Kyle Eyre Clyd
Eaux
Kyle Eyre Clyd began her solo noise project using unclaimed electronics left behind at her residence, Brooklyn’s Silent Barn. Since then, her semi-outsider status—as a Southerner among the Northeast’s local scenes, a non-musician amongst musicians, a woman amongst men—has allowed her to develop a unique voice, tangential to the harsh noise genre. On "Eaux", her debut release on Ultraviolet Light, Clyd combines ARP 2600 synthesizer performance, mixer feedback, tape/digital manipulation and field …
Pale Dawn Creeps
**Rustling, haptic "blues" abstractions. RIYL Bellows, KYE records, Jason Lescalleet, Ekoplekz. Edition of 300 in spot gloss jacket.** "Kyle Clyd is of an orphaned ascendancy, more Geeshie Wiley or Anne Gillis than any of her visible peers. In talking about Pale Dawn Creeps, her debut full length, she refers a kind of blues, itself perhaps a mercurial essence resigned to antiquity: "To believe that the bits of paper in your pocket have real value or to take the word for the thing itself is the "…