
Sato’s first studio meeting with Keiji Haino sees a rare melding of open minds and taut strings. Common languages are invented, experimented with and discarded at will. Haino revisits the evocative nylon-strung guitar style he first explored on Hikair yami uchitokeaish kono hibiki (PSFD-8017), laying down fields and forests of string texture, while Sato burns blazing trails of narrow-beam intensity straight through the middle of your skull.