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In 1982, when the entire industrial elite of today was still in primary school and could barely read and write, four experimental musicians under the name Kowalski released an album called "Schlagende Wetter", which the NDW-fixated German public completely ignored, as expected. With their bizarre steel machine rock, vaguely situated between Kraftwerk, Tangerine Dream and Bap, Kowalski were a whole decade ahead of their time and ignited a crashing, pulsating sound inferno by means of artfully pol…