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** 12-page booklet reproducing the original liner notes ** Reissue of the groundbreaking LP from 1971 of Phonetical Poetry / Sound Poetry pieces by the most relevant artists of the last century. Curated by Franz Mon.
Including pieces written by the fathers of Russian Futurism Velimir Chlebnikov, Alexej Krutschonych, and Kazimir Malevitc, followed by poems by Raoul Hausmann and Kurt Schwitters, the French school of Francois Dufrene, Henri Chopin, Maurice Lemaitre, to Bob Cobbing, Peter Greenham, …
*2022 stock* Kurt Schwitters’ “Sonate in Urlauten” [Sonata in Primal Sounds] is the prototypical work at the border between speech and music. The concise title of the work alone forges a suggestive link between language material and the musical form of the sonata; the "Ursonate" almost proverbially stands for sound poetry. For Schwitters, who was actively involved in promoting his sound-poetical opus magnum, even as his own interpreter, it was difficult to imagine that his work could survive wit…
Beginning in 1975, Eberhard performed Kurt Schwitters’s Ursonate over a hundred times (though he did not, as was incorrectly stated in an obituary that appeared in a Berlin newspaper [6], give the premiere). In addition to his work as a musician and vocal performer, Eberhard mastered the art of designing intelligently thought-through concert programs—“Positions of the modern” (1988), “Stations of musical modernism” (1989), “Stefan Wolpe and the musical avant-garde” (1990), “With other ears” (199…